The Crow Road

This has to be one of the most impressive pieces of drama ever to come out of Scotland. Outside of the long running series 'Taggart'(which had a very similar visual approach to 'The Crow Road')and the films 'Trainspotting','Shallow Grave', 'Small Faces' and 'Local Hero' there is nothing Scottish i can think of which equals it for quality(some might say 'Gregory's Girl' but i was never to fond of that myself).The story is somewhat complicated but it is brilliantly put together. I also have to say that i have never read the novel so the adaption is very user friendly and by the look of the other reviews it has pleased fans of the original text aswell.The only problem i felt was with the ending which i thought just seemed to smooth and cleared everything up too well. But on the whole this is a minor criticism. It is strange to think that i first saw this 6 years ago, when it was first screened by the BBC. Its also somewhat sad that the careers of perhaps the dramas two most outstanding performers, Joe McFadden and Valerie Edmund, haven't gone anywhere since as it seemed at the time that both were set for stardom. Howerever Dougray Scott, who had a somewhat minor role as Prentice's older brother, has gone on to much bigger things including being Tom Cruise's nemesis in Mission Impossible:2.

'The Crow Road' came out at a time when gritty dramas were flavour of the month like 'The Lakes', 'This Life', 'Shockers' etc. but, for me, this was the big stand-out. Mainly because it was so well adapted from the book and because of the great cast. Joseph McFadden, who plays the lead (Prentice McHoan), was relatively unknown at the time, but more than held his own alongside established actors like Bill Paterson & Peter Capaldi. Also the young support cast of Dougray Scott, Valerie Edmond & Simone Bendix play their parts very well. Dougray Scott, in particular, is perfectly cast as Prentice's swaggering, comedian brother.

The director keeps the suspense and mystery going throughout, allowing the story to come together a little at a time, leading on to an explosive finale that I found genuinely surprising.

I don't think I've seen anything else like it.

10/10 Outstanding.

Excellent mini-series about a young man's search for the truth in his family's past and what it had to do with his uncle's disappearance some years before. It is about closure but also growing up and moving on in one's life. Hard to pick a stand-out in a cast that fits the characters with great precision.

Perhaps the real star is the landscapes of Argyll in Scotland. I was always disappointed when filming went inside, except that the script was so strong and acting so meticulous, you were always entertained and stimulated.

Peter Capaldi and Dougray Scott went on to bigger things. Bill Paterson and Stella Gonet are solid,established Scottish actors whose standards never drop and Valerie Edmond has always been a shining light. The younger actors were excellent as well.

My wife bought me this for Xmas and we've just finished watching it again. As something of a perfectionist when it comes to adaptations of books I have read (Starship Troopers anybody), I have to say that this one tops the list. If I have to criticise it at all, I'd only say that I'd expected Prentice and Ashley to both be blond. Suffice it to say that this is the only fault I can find both with an exceptional adaptation and a fine set of performances by the whole cast in general and Joseph McFadden in particular.

Sometimes a screen version of a story recognises that it doesn't have to be a slavish copy of the book in order to do it justice. Sometimes it remembers to rely on visuals rather than words. This mini-series utilised a very clever plot device to highlight Prentice's confusion, questions and internal dialogue.

The darkly comic story opens up at the funeral of Prentice's grandmother who subsequently explodes. This bizarre event sets the tone for the rest of the four episodes and lets you know right away, that you're not watching a standard mystery.

But more relevantly... shortly before Granny died, she set Prentice a little task. Find out what happened to Uncle Rory. Now, Rory has been missing for about seven years now and nobody knows where he is. He got on his motorbike one day and drove off - never to be seen again. Various family members have their theories on what happened to him, but they are a quirky and strange bunch with their own secrets, so their thoughts are open to interpretation, anyway. And the rest of the clues are present in Rory's memoirs which are haphazard, random and - due to his disappearance - incomplete.

So the story gradually unwinds. The viewer never knows any more or less than Prentice knows himself and he is unwilling to face some of the less savoury details. Further events, funerals and family gatherings, together with Rory's own notes inspire flashbacks and memories that flesh out all the characters, provide fresh suspicions and theories and ultimately provides one of those "Ooohh" moments where everything finally falls into place. I mean it. You might well find yourself shouting at Prentiss to "Make the #*$ing connections!" I certainly did.

Watch the series with a bunch of friends. Pause the DVD after every episode. Put the kettle on (or open some more beers or - if you really want to savour the mood - pour some whisky), recap what happened with each other, exchange theories and then settle back for the next instalment. Then later, you might even be inspired to read the book.

Very recommended.