Cosby

This show is incredible. PAX TV shows reruns every weekday afternoon, and I can't get enough! :) The casting is simply perfect, the plots are so hysterical and enjoyable, and, best of all: It's clean!!! It proves that family-friendly comedy still sells these days. If only more shows were like this one!!

This is a good series and it is sad to see it go next season but there is just something missing in the series. It's not as funny as The Cosby Show but the cast members on there this last season are grown up and we all liked seeing Cosby as "America's Favorite Dad" as the TBS Superstation says. I guess that's it or there's something else. I just don't laugh as much as I do at The Cosby Show. But all in all, it was a good series and it's sad to see it go. Perhaps Bill Cosby and Phyllicia Rashad will do more work together since they have made a great team on both series.

I loved this show, and I happen to believe it was BETTER than its' predecessor. Several elements have lead me to this conclusion. The show's dialogue leads you to believe that the show is scripted, but improvised as well. Take a look at some of the conversations between Hilton & Griffin. Especially my favorite on the airline freebies & "Tiny Wine". I also loved the asides Cosby's "Hilton" took to the audience on set & at home. It helped you get your bearings into the upcoming scene. These blend into a believeable atmosphere. The Late Madeline Kahn was great as Pauline in her rambling, eccentric role. I'm just grateful this show is back on in syndication in Houston on UPN 20 for 1 Hour, and on TBS at 11:30E/10:30C

Overall the short four-year run of this series was enjoyable. This is due in large part to an excellent cast, including (of course) Bill Cosby, Phylicia Rashad, and the late Madeline Kahn. The supporting cast, including Doug E. Doug and T'Keyah Crystal Keymah, was also wonderful. The show was clean, hip, and classic Cosby. Some classic moments in the beginning; after Madeline Kahn left the series (and sadly passed away shortly afterward), it was never the same. Darien Sills-Evans is a good enough actor, but he was no substitute for "Pauline." In addition, COSBY unfortunately became CBS's dumping ground for government-sponsored "public service messages" disguised as sitcom plots. In COSBY's last days, the scripts weren't as good anymore either; uneven writing in the end was what did the show in, leaving behind some classic moments from the first few years.

CBS finally stumbled into a younger market several years ago, inspite of itself...before that, prior to '01, CBS bought and played place-holders, especially, played out staples from other networks.

Cosby was one of the best of these. Freely lifted, barely re-tooled, and name-changed from the NBC run, this show was a genial, even less wavemaking showcase than the 80s Cosby run (which made no waves in reality beyond Brady Bunch-style safety).

Stage-bound, and essentially a verbal play between 2.5 avg sets, this was Cos' and whoever, coming in several times a week for coffee, and a filmed reading. It had it's nice comforts...currently, very comfortable and genial about 4am in synd if you channel it up by chance, and need encouragement to sleep.

Bad = Televised airspace placeholder....Good = Cosby, and light-hearted lullaby and drone. Venerable late-night/very early morning fare when you're trying to sleep.