Stimmen aus der Schattenwelt

I've been a fan of early 20th century British music for years, have many recordings of Peter Warlock's works, and have read about Philip Heseltine <no spoilers>. I have NEVER come across any reference to the convoluted plot twists that the movie purports are part of his life story. A drunkard, yes, but a psychotic? Hmmm. Good performances, tho, and perhaps the BEST performance is by Sylvia McNair, whose golden voice graces most of the pop and classical pieces in the soundtrack. (One good Warlock story...he wrote one of his most famous Christmas carols along with a poet friend, and sold it to a newspaper in order to have enough money to get drunk on Christmas.)

I'm surprised to see this listed as a 1995 movie, because it's a "new release" in the video stores and the film's case has a date of 1999. I agree with Dick 108's review heartily. The acting is very good, and the story is interesting. Like Dick, I was intrigued and researched, on the 'Net, Peter Warlock, and found the the movie seems far from the truth. It may have been based on a book or article by one of Heseltine's friends, a Mr. Gray. More I won't say, because I don't want to spoil things for someone reading this before seeing the movie. The actor, Jeremy Northam, looks exactly like him.

I never heard of Peter Warlock or Philip Heseltine but Jeremy Northam is a terrific actor. The script needs work but the film is a decent look at two personalities as different as Jekyll and Hyde. Warlock is a genius composer while Heseltine is a troubled music critic for the paper. In this film, there is a love story and the actress who plays his love interest does a memorable job in the role. The story is set before 1930 in England. The film tries to explain the sad life and madness that destroys the genius behind Warlock's brilliance. The love interest is the only one who seems genuinely concerned for his well-being while other characters seem to encourage his madness to produce genius. Sadly, his behavior is self-destructive to say the least.

"Voices...", a brooding dark psychodrama set in London in 1930, tells of a feud between a music critic and a reclusive composer which turns violent and the girl/lover caught in the middle. This fat, sumptuous, sepia toned, and sometimes tedious psychodrama features fine performances by the two principals (Northam & Bergen), excellent musical scores both foreground and background, and is much underrated and underhyped.

VIEWER ADVISORY: The less read about this film prior to viewing the better. I read one user comment on IMDB.com which spoiled both the "hook" in the middle and the finale.

Jeremy Northam is unbelievably BELIEVABLE in this film (as usual). Truly an under-used actor considering his remarkable ability to "become" his character. (Granted, he tends to play similar characters over again, but why stop when you're on a roll--or role?) I've read much about the film's historical inaccuracies, and while that may be, people still also rent "Immortal Beloved" which is similarly inaccurate but a well-made film nonetheless. Northam is on the same pedestal occupied in my mind by Harrison Ford and Gary Oldman. They are incredibly REAL in their portrayals--you'd believe anything they tell you regardless of how bizarre because they come across as genuine. Aside from one corny sequence in this film (a recollection that includes a flaming piano--no kidding, it's terribly done), the film is engaging and well-shot. (For real Northam lovers, there's also some ultra-high-quality butt...and then some...footage. He's a sex God.) Whoof! Apart from that, still a well-made, enjoyable film. (But especially BECAUSE of that.)