IMDb-BEWERTUNG
5,5/10
33.960
IHRE BEWERTUNG
Als es einer Virtual-Reality-Simulation, die mit den Persönlichkeiten mehrerer Serienmörder erstellt wurde, gelingt, in die reale Welt zu entkommen, wird ein Ex-Cop damit beauftragt, seine S... Alles lesenAls es einer Virtual-Reality-Simulation, die mit den Persönlichkeiten mehrerer Serienmörder erstellt wurde, gelingt, in die reale Welt zu entkommen, wird ein Ex-Cop damit beauftragt, seine Schreckensherrschaft zu beenden.Als es einer Virtual-Reality-Simulation, die mit den Persönlichkeiten mehrerer Serienmörder erstellt wurde, gelingt, in die reale Welt zu entkommen, wird ein Ex-Cop damit beauftragt, seine Schreckensherrschaft zu beenden.
- Auszeichnungen
- 1 Nominierung insgesamt
Gordon Jennison Noice
- Big Red
- (as J. Gordon Noice)
Miracle Vincent
- Christine Barnes
- (as Miracle Unique Vincent)
Empfohlene Bewertungen
For the most part, "Virtuosity" is basically another virtual reality-themed movie so full of action that it almost hurts. But interestingly enough, there is a little bit of a plot here. Denzel Washington plays Lt. Parker Barnes, who has to help find SID 6.7 (Russell Crowe), a virtual serial killer who has escaped into the real world in 1999 LA.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
You can't help but like Crowe's gleeful portrayal of a schizophrenic nano-bot serial killer in this ridiculous film, and with futuristic fascists, pervey programmers and a bucket loads of virtual reality cyber nonsense, this should really be a winner in the style of The Demolition Man or the Robocop series. But where other films in the genre have used such tools as wit and plot to keep the more intelligent of the viewers amused, this film, um, hasn't.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
This movie from mid 90s holds up pretty well all things considered.
The main characters and quite compelling if also well over the top.
The support cast is all over but not really a problem.
I feel the FX held up well and the plot as short sighted as it is works.
Don't get me wrong this is very much a flash over function flick.
Can't say much without giving away the plot.
It also has the distinction of having UFC fighter doing non ufc things in the future.
Not sure why but sensationalists really went hard on the blood sport thing back then.
If you have not seen it do there are a lot worse ways to waste 1.5 hours.
The main characters and quite compelling if also well over the top.
The support cast is all over but not really a problem.
I feel the FX held up well and the plot as short sighted as it is works.
Don't get me wrong this is very much a flash over function flick.
Can't say much without giving away the plot.
It also has the distinction of having UFC fighter doing non ufc things in the future.
Not sure why but sensationalists really went hard on the blood sport thing back then.
If you have not seen it do there are a lot worse ways to waste 1.5 hours.
This film is just plain silly. It catches Denzel Washington in one of his rare ultra-violence impulses (like Training Day). Newsflash: Washington is a premier actor wasted on a simple-mined character that just about second-rate actor in Hollywood could have played.
However, the hilarious, over the top performance of Russell Crowe as a cyborg gone berserk is a combination of Max Headroom and the rogue robot in Blade Runner. He steals the film, but cannot rescue the lame script and corny dialogue. Of course, being 30 years old, the film is a bit dated from a scientific standpoint, so we must accept the science that was available in 1995. Entertaining at times.
However, the hilarious, over the top performance of Russell Crowe as a cyborg gone berserk is a combination of Max Headroom and the rogue robot in Blade Runner. He steals the film, but cannot rescue the lame script and corny dialogue. Of course, being 30 years old, the film is a bit dated from a scientific standpoint, so we must accept the science that was available in 1995. Entertaining at times.
The first great film for Russell Crowe, and a very interesting film to say the least. Cyber culture is rarely ever depicted in movies, but this was one of those films which brought some of these underground tendencies to light. What was even more interesting was how evil Sid 6.7 was. Crowe did an excellent job of portraying the demented cyber villain. I especially liked Denzel Washington, who always manages to be believable in his role when he doesn't try to be a soul brotha.' Granted, the cinematography was pretty average as well as the music, but then again, the performance of the two main stars really made this film a winner.
Wusstest du schon
- WissenswertesAccording to Kelly Lynch, she and Denzel Washington were supposed to kiss. However, Washington had the scene dropped because he felt an interracial love scene would hurt the film's box-office chances.
- PatzerParker Barnes is arrested for allegedly shooting and killing SID's hostage at the train station, and later he is accused of killing the policemen who were taking him back to the station after SID murders them and "frees" Barnes (because he wants to see Barnes die a painful death when the satellite-linked chips explode in his brain). The problem is that both of Parker's alleged crimes are not plausible at all; if he shot the woman it would be obvious from the pattern of her wounds (since he was firing at SID from the front and SID fired at him, and shot and killed the hostage, from behind her) and he had his gun taken away and was handcuffed by the police before SID arrived for the murder/set-up.
- Crazy CreditsAt the end of the credits when the producers thanks technology companies for providing tools, one tools is listed as HSC Kal's Power Tools. This is a typo, since the product is Kai's Power Tools. They typo is even archived in TCM's movie information database (http://www.tcm.com/tcmdb/person/7915492%7C0/Hsc-Kal-S-Power-Tools-Bryce/)
- Alternative VersionenThe original 1996 German video release was heavily edited to reduce the intensity of violence, in order to receive a "Not under 18" rating from the FSK. The uncut version was finally passed in 2013 with a "Not under 16" rating.
- VerbindungenEdited into Twizzlers: The Movie (2015)
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- How long is Virtuosity?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Sid 6.7, la máquina asesina
- Drehorte
- Gas Co. Tower - 555 W. 5th Street, Downtown, Los Angeles, Kalifornien, USA(fight scene near the ending)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.047.675 $
- Eröffnungswochenende in den USA und in Kanada
- 8.309.869 $
- 6. Aug. 1995
- Weltweiter Bruttoertrag
- 24.047.675 $
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