Alarmstufe: Rot 2

Yes, the earthquake beam from space (heck, the whole story line and all of the villains too) are totally unbelievable. Frankly, if you can find a "believable" action movie, I have a beach house in Arizona you might want to buy. Yes, the production values were not the finest.

But -- if you like watching the hero exterminate the bad guys, few do it with the style of Seagal. Like Jet Li (yeah, I am old enough to remember Bruce Lee the original, and Chuck Norris), he is one of the few action heroes who is a real martial arts guy, and he moves so fast and fluidly it is hard for the eye to follow, but fascinating to watch. This is brainless entertainment, full of hilariously cheesy B-movie one-liners you can laugh at ("Assumption is the mother of all f-ups!"), often bad acting, a story line you could describe in one sentence, and zero character development.

There are worse ways to spend 90 minutes. Believability is for films that take themselves seriously. Seagal is more like stand-up comic straight man meets Aikido ace. At least he handles a handgun like someone who has actually fired one.

Steven Seagal reprises his role as a one time SEAL team captain, a counter-terrorist expert who had to rely only on his personal skills in order to survive, and protect the hostages... He happens to be on the Grand Continental passenger train traveling from Denver to L.A... Seagal joins the only family he has, a 'cute kid' named Sarah (Katherine Heigl) after her parents died in a plane crash...

Seagal has an electrifying screen presence... Seeing him in action is similar to appreciating modern art...

The train is hijacked by a team of 'ugly men' with guns... Their chief, Travis Dane (Eric Bogosian), is a high-tech mastermind, who fakes his own death in order to gain control of a top-secret nuclear satellite... For this crazy technical genius, technology can be used for beauty or debasement, and 'until you plug it in, you just can't tell.'

Dane's henchman Penn (Everett McGill) is a soldier of fortune freak, whose relationship with his boss resurfaced during Desert Storm...

Morris Chestnut's focus is on humor and breath-taking sequences...

Geoff Murphy's film is incredibly entertaining, combining action, martial arts, and dark sense of humor...

DIE HARD aboard a train, there will be more, a couple I guess, in the future; Aboard a train, I mean. Because you had DIE HARD rip offs on all kind of transportation or facilities, except a pet cemetery or a taxi cab...That said, I prefered this one to the first Andrew Davis' opus, I don't know why...This Geoff Murphy's movie is not better, but maybe the bodycount was a bit easier. Bodycount of the villians wasted one by one, that's the main interest for this kind of film. And of course in the end, you have to obtain the exact count. If not, let's admit it is a bit boring. I have seen action flicks where the more the bad guys are killed, the more you have bad guys!!!! Yes, a good action film, worth seeing, despite it is of course lousy, forgettable.

This was pretty good actually, despite having some production problems(word has it that they were thinking of bringing Gary Busey's character back from Under Seige I-yeah, right-off the exploding Sub? Not likely...)But anyways, this worked well for me. I enjoyed Seagal, showed a bit of humour here in places, thought the train gave it a decent closed in setting, liked both Kurtwood Smith and Everett McGill doing what they do best. (Smith has played the worried Pentagon staffer before too, about the same way...) My impression of Bogosian was that he was a bit too wired at times in his portrayal but it worked just the same. Overall an enjoyable if not great action film, the sort Seagal should have made more of.

**1/2 outta ****, nothing great, but alright.

This film is one of Steven Seagal's best and has all the elements of a Bond film: a driven hero, a villain brilliantly played by Eric Bogosian, and a hard-hitting assassin played by Everett McGill. Beauty is respected as a formula that ensures success and the action sequences are precisely dosed by Geoff Murphi, who here offers his best film. What is most surprising is that despite having had many successful films Steven Seagal chose the path of destroying his career with questionable products that instead of entertaining had other objectives. It is a film that does not lose its validity and that is enjoyable. This same recipe was the one that ensured the success of Kingsman and other sagas. We must never forget history if we want to make money.