Eine Cowboy-Puppe fühlt sich bedroht und ist eifersüchtig, als ihr eine neue Raumfahrer-Figur ihren Platz als Lieblingsspielzeug im Kinderzimmer eines Jungen streitig macht.Eine Cowboy-Puppe fühlt sich bedroht und ist eifersüchtig, als ihr eine neue Raumfahrer-Figur ihren Platz als Lieblingsspielzeug im Kinderzimmer eines Jungen streitig macht.Eine Cowboy-Puppe fühlt sich bedroht und ist eifersüchtig, als ihr eine neue Raumfahrer-Figur ihren Platz als Lieblingsspielzeug im Kinderzimmer eines Jungen streitig macht.
- Für 3 Oscars nominiert
- 29 Gewinne & 24 Nominierungen insgesamt
Tim Allen
- Buzz Lightyear
- (Synchronisation)
Don Rickles
- Mr. Potato Head
- (Synchronisation)
Jim Varney
- Slinky Dog
- (Synchronisation)
Wallace Shawn
- Rex
- (Synchronisation)
John Ratzenberger
- Hamm
- (Synchronisation)
Annie Potts
- Bo Peep
- (Synchronisation)
John Morris
- Andy
- (Synchronisation)
Erik von Detten
- Sid
- (Synchronisation)
Laurie Metcalf
- Mrs. Davis
- (Synchronisation)
R. Lee Ermey
- Sergeant
- (Synchronisation)
Sarah Rayne
- Hannah
- (Synchronisation)
- (as Sarah Freeman)
Penn Jillette
- TV Announcer
- (Synchronisation)
Jack Angel
- Shark
- (Synchronisation)
- …
Spencer Aste
- Wounded Soldier
- (Synchronisation)
Greg Berg
- Local Announcer
- (Synchronisation)
Lisa Bradley
- Kid
- (Synchronisation)
Kendall Cunningham
- Kid
- (Synchronisation)
Zusammenfassung
Reviewers say 'Toy Story' is acclaimed for its pioneering animation, compelling narrative, and universal themes of friendship. Tom Hanks and Tim Allen's performances elevate Woody and Buzz Lightyear, blending humor with emotional depth. Randy Newman's soundtrack, especially "You've Got a Friend in Me," enhances the film's emotional resonance. Its innovative technology and storytelling have made it a cultural milestone and timeless classic in animation history.
Empfohlene Bewertungen
Though I am not a big fan of computer animation,I have to give the folks at Pixar credit.This brand of animation is nothing short of brilliant.The attention to detail,such as eye and body movement is quite remarkable.Computers allow them to make their characters as close to human like as possible,something we have never seen in traditional hand drawn animation,though the latter will always be the closest to my heart.Combine this excellence with a genuinely good story idea and a top notch voice cast and the result is good family entertainment.It's obvious that the people at Pixar are not only caring perfectionists when it comes to film making,but they care about our kids,something rarely seen today.Highly recommended for any home library.
100U
Toy Story is one of my favourite animated films! Even as an adult I can still watch it and be entertained. This film is not only nostalgic but is relatable, emotional and a lot of fun!
Y'know, I always suspected that my toys were coming to life when I wasn't looking!
In Andy's Room, his toys lead lives of noisy desperation come every birthday and Christmas - no one wants to be one-upped by a new addition to the toy box. Nominally led by Cowboy Woody (there's a Brokeback joke in there just waiting to happen), Mr. Potato Head, Rex the Dinosaur, Ham the piggybank, Bo Peep, Slinky the dog and a smattering of other playthings go about their toy business of playing checkers, hanging with the hometoys and "plastic corrosion awareness meetings," until Andy's birthday party, when they gather expectantly around a transistor radio, listening to the reports of their toy soldier troops "in the field" (downstairs watching Andy's gift-opening), hoping that no gift will be exciting enough to cause Andy to neglect *them.* There is. His name is Buzz Lightyear, Space Ranger.
Directed by Pixar mainstay John Lasseter, with the voice talents of Tom Hanks (as Woody), Don Rickles, John Ratzenberger (forever Cliff from *Cheers*), R. Lee Ermey, Annie Potts, Jim Varney and Tim Allen (as Buzz), *Toy Story* is that *rara avis* that succeeds on all levels in its animation, storyline, character development, its messages of friendship and self-realization and, most importantly, its entertainment value. The fact that this is a cartoon (or animated feature just what DO we call this new wave of computer-generated movies?) is incidental. Which makes the slightly dodgy animation (of the "real people") irrelevant - it gets the point across with or without the technological finesse.
The "Disney Movie" has become synonymous with maudlin messages, redneck fundamentalism, anachronistic family values, boneheaded parents, smart-mouthing youngsters, too-hip-to-be-smart teens and insufferable pets. Though Disney's tyrannical umbrella overarches this film's production studio, Pixar Animation, *Toy Story* somehow avoided all trace of Disney's craven hand, which is doubly surprising, considering this is Pixar's first feature length film, after years of experimentation. Right outa the gate and right outa the field.
Sure, there are "messages," but they are heartfelt, rather than maudlin (Woody tells Buzz during Buzz's greatest depression that it matters not what Buzz thinks of himself, what makes him important is what his owner, Andy, thinks of him); there are emotional segments, which are truly heartbreaking, rather than cheesy (when Buzz's escape attempt lands him with a broken arm, proving he is Not A Flying Toy, the lyric, "Clearly I will go sailing no more," launches a thousand hankies); and the portrayal of Andy's family was Pixar's triumphal achievement. Boldly contravening Disney's *idée fixe* of the 1950's nuclear family and Norman Rockwell fantasies, one of the many incarnations of a modern-day family is presented: a single mother with two kids, who are neither geniuses nor monsters, just normal children; happy to visit Pizza Planet and disappointed when favorite toys are lost.
Buzz who believes he is a real life space ranger on a mission to save the universe - become Andy's favorite toy over Woody. The funny thing is: though Buzz believes he is real, he still adheres to toy protocol of "playing inert" when humans are in the area. (Maybe it's instinct?) When he mentions saving a toy from Sid, the vicious boy next door, how does he propose to do it if he is to adhere to the inert protocol? Buzz's ingenuousness regarding his role as a toy infuriates Woody to the point of attempted toy-assassination. Through a concatenation of accidents, both he and Buzz become lost and must use teamwork, trust and ingenuity to beat their path back to Andy, which finds them ensconced in scorchingly funny vignettes (Buzz fastening himself in an over-sized seatbelt; both falling in with green, three-eyed aliens; Buzz hyperventilating as "Mrs. Nesbitt"). During a climactic rocket ride, the callback line, "This is not flying - this is falling with style," simply seals this movie's greatness.
At least I now have a plausible explanation as to why my toys always got lost: after going about their toy business, they would just go inert anywhere they happened to be, instead of paying attention to their master's infallible toy filing system .
In Andy's Room, his toys lead lives of noisy desperation come every birthday and Christmas - no one wants to be one-upped by a new addition to the toy box. Nominally led by Cowboy Woody (there's a Brokeback joke in there just waiting to happen), Mr. Potato Head, Rex the Dinosaur, Ham the piggybank, Bo Peep, Slinky the dog and a smattering of other playthings go about their toy business of playing checkers, hanging with the hometoys and "plastic corrosion awareness meetings," until Andy's birthday party, when they gather expectantly around a transistor radio, listening to the reports of their toy soldier troops "in the field" (downstairs watching Andy's gift-opening), hoping that no gift will be exciting enough to cause Andy to neglect *them.* There is. His name is Buzz Lightyear, Space Ranger.
Directed by Pixar mainstay John Lasseter, with the voice talents of Tom Hanks (as Woody), Don Rickles, John Ratzenberger (forever Cliff from *Cheers*), R. Lee Ermey, Annie Potts, Jim Varney and Tim Allen (as Buzz), *Toy Story* is that *rara avis* that succeeds on all levels in its animation, storyline, character development, its messages of friendship and self-realization and, most importantly, its entertainment value. The fact that this is a cartoon (or animated feature just what DO we call this new wave of computer-generated movies?) is incidental. Which makes the slightly dodgy animation (of the "real people") irrelevant - it gets the point across with or without the technological finesse.
The "Disney Movie" has become synonymous with maudlin messages, redneck fundamentalism, anachronistic family values, boneheaded parents, smart-mouthing youngsters, too-hip-to-be-smart teens and insufferable pets. Though Disney's tyrannical umbrella overarches this film's production studio, Pixar Animation, *Toy Story* somehow avoided all trace of Disney's craven hand, which is doubly surprising, considering this is Pixar's first feature length film, after years of experimentation. Right outa the gate and right outa the field.
Sure, there are "messages," but they are heartfelt, rather than maudlin (Woody tells Buzz during Buzz's greatest depression that it matters not what Buzz thinks of himself, what makes him important is what his owner, Andy, thinks of him); there are emotional segments, which are truly heartbreaking, rather than cheesy (when Buzz's escape attempt lands him with a broken arm, proving he is Not A Flying Toy, the lyric, "Clearly I will go sailing no more," launches a thousand hankies); and the portrayal of Andy's family was Pixar's triumphal achievement. Boldly contravening Disney's *idée fixe* of the 1950's nuclear family and Norman Rockwell fantasies, one of the many incarnations of a modern-day family is presented: a single mother with two kids, who are neither geniuses nor monsters, just normal children; happy to visit Pizza Planet and disappointed when favorite toys are lost.
Buzz who believes he is a real life space ranger on a mission to save the universe - become Andy's favorite toy over Woody. The funny thing is: though Buzz believes he is real, he still adheres to toy protocol of "playing inert" when humans are in the area. (Maybe it's instinct?) When he mentions saving a toy from Sid, the vicious boy next door, how does he propose to do it if he is to adhere to the inert protocol? Buzz's ingenuousness regarding his role as a toy infuriates Woody to the point of attempted toy-assassination. Through a concatenation of accidents, both he and Buzz become lost and must use teamwork, trust and ingenuity to beat their path back to Andy, which finds them ensconced in scorchingly funny vignettes (Buzz fastening himself in an over-sized seatbelt; both falling in with green, three-eyed aliens; Buzz hyperventilating as "Mrs. Nesbitt"). During a climactic rocket ride, the callback line, "This is not flying - this is falling with style," simply seals this movie's greatness.
At least I now have a plausible explanation as to why my toys always got lost: after going about their toy business, they would just go inert anywhere they happened to be, instead of paying attention to their master's infallible toy filing system .
This is a very clever animated story that was a big hit, and justifiably so. It had a terrific sequel and if a third film came out, that would probably be a hit, too.
When this came out, computer technology just was beginning to strut its stuff. Man, this looked awesome. Now, it's routine because animation, which took a giant leap with this movie, has made a lot more giant strides.
The humor in here, however, is what made this so popular. There are tons of funny lines, issued by characters voiced by Tom Hanks, Tim Allen, Jim Varney, Don Rickles, Wallace Shawn and John Ratzenberger, among others. As good as Hanks is as "Woody" and Allen as "Buzz Armstrong," I think the supporting characters just about stole the show: Mr. Potato Head, Slinky, Rex the dinosaur, etc.
Multiple viewings don't diminish the entertainment, either. There are so many things to catch, audibly and visually, that you always seem to discover something new. The colors in here are beautiful, too. This is a guaranteed "winner" as is the sequel.
When this came out, computer technology just was beginning to strut its stuff. Man, this looked awesome. Now, it's routine because animation, which took a giant leap with this movie, has made a lot more giant strides.
The humor in here, however, is what made this so popular. There are tons of funny lines, issued by characters voiced by Tom Hanks, Tim Allen, Jim Varney, Don Rickles, Wallace Shawn and John Ratzenberger, among others. As good as Hanks is as "Woody" and Allen as "Buzz Armstrong," I think the supporting characters just about stole the show: Mr. Potato Head, Slinky, Rex the dinosaur, etc.
Multiple viewings don't diminish the entertainment, either. There are so many things to catch, audibly and visually, that you always seem to discover something new. The colors in here are beautiful, too. This is a guaranteed "winner" as is the sequel.
Toy Story is a sheer delight to view on the screen. The characters are well done, the plot is exceptional, and the best thing of all, the film is entirely produced on the computer. The animation is extraordinary in it's ability to bring such great entertainment to the screen. The film also teaches some good lessons for the kids like friendship (mainly between Woody and Buzz Light-year). Spectacular entertainment all around and one of the best films Disney has come with.
Wusstest du schon
- WissenswertesSid Phillips is said to be inspired by a former Pixar Animation Studios employee of the same last name who was known to disassemble toys and use the parts to build bizarre creations.
- PatzerEven though Buzz believes he is a real space ranger and not a toy, he still freezes when people are around like the other toys do. Every time he freezes it is because Woody says "Freeze" and being a space ranger with years of training in covert missions, freeze means to be still.
- Crazy CreditsThis is the first Pixar film to feature the "Production Babies" section, which lists babies born to the crew members during production. This would become a trademark in the following years, in films like Das große Krabbeln (1998), Toy Story 2 (1999), Die Monster AG (2001) and Findet Nemo (2003).
- Alternative VersionenIn the post-2015 releases, the Pixar variant of the original 1990 Walt Disney Pictures logo was replaced with the 2011 variant of the current 2006 Walt Disney Pictures logo.
- VerbindungenFeatured in Gamesmaster: Folge #5.9 (1995)
- SoundtracksYou've Got a Friend in Me
Written, Performed, and Produced by Randy Newman
Randy Newman appears courtesy of Reprise Records
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- How long is Toy Story?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Toy Story in 3-D
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 223.225.679 $
- Eröffnungswochenende in den USA und in Kanada
- 29.140.617 $
- 26. Nov. 1995
- Weltweiter Bruttoertrag
- 394.436.586 $
- Laufzeit
- 1 Std. 21 Min.(81 min)
- Sound-Mix
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