Steel Frontier

I made it about 8 minutes into "Steel Frontier" before I turned it off. Then, glutton for punishment that I am, I watched some more the next day. Today I had to iron a pile of clothes, so I decided to finish the movie, and that was its own punishment. Here's what I don't understand: Robert Rodriguez and Shane Carruth each spent $7,000 on their debut features and created two remarkable movies. Yet here we have two directors with arguably way more money, and they churn out a huge, steaming pile of crap. Let me see if I can figure out the logic: "It's 'Road Warrior' but it's like a future Western. We'll get the cheapest 'actors' we can find, we'll have my mentally challenged cousin write the script, and we'll spend the budget on a bunch of explosions. We can't lose!"

Seriously. I don't think even the MST3K guys could improve this. But if you insist on watching it, I recommend getting very drunk first.

Lots of action and violence in the Mad Max genre of things with a western twist. While all the acting was great, the best performance in the film is given by Brian Huckeba as the character "Chicken Boy." Much better than Vanilla Sky!

If you take the films, Mad Max, Beyond Thunderdome, and the movie Steel Dawn with Patrick Swayze, you will have a pretty good idea what the film is about. The only problems is, that the film lacks the production values of either, and represent mainly cheap copy of the former two. True, the film has plenty of action, but asks the viewer to suspend belief. No one can shoot a 50 Caliber Machine gun by holding it in his hand - and miss everything to boot, nor can you shoot at a group of people with an automatic weapon and miss the whole bunch. There is also a problem with poor editing, when the school bus flips over, it is easy enough to see the cannon used to do the job. And the lady driving the truck through it is superfluous, since she had more than enough time to stop the truck. If you are interested only in mindless action and violence then the movie is easy enough to watch. But don't expect anything on paar with Thunderdome, or even the somewhat cheap and tacky Steel Dawn.

Before you say Mad Max, they were making these films 20 yrs before Mel Gibson came along. Basically take any of Clint Eastwood's westerns and put it after the nuclear Holocaust. Great film for budget they had. My two gripes is the overuse of guns and gas powered vehicles. They try to justify it with a old military armory as the death riders base. But still a weak premise. And they set up a nice powered sniper rifle in the beginning but they never use it again. The best gun in the whole film is a throwaway used once to hunt down dinner. Yes most of the acting is weak and stiff but so we're 99% of these films. Also biggest continuity issue is several struggles use the clear sound of clothes being torn but after the struggle not a single new tear in their clothes.

As other reviewers have noted, this movie is a cross between (i.e. stolen from) stories we have seen before. Specifically, this looks like Clint Eastwood in High Plains Drifter inserted into Mad Max. Remove Clint's cigar, and replace with a cigarette; remove his horse and give him a high-tech motorcycle, and voilà, an updated drifter. In this movie, the "hero" is even more blatantly a "Savior" than High Plains Drifter. Now our hero has long brown hair, suffers a wound to his left side, and his entry into town is preceded by a plea for "salvation" by the surviving townspeople--a pretty transparent reference to a "Second Coming." I watched the movie on a hot, humid morning. Sleep was impossible and upon arising at 4:30 am, there was nothing else on TV. So the movie served its purpose. While unoriginal, with characters that are almost comic caricatures, the movie is still somewhat entertaining...at least at 4:30 in the morning.