Sinn und Sinnlichkeit

A wonderful enactment of Jane Austen's first novel from 1811, in which two sisters at the marrying age suffer from affairs of the heart. One has an inclination towards common sense and decorum (Emma Thompson), and the other, an emotional side, with great sensitivity to passion and romance (Kate Winslet). In addition to the heartbreak that comes from unrequited love and bad behavior from men, the film also makes clear the limited options women had in 19th century England, with paternalistic inheritance laws and limited employment options, something I liked about it.

The production quality is very high here, with cinematographer Michael Coulter and director Ang Lee putting beautifully composed images on the screen, the costume and set designs truly taking us back in time, and an all-star cast delivering excellent performances. Winslet and Thompson each have several fantastic moments, and the supporting players are all rock solid as well, e.g. Alan Rickman, Hugh Grant, and on down the line. (Although Hugh Grant, much as I love him, always seems to be playing Hugh Grant, hair included here).

A period drama is not one I would ordinarily leap to watching and this one certainly has its share of melodrama, but it's true to the period and the original work, so if you're looking for a great adaptation of classic literature, look no further (and oh, how I wish there were more such productions of the classics of Russian literature!). Just as importantly, though, the film drew me in from the beginning and kept up a good pace, managing to not feel overly stuffy or antiquated. Emma Thompson did a great job with the screenplay, and was worthy of the Oscar she won for it.

It's not easy to get seniors to do anything, even watch a movie and when you mention Jane Austen, they zone out. Yet each year when we do this film in class, about 80 percent end up loving it and that includes the guys. It's wonderful to watch them respond to the characters and get into a film that is so "talky" when they have been used to high action. To hear the girls call Willoughby a jerk and applaud Brandon at the end is great, but to listen to the boys comment on the behavior of the various characters is even better. How they respond to a society so filled with strict manners and codes of behavior also makes this film worthwhile and it generates much discussion about the importance of money in life; well, even Thompson in the commentary said the film is about money, who has it and who does not. I love showing this film to my students; after the groans when I start it on the first day, it's wonderful to hear their comments on day five when we finish. As one senior male said this year, "I wouldn't have rented this or wanted to see it, but now that I have, I admit it was pretty good, so I'm glad you showed it." This is why they are classics, kiddies.

I saw this movie in a cinema back in 1996 and since that June I have seen it about a dozen times. It is true, that being an ardent lover of the so-called Romantic (as if the 13th century couldn't be Romantic or 17th, but these things are academic nonsense) period I can enjoy even minor pieces of period cinema, however this is most probably the best film set in the early 19th century. Although it centers on the relationship of the two sisters and their respective romantic relationships, it also seems to be a salute to the period itself in its precise description of the English country society. It is truthful to Jane Austen's novel, but Emma Thompson's script is fine in its own right, with many omissions and additions to the novel. The acting is superb, Kate Winslet as the typical Romantic dreamer (sensibility) is breathtaking (try not to be moved when her character wanders in the rain to see the house of her beloved and when she whispers half-deranged: 'Willoughby, Willoughby, Willoughby.') is perfect as is Emma Thompson as the rational but equally tormented older sister(sense). Greg Wise is perfect as the dashing semi-Byronic hero Willoughby and Allan Rickman as the mellow Brandon. To say nothing of the art direction, the music or the fantastic image composition. I would recommend everyone with some sort of emotional subtlety to see this film, for the story, the wit, the period and the imagery.

This is one of the best of the recent Jane Austen films, from one of her weaker books. Emma Thompson has done a fine job of the script, not slavishly remaining faithful to the book but not abandoning it either.

The cast are uniformally excellent. I especially liked Kate Winslet's Marianne and Alan Rickman's Brandon. Emma Thompson's performance is almost good enough to make you forget that she is far to old for the part. The supporting cast are all excellent.

Ang Lee's direction shows the same skill that it did in the excellent Eat Drink Man Woman and the scenery and costumes are beautiful (perhaps too beautiful).

This is more romantic and less comic than say Emma, and Thompson's script wisely stays away from the kind of set-piece gags seen in the recent film of Emma. All in all, this is excellent.

I haven't read the book (yet), but concerning the film as it is, I can assure you that it is very well made. You'll get one of the best period dramas (I wouldn't go all the way with "best ever", but then again, I don't often use extremes to describe a movies) that you have seen!

Of course you have to be open to this kind of movie. Meaning, that if you're more likely to watch Bruce Willis in Die Hard or can't wait for the next Steven Seagal movie, this might not be your cup of tea! There is a strong possibility that you won't like (to watch) this movie at all.

So if you have seen period dramas and like them, than watch this one too, if you haven't watched one yet, than this can be a perfect movie to start with (although some might say, it's downhills after that ;o) )