IMDb-BEWERTUNG
5,2/10
1340
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA rogue 'scanner' terrorizes Los Angeles and the only person who can stop him may not have enough neurons for the job.A rogue 'scanner' terrorizes Los Angeles and the only person who can stop him may not have enough neurons for the job.A rogue 'scanner' terrorizes Los Angeles and the only person who can stop him may not have enough neurons for the job.
- Regie
- Drehbuch
- Hauptbesetzung
Eugene Robert Glazer
- Institute Director
- (as Eugene Glazer)
Empfohlene Bewertungen
once again,we have B movie with Z grade acting.the dialogue in this one,as in the previous Scanner Cop movie is cringe worthy and delivered the same way.thought the acting wasn't great in this one,our hero,played by Daniel Quinn,has actually improved from the previous movie.not a lot,but some.i didn't find the story particularly compelling,and again,like in the previous film,i really did care either way about the characters.except for one.that would be the villain played by Patrick Kilpatrick.i don't know what it is,but the guy makes a great villain.he just has some quality.plus,in this movie,he was really having fun with the role.one other thing i want to mention.the movie was far too disgusting,for no reason.i don't mind disgust when it serves a purpose,but that isn't the case in this movie.anyway,my vote for Scanner Cop II is a 4.5/10
Karl Volkin (Patrick Kilpatrick) is a vengeance-crazed Scanner who's escaped from prison, and is hellbent on striking back at heroic Scanner cop Samuel Staziak (Brad Dourif look alike Daniel Quinn). What he does to work towards this end is suck the life out of other Scanners, leaving them twisted, burning hunks of flesh. He hopes to become even more powerful than his nemesis, and stops at nothing.
This is actually a pretty good B movie, made with competence (if not flamboyance) at every level. Its story, concocted by Mark Sevi, is ultimately very routine, but director Steve Barnett does keep us entertained. It's amusing, as it always is with these movies, to watch actors make all manner of faces as they unleash their devastating mental abilities. Volkin leaves quite the trail of bodies behind him, so viewers can take comfort in a respectable body count, as well as some reasonably impressive (if protracted) makeup effects sequences devised by John Carl Buechler and his company.
The cast gives it their best effort. Quinn is a decent enough good guy, but he's outshone by veteran movie villain Kilpatrick, who's fun to watch. A number of recognizable actors pop up along the way, although Robert Forster is given precious little to do as Staziaks' superior officer. Khrystyne Hage ('Head of the Class'), Stephen Mendel, Brenda Swanson, Jerry Potter, and Jewel Shepard ("The Return of the Living Dead") co-star, while Eugene Robert Glazer ('La Femme Nikita'), Allan Kolman (Cronenbergs' "Shivers"), Aaron Lustig ("Bad Channels"), and none other than Kane Hodder have small parts.
A worthy follow up to "Scanner Cop".
Seven out of 10.
This is actually a pretty good B movie, made with competence (if not flamboyance) at every level. Its story, concocted by Mark Sevi, is ultimately very routine, but director Steve Barnett does keep us entertained. It's amusing, as it always is with these movies, to watch actors make all manner of faces as they unleash their devastating mental abilities. Volkin leaves quite the trail of bodies behind him, so viewers can take comfort in a respectable body count, as well as some reasonably impressive (if protracted) makeup effects sequences devised by John Carl Buechler and his company.
The cast gives it their best effort. Quinn is a decent enough good guy, but he's outshone by veteran movie villain Kilpatrick, who's fun to watch. A number of recognizable actors pop up along the way, although Robert Forster is given precious little to do as Staziaks' superior officer. Khrystyne Hage ('Head of the Class'), Stephen Mendel, Brenda Swanson, Jerry Potter, and Jewel Shepard ("The Return of the Living Dead") co-star, while Eugene Robert Glazer ('La Femme Nikita'), Allan Kolman (Cronenbergs' "Shivers"), Aaron Lustig ("Bad Channels"), and none other than Kane Hodder have small parts.
A worthy follow up to "Scanner Cop".
Seven out of 10.
Both "Scanner Cop" and "Scanner Cop 2" can be used as examples to contradict people if they claim that cool and amusing horror movies didn't get made during the 1990s. They may not be masterpieces, but these spinoffs to David Cronenberg's magnificent classic "Scanners" (1981) are action-packed, entertaining, and extremely gore!
Troubled Scanner and young Brad Dourif lookalike Sam Staziak once more needs to control and wisely divide all his powers, this time to defeat a maniacal scanner - Karl Volkin - who found a method to literally drain and absorb the abilities of other Scanners. Volkin is buffing up to confront Staziak because he killed his brother by using his scanning skills during a police intervention.
The script of "Scanner Cop 2" isn't groundbreaking or particularly clever, but it does offer an unpretentious, exhilarating, and straightforward cat-and-mouse situation between a likeable hero and a loathsome villain. The latter, played by Patrick Kilpatrick, is responsible for several of the most sadistic, excruciatingly painful, gooey, and splattery murder sequences of the entire 90s decade. What Volkin does to his fellow Scanners to obtain their abilities is beyond sadistic, as he drains and pulverizes them like a vampire without teeth. Their skin burns, their entire body melts, and their corpses remain behind unidentifiable. Special effects and make-up wizard John Carl Buechler must have tremendously enjoyed himself during this assignment. What makes it extra cruel is that most of these people didn't even (ab)use their scanner skills and were trying to lead a normal life.
Troubled Scanner and young Brad Dourif lookalike Sam Staziak once more needs to control and wisely divide all his powers, this time to defeat a maniacal scanner - Karl Volkin - who found a method to literally drain and absorb the abilities of other Scanners. Volkin is buffing up to confront Staziak because he killed his brother by using his scanning skills during a police intervention.
The script of "Scanner Cop 2" isn't groundbreaking or particularly clever, but it does offer an unpretentious, exhilarating, and straightforward cat-and-mouse situation between a likeable hero and a loathsome villain. The latter, played by Patrick Kilpatrick, is responsible for several of the most sadistic, excruciatingly painful, gooey, and splattery murder sequences of the entire 90s decade. What Volkin does to his fellow Scanners to obtain their abilities is beyond sadistic, as he drains and pulverizes them like a vampire without teeth. Their skin burns, their entire body melts, and their corpses remain behind unidentifiable. Special effects and make-up wizard John Carl Buechler must have tremendously enjoyed himself during this assignment. What makes it extra cruel is that most of these people didn't even (ab)use their scanner skills and were trying to lead a normal life.
After pitting psychic policeman Sam Staziak (Daniel Quinn) against a non-scanner in Scanner Cop, it's back to the old 'good scanner vs bad scanner' formula for this follow up. The villain of the piece is Karl Volkin (Patrick Kilpatrick), who uses his psychic powers to suck the essence from other scanners, making himself more powerful with each victim, his final target being Staziak, with whom he has a score to settle.
Despite a rather predictable plot and so-so performances, Scanner Cop II is a reasonably fun piece of straight-to-video silliness, director Steve Barnett keeping things moving along at a decent pace, delivering several effectively gruesome set-pieces along the way. Volkin's attacks are the highlights of the film, the evil scanner causing his victims to rupture and melt into unrecognisable gooey piles of flesh, the impressive special effects by makeup man John Carl Buechler. There's also a fun scene in a warehouse where the bad guy almost gets the better of Staziak, using his brain power to control forklift trucks. Of course, Staziak ultimately wins the day, tricking the villain into using up all of his ill-gotten power before giving him a taste of his own medicine, with explosive results (it's a scanners film... there had to be an exploding head somewhere, and it's a messy one!).
5.5/10, rounded up to 6 for IMDb.
Despite a rather predictable plot and so-so performances, Scanner Cop II is a reasonably fun piece of straight-to-video silliness, director Steve Barnett keeping things moving along at a decent pace, delivering several effectively gruesome set-pieces along the way. Volkin's attacks are the highlights of the film, the evil scanner causing his victims to rupture and melt into unrecognisable gooey piles of flesh, the impressive special effects by makeup man John Carl Buechler. There's also a fun scene in a warehouse where the bad guy almost gets the better of Staziak, using his brain power to control forklift trucks. Of course, Staziak ultimately wins the day, tricking the villain into using up all of his ill-gotten power before giving him a taste of his own medicine, with explosive results (it's a scanners film... there had to be an exploding head somewhere, and it's a messy one!).
5.5/10, rounded up to 6 for IMDb.
SCANNER COP II (1995) is the last (for now) and least of the SCANNER franchise and a direct sequel to the last one with Brad Dourif lookalike Daniel Quinn reprising his role of scanning detective Staziak. This time around, he's on the trail of a murdering psychopath who's given up taking his ephemerol to instead go on a city-wide killing spree, murdering other scanners to ingest their powers.
Where to start with this one? It's a real cheapie for sure, a straight-to-video enterprise that looks static and small scale. The plot is extremely limited and basically has the baddie killing people until he faces off with the cop at the end. That's it. Quinn's okay but the film really belongs to B-movie veteran heavy Patrick Kilpatrick who's having a ball as the orgasmic, demented villain. Robert Forster has a small role too. To make things a bit easier there are plenty of gooey and very slimy SFX courtesy of John Carl Buechler, always creative, and at least one crowd-pleasing head explosion.
Where to start with this one? It's a real cheapie for sure, a straight-to-video enterprise that looks static and small scale. The plot is extremely limited and basically has the baddie killing people until he faces off with the cop at the end. That's it. Quinn's okay but the film really belongs to B-movie veteran heavy Patrick Kilpatrick who's having a ball as the orgasmic, demented villain. Robert Forster has a small role too. To make things a bit easier there are plenty of gooey and very slimy SFX courtesy of John Carl Buechler, always creative, and at least one crowd-pleasing head explosion.
Wusstest du schon
- WissenswertesThis is the first and only Scanners sequel to have a returning character.
- VerbindungenEdited from Scanner Cop (1994)
Top-Auswahl
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Details
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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