Zeit der Sinnlichkeit

the restoration of the crown, the restoration of the theatre and the restoration of a man's purpose in life. I don't think this movie was marketed well, the notes on the case make it look like a silly bedroom farce, which, indeed, it is not.

Robert Downey Jr is a revelation, as much as he was in Chaplin.

Sam Neill makes Charles such a lovable scallywag that you can't disapprove of the randy King.

I don't even mind meg Ryan.

This film is so beautiful to look at, but don't watch it with a rowdy crowd. One needs to listen and absorb.

I give copies of this movie as gifts.

The set design and art direction on this movie was entirely mesmerizing! I will never forget the scene in which Dr Merivile returns to court (after The Plague has ravished London) in which this huge heavy swishing pendulum like incense burner, apparently to help ward off sickness... makes such a haunting and ominous sound as it waves smoke across the vast room...you can almost smell it! This movie is robustly lush and unnervingly eerie. As has been mentioned by a few others on the database...it's full of contrast on all levels.

Personally, I was gladly surprised at how inventive Robert Downey Jr was with the role of Robert Merivel. He began with a laughing stupidity which grew to eventual compassion and downright intellect by the end of his story. Sam Neil is always all around proficient at what ever he takes on, his portrayal here is no exception, although I think he granted Charles II a lot of likableness and charm that was surely improbable in reality. Got to love the fifty or so Spaniels meandering with him down the plush hallways of the nobility through out the kingdom. And the scenes with intricate scientific inventions and mechanisms of the era were sheer beauty to behold. At the same time there was such desperation and bleak contrast when dealing with the devastation and hopelessness of The Plague...only to be followed by the horrific Fire Of London. It's a wonder civilization survived at all in England at the time. The movie's art direction was of such a brilliant intensity. Parts of the script were a bit slow but the visuals tended to make up for it. The only truly unfortunate aspect of the film was the casting of Meg Ryan...just Plumb Awful(as they say)in the role of Dr Merivil's asylum inmate lover....who was by the way, miraculously cured of her insanity by his physical attentions. Whoever twisted Hollywood arms to get her on this project should be quartered and drawn.

Considering all, this movie made me curious enough to download a copy of Samuel Pepys Diary 1665 to read more about the history of the Restoration. Isn't that what a good historical adaptation should do?

Good Lord! a historical epic without a spectacular set piece till the fire of London. There was not a minute of this film I did not enjoy! Those who need chariot races to feel historically present need to know we can't all hang out with Cleopatra or Rhett. These people, in this film, came across as real through the ages! After seeing this delight,I mourn for Downey's career. Rent, NO! Buy this movie and step back into time for two hours. As historical drama, this is surpassed only by " A LION IN WINTER" and "LAWRENCE OF ARABIA". Mel Gibson should see this film before he messes with historical characters again. Please, you critics watch this with your heart; not your eye for spectacle 'NUFF SAID!

A beautiful & thoughtful movie about chance and caprice in human lives,and about how love and folly shape us. A unity of word, appearance, and action distill the reign of Charles II into the soul of a doctor who lives through a "new age" of human flowering. A movie aspiring to and attaining the qualities of a literary novel, powerfully combining the naturalistic and the symbolic, and equal to best adaptations of Jane Austen. Restoration will be certain disappointment for movie-goers who expect explosions instead of drama and grunts.

Fortunately, I do not judge a film merely by its technical excellence. Other reviews seemed to overemphasize the limited script, miscasting, lack of focus, etc, that this movie supposedly represents. All of it may be true, and certainly if the movie did not reach me, I too, would come up with a barrelful of sophisticated reasons why it didn't work.

The problem is, it moved me. It touched my heart in just the right way, and left me once again, with a longing have known everyone who ever lived, suffered and died.

Ah, the human condition!

The first half of the film was slow, and seemed to be searching for itself. But from the time Robert entered into the home for the insane, it became engrossing. I thought the story of the "Lost Valley" was poignant and worth the whole movie. All that came before was necessary background for all that came after.

So...not extraordinary, not outstanding, but quietly satisfying and definitely memorable. A little gem -selected with care- to share with those you love.