IMDb-BEWERTUNG
6,6/10
10.246
IHRE BEWERTUNG
Der im Exil lebende königliche Arzt von König Karl II. Widmet sich der Unterstützung der an der Pest leidenden Londoner und verliebt sich dabei in eine ebenso arme Frau.Der im Exil lebende königliche Arzt von König Karl II. Widmet sich der Unterstützung der an der Pest leidenden Londoner und verliebt sich dabei in eine ebenso arme Frau.Der im Exil lebende königliche Arzt von König Karl II. Widmet sich der Unterstützung der an der Pest leidenden Londoner und verliebt sich dabei in eine ebenso arme Frau.
- Regie
- Drehbuch
- Hauptbesetzung
- 2 Oscars gewonnen
- 2 Gewinne & 2 Nominierungen insgesamt
Empfohlene Bewertungen
the restoration of the crown, the restoration of the theatre and the restoration of a man's purpose in life. I don't think this movie was marketed well, the notes on the case make it look like a silly bedroom farce, which, indeed, it is not.
Robert Downey Jr is a revelation, as much as he was in Chaplin.
Sam Neill makes Charles such a lovable scallywag that you can't disapprove of the randy King.
I don't even mind meg Ryan.
This film is so beautiful to look at, but don't watch it with a rowdy crowd. One needs to listen and absorb.
I give copies of this movie as gifts.
Robert Downey Jr is a revelation, as much as he was in Chaplin.
Sam Neill makes Charles such a lovable scallywag that you can't disapprove of the randy King.
I don't even mind meg Ryan.
This film is so beautiful to look at, but don't watch it with a rowdy crowd. One needs to listen and absorb.
I give copies of this movie as gifts.
After watching this film, I felt my faith in humanity had been (somewhat) restored, and not for the squishy, feel-good reasons either. Instead, I felt that filmmakers can often demonstrate truly wondrous, creative talents; Try not to think of all those sumptuous 18th Century European paintings that feature either the rich or the starving, while taking in the cinematic beauty of Hoffman's 'Restoration.'
So what if Meg Ryan has a role in this one, I still enjoyed it. This film is not about her anyway (the film is told from an exclusively patriarchal viewpoint, and doesn't sink into syrupy romance... at least not the way I saw it).
Eugenio Zannetti (I'm not entirely sure about the spelling, but he is a production designer of infinite wisdom and talent) created endless aristocratic hallways, gorgeous rooms, and locations of richness and pestilence that exist side-by-side. Zannetti went on to 'architecturally' design the central, Rococo menace in "The Haunting" (1999).
Downey Jr's performance (as a doctor) is Raphaelesque, a walking representation of the period in which this story takes place (the anguish and hope he must undergo and have is thespian splendor). Ian McKellan also appears (need I say more) here as a disheveled, yet benevolent supporting hero.
I strongly recommend you experience this 'restorative' piece of cinematic art.
So what if Meg Ryan has a role in this one, I still enjoyed it. This film is not about her anyway (the film is told from an exclusively patriarchal viewpoint, and doesn't sink into syrupy romance... at least not the way I saw it).
Eugenio Zannetti (I'm not entirely sure about the spelling, but he is a production designer of infinite wisdom and talent) created endless aristocratic hallways, gorgeous rooms, and locations of richness and pestilence that exist side-by-side. Zannetti went on to 'architecturally' design the central, Rococo menace in "The Haunting" (1999).
Downey Jr's performance (as a doctor) is Raphaelesque, a walking representation of the period in which this story takes place (the anguish and hope he must undergo and have is thespian splendor). Ian McKellan also appears (need I say more) here as a disheveled, yet benevolent supporting hero.
I strongly recommend you experience this 'restorative' piece of cinematic art.
"Restoration" is an overlooked jewel of a movie, a fascinating and atmospheric journey to another time and place. Robert Downey, Jr. is outstanding as a young physician who develops depth and compassion. The music, costumes and settings are full of rich detail. While Meg Ryan's character as an insane Irish girl was perhaps a bit overwrought, I found little to fault in the movie. I have seen it three times and enjoy it thoroughly each time. I'm sorry I missed it on the big screen. Interesting scenes portraying 17th century medical practice, the plague, the Great Fire of London. Not for the squeamish, but not overly violent either.
Good Lord! a historical epic without a spectacular set piece till the fire of London. There was not a minute of this film I did not enjoy! Those who need chariot races to feel historically present need to know we can't all hang out with Cleopatra or Rhett. These people, in this film, came across as real through the ages! After seeing this delight,I mourn for Downey's career. Rent, NO! Buy this movie and step back into time for two hours. As historical drama, this is surpassed only by " A LION IN WINTER" and "LAWRENCE OF ARABIA". Mel Gibson should see this film before he messes with historical characters again. Please, you critics watch this with your heart; not your eye for spectacle 'NUFF SAID!
Fortunately, I do not judge a film merely by its technical excellence. Other reviews seemed to overemphasize the limited script, miscasting, lack of focus, etc, that this movie supposedly represents. All of it may be true, and certainly if the movie did not reach me, I too, would come up with a barrelful of sophisticated reasons why it didn't work.
The problem is, it moved me. It touched my heart in just the right way, and left me once again, with a longing have known everyone who ever lived, suffered and died.
Ah, the human condition!
The first half of the film was slow, and seemed to be searching for itself. But from the time Robert entered into the home for the insane, it became engrossing. I thought the story of the "Lost Valley" was poignant and worth the whole movie. All that came before was necessary background for all that came after.
So...not extraordinary, not outstanding, but quietly satisfying and definitely memorable. A little gem -selected with care- to share with those you love.
The problem is, it moved me. It touched my heart in just the right way, and left me once again, with a longing have known everyone who ever lived, suffered and died.
Ah, the human condition!
The first half of the film was slow, and seemed to be searching for itself. But from the time Robert entered into the home for the insane, it became engrossing. I thought the story of the "Lost Valley" was poignant and worth the whole movie. All that came before was necessary background for all that came after.
So...not extraordinary, not outstanding, but quietly satisfying and definitely memorable. A little gem -selected with care- to share with those you love.
Wusstest du schon
- WissenswertesSir Ian McKellen and Robert Downey, Jr. became friends during the shoot, and McKellen was struck by Downey's talent and attitude compared to some of the British cast members. McKellen offered Downey a part in Richard III (1995), stating that casting an American actor would help fund that movie. When the release of this movie was delayed by eighteen months, owing to story concerns and re-shoots, Richard III (1995) was released in theaters before this movie.
- PatzerWhen the King shows Robert Merivel his building plans to improve London soon after the plague has started, one of the models clearly shows Sir Christopher Wren's St. Paul's Cathedral, designed and built after the great fire of 1666.
- Zitate
King Charles II: For her husband I need a man who is far too fond of women in general to love one in particular.
- SoundtracksNewcastle
(uncredited)
Traditional
From John Playford's 'The English Dancing Master', First Edition (1651)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Restoration - Zeit der Sinnlichkeit
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 19.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.005.941 $
- Eröffnungswochenende in den USA und in Kanada
- 75.514 $
- 1. Jan. 1996
- Weltweiter Bruttoertrag
- 4.005.941 $
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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