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6,3/10
2351
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Füge eine Handlung in deiner Sprache hinzuLt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what ... Alles lesenLt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what happened.Lt. Columbo attends the wedding of his nephew, who is also with the LAPD. After the banquet, the bride goes missing, possibly kidnapped. Columbo sets up the investigation to figure out what happened.
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I agree with most of the Columbo fans that this movie was an unnecessary change of format. Columbo is a unique cop with unorthodox police methods. This movie looks like a remake of any other ordinary detective dramas from the past. And that is the disturbing point, because Columbo is no ordinary detective.
There are two parts in this film that left me intriguing. First, I can't figure out the title of this movie. It is misleading. Maybe a better title would've been "The Vanishing Bride" or something similar. Second, Columbo hides a piece of evidence without offering the reason (to the viewers at least) why he does it.
I don't feel betrayed, just disappointed. I'm glad Peter Falk went back to the usual Columbo.
There are two parts in this film that left me intriguing. First, I can't figure out the title of this movie. It is misleading. Maybe a better title would've been "The Vanishing Bride" or something similar. Second, Columbo hides a piece of evidence without offering the reason (to the viewers at least) why he does it.
I don't feel betrayed, just disappointed. I'm glad Peter Falk went back to the usual Columbo.
One of the dullest Columbo's I've seen it dumps the formula but offers nothing at all in its place
Columbo is attending the wedding of his nephew to a budding young model. After the celebrations Columbo is about to head home until he gets paged by nephew Andy who tells him that he came out of the shower to find Melissa missing. Columbo looks around and finds evidence of a kidnapping. He starts investigating further while Andy calls in other officers to help out. Meanwhile, as tensions built between the men, Melissa wakes up bound and gagged in a strange room with her captor planning to make himself her second husband.
If you loved spaghetti bolognese and someone told you that that they were going to make it with potatoes instead of spaghetti then you may rightly say "whoa, slow down chef boy don't mess with a winning formula". So as a Columbo fan, when one of the films goes way off the usual formula, it gives me pause to worry that perhaps it is not the wisest thing. However, despite knowing this was not a normal episode, I decided to give it a go because just because something is different doesn't mean it isn't any good. The fact that it is different is a problem though too many characters, no cat and mouse stuff and none of the opportunities for Columbo to be, well, Columbo. It doesn't help either that the story is poor it is not clever but rather solved by simple, plodding police work; nothing wrong with that but it doesn't make for an interesting film. The cuts to the kidnapped Melissa are no help at all as they rarely have anything approaching tension. I hate to say it but I was genuinely bored by the end of it it rarely had anything typically Columbo about it and it failed to be what it apparently was aiming to be.
Falk does his best to lift this thing but without any frame of reference his character is a bit lost and his performance isn't up to much. The vast array of supporting characters undermine him and reduce his screen time significantly. Calabro is OK but nothing special while Going is a strange mix she does "frightened and a bit spooked" quite well but other than that is as expressive as a blank piece of paper. The support features a surprising amount of familiar, if not famous, faces. Don Swayze is a strange find but his one-note psycho with a singsong voice gets old very quickly. The rest are bland but does include Frasier's Bulldog (Butler), Clear Present Danger's President (Moffat), Red For Red October's Davis, baseball player Pierce and the A-Team's LeGault shame none of them add anything other than a distraction to the dull story.
Overall one of the weakest Columbo films I've seen. It goes miles from formula but offers nothing else of interest in its place. I understand the difficulty for writers to reproduce the same formula every time while also making it fresh and entertaining so I can understand why they tried to do something else. However I cannot fathom why they wanted to jump so far away from it and try to be something completely different. Only one moment really worked for me and that was at the very end when Columbo asked "what time is it", only for the time to be typed on screen as it had been all film at least it showed that someone was keen to have a laugh and poke some fun at the rather turgid, humourless affair that had gone before.
If you loved spaghetti bolognese and someone told you that that they were going to make it with potatoes instead of spaghetti then you may rightly say "whoa, slow down chef boy don't mess with a winning formula". So as a Columbo fan, when one of the films goes way off the usual formula, it gives me pause to worry that perhaps it is not the wisest thing. However, despite knowing this was not a normal episode, I decided to give it a go because just because something is different doesn't mean it isn't any good. The fact that it is different is a problem though too many characters, no cat and mouse stuff and none of the opportunities for Columbo to be, well, Columbo. It doesn't help either that the story is poor it is not clever but rather solved by simple, plodding police work; nothing wrong with that but it doesn't make for an interesting film. The cuts to the kidnapped Melissa are no help at all as they rarely have anything approaching tension. I hate to say it but I was genuinely bored by the end of it it rarely had anything typically Columbo about it and it failed to be what it apparently was aiming to be.
Falk does his best to lift this thing but without any frame of reference his character is a bit lost and his performance isn't up to much. The vast array of supporting characters undermine him and reduce his screen time significantly. Calabro is OK but nothing special while Going is a strange mix she does "frightened and a bit spooked" quite well but other than that is as expressive as a blank piece of paper. The support features a surprising amount of familiar, if not famous, faces. Don Swayze is a strange find but his one-note psycho with a singsong voice gets old very quickly. The rest are bland but does include Frasier's Bulldog (Butler), Clear Present Danger's President (Moffat), Red For Red October's Davis, baseball player Pierce and the A-Team's LeGault shame none of them add anything other than a distraction to the dull story.
Overall one of the weakest Columbo films I've seen. It goes miles from formula but offers nothing else of interest in its place. I understand the difficulty for writers to reproduce the same formula every time while also making it fresh and entertaining so I can understand why they tried to do something else. However I cannot fathom why they wanted to jump so far away from it and try to be something completely different. Only one moment really worked for me and that was at the very end when Columbo asked "what time is it", only for the time to be typed on screen as it had been all film at least it showed that someone was keen to have a laugh and poke some fun at the rather turgid, humourless affair that had gone before.
Regular Columbo viewers will be surprised by this movie, which is totally different from the standard Columbo formula. Several years after the revival series began, Peter Falk wanted to experiment with the format, and this is the result. Though it may rub Columbo fans the wrong way, it is actually not a bad film. In fact, this is based on Ed McBain's 87th Precinct novel "So Long As You Both Shall Live". The movie "Columbo Undercover" which came two years later is based on another Ed McBain novel: "Jigsaw". Both movies are very faithful to the novels, the only real difference being that Columbo is substituted for the novels' original detectives.
(Note: when I originally posted this review, I mistakenly said that it was based on Ed McBain's " 'Til Death" -- both novels are set during weddings.)
(Note: when I originally posted this review, I mistakenly said that it was based on Ed McBain's " 'Til Death" -- both novels are set during weddings.)
Loyalty to Peter Falk is all that kept me from giving this awful picture the (1) it deserved. (For that matter, loyalty to Mr. Falk was what kept me watching this film all the way from heads to tails.) Even if you forgive all the glaring errors, this was just plain the poorest excuse for a made-for-TV "Columbo" film ever. I'm glad I watched it on TV for free; would have hated to have coughed up the bucks for a print.
I notice a number of fans have slated this episode of COLUMBO, describing as the worst of all time. I can't help but disagree with them. I've seen plenty of other episodes that were less entertaining on account of them being duller than this one. Cheesy and dated I can cope with; dull is the biggest no-no in my book.
NO TIME TO DIE is one of those 1990s TV movies that attempts to shake up the familiar order by offering twists and a new template for the dogged detective. I wish they hadn't experimented like this - there's no point trying to improve on what was pretty much a perfect formula - but at least it helps NO TIME TO DIE stand out from the crowd. There's no actual murder here but rather a kidnapping for the star to solve.
The episode has a number of problems, a completely ineffectual villain being the biggest of them. However, watching Columbo lead a task force is quite a novel experience, and Falk does well in the part, playing up the humour with physicality in a script that gives him virtually no funny lines. The strong supporting cast includes Doug Savant (TRICK OR TREAT), Donald Moffat (THE THING), and cameos for Juliet Mills and Don Swayze.
NO TIME TO DIE is one of those 1990s TV movies that attempts to shake up the familiar order by offering twists and a new template for the dogged detective. I wish they hadn't experimented like this - there's no point trying to improve on what was pretty much a perfect formula - but at least it helps NO TIME TO DIE stand out from the crowd. There's no actual murder here but rather a kidnapping for the star to solve.
The episode has a number of problems, a completely ineffectual villain being the biggest of them. However, watching Columbo lead a task force is quite a novel experience, and Falk does well in the part, playing up the humour with physicality in a script that gives him virtually no funny lines. The strong supporting cast includes Doug Savant (TRICK OR TREAT), Donald Moffat (THE THING), and cameos for Juliet Mills and Don Swayze.
Wusstest du schon
- WissenswertesThis is the only episode of the series not to feature a murder and in which Lt. Columbo never meets or speaks to the criminal.
- PatzerA full-length picture of a person cannot be blown up enough to see the writing on a class ring; there is insufficient resolution.
- VerbindungenFeatured in Columbo: No Time to Die
- SoundtracksCan't Help Falling In Love
(uncredited)
Written by George David Weiss, Hugo Peretti and Luigi Creatore
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- Barclay Hotel - 103 W. 4th Street, Downtown, Los Angeles, Kalifornien, USA(Albert Wagner's hotel)
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