C.I.A. Codename: Alexa

CIA special agent Graver (Lorenzo Lamas) wants the killer Alexa (Kathleen Kinmont) to become a double agent and support him in his fight against the villain Mahler (veteran actor Alex Cord). Alexa only joins the fight against the bad guy after her daughter is taken hostage (by Graver, respectively the "good guys"!). Strange methods that agents working for the government are using these days - or is it just that movies don't carry conviction anymore? Anyhow, this average action movie has a few (violent) memorable moments after all, I vote 4/10.

Lots of shooting. Awesomely improbable plot combined with unbelievable action. Lamas gets to show off his wife-of-the-moment and she gets a chance to try her best to act. His efforts exceed hers marginally. O.J. Simpson plays a policeman which is an ironic turn and he uses all the acting skills he learned at USC and in Buffalo. The movie is little more than a really poor take on 'La Femme Nikita' and serves as a vehicle for the Lamas/Kinston family to make some unearned buck. This is what happens when you're good looking and your father is a big name in the business. I will not go into detail on how ridiculous the movie is because that would require some "spoilers" for examples. Watch at your own risk.

The first of the two "Alexa" movies that Lorenzo Lamas and Kathleen Kinmont made in the mid-90s is thoroughly routine in all aspects, except one: the exemplary handling of Kinmont's action role. As a former terrorist recruited by the CIA to help them retrieve a micro-chip with nuclear capabilities, Alexa is tough, no-nonsense and efficient but hasn't completely lost her humanity, and Kinmont has the right body, moves and attitude for the role. This film has a few of the best female action scenes I've ever seen in a low-budget American film. Other than that, there is nothing here that you haven't seen before: Lamas' most notable acting effort is to whisper ALL of his lines, O. J. Simpson plays a cop whose partner got killed in the line of duty, and the villain has (wouldn't you know it?) a foreign accent. See it for Kinmont or don't see it at all. (**)

This is really really bad. Lamas shows just how a second rate actor does his job. But what makes it worth watching is the scene where OJ angrily grabs a fellow cop by the throat as if to kill them while the jukebox plays a song with the lyric "I got the evidence on you!". (Makes me want to hear the rest of the lyrics - attributed to David Gregoli and Leslie Oren but i couldn't find it on iTunes). Talk about seeing into the future...Too funny for words. The rest of the movie is forgettable. The score and songs are more interesting than the script. Ditto the sequel. Which begs the question of why they would do a sequel at all. My understanding was that foreign sales drives a lot of these B movies. Doesn't say much for the world's viewing habits.

C.I.A. CODE NAME: ALEXA is a solid '90s action B-movie, with great action and pretty much poor everything else. It's a film in which wooden acting is the order of the day, and the storyline is nothing new, but at the same time it has tons of action ranging from bloody shoot-outs to hard-hitting fight scenes in which every hit or kick is accompanied by extra-loud sound effects.

Director Joseph Merhi certainly knows how to shoot a fight scene and the plentiful action is what keeps you watching here. The B-movie cast is also a fun one, although you can't get much more wooden than Lorenzo Lamas's lead. As the villain-turned-heroine, Kathleen Kinmont is much better, and more fun, while the viewer's treated to O.J. Simpson playing the usual dedicated cop type. Cult actor Alex Cord is the bad guy, and watch out for a young Michael Bailey Smith (THE HILLS HAVE EYES remake) playing an absolutely hulking henchman whom Lamas goes up against in one stand-out violent showdown.