IMDb-BEWERTUNG
5,7/10
52.318
IHRE BEWERTUNG
Ein flüchtiges Teenagermädchen erfährt, dass sie die Schicksalsschlagzeugerin ihrer Generation für Vampire ist.Ein flüchtiges Teenagermädchen erfährt, dass sie die Schicksalsschlagzeugerin ihrer Generation für Vampire ist.Ein flüchtiges Teenagermädchen erfährt, dass sie die Schicksalsschlagzeugerin ihrer Generation für Vampire ist.
- Auszeichnungen
- 2 Nominierungen insgesamt
Thomas Jane
- Zeph
- (as Tom Janes)
Empfohlene Bewertungen
I can't believe other reviewers called this moving "boring and idiotic". Um...hello...what were they expecting, a serious, contemplative piece of cinema? It's completely silly, as it's supposed to be. If it wasn't good, would it have inspired a (far inferior, in my opinion) television spin off? Watch it with no expectations. You'll be impressed. Kirsty Swanson does that Alicia Silverstone in "Clueless" thing perfectly. My friends and I have made it a ritual to watch this movie every couple months with a bottle of wine and a big bowl of popcorn. Nothing better on a rainy night. Don't listen to the bozos who said this isn't worth seeing. It's hilarious, trust me.
I have to admit right now that I've never seen the TV series, so I don't know all the differences/improvements and whatever else that was done when the film was translated from the big screen to the small screen.
Why do I bring that up? Because I happen to like this movie as a bit of fun popcorn fluff, but reading the posts and other reviews you'd think some people were expecting a vampire genred "Citizen Kane". But, whatever.
The film is essentially a tongue in cheek vampire film with an action and role reversal twist. There's not much else here. We've got some marquis players in the thing starting with Donald Sutherland as the world weary trainer, Rutger Hauer as the upper crusted monster from Slovak nobility, to TV's then very popular Luke Perry, the guy who plays a little role reversal with Kristy Swanson's character.
It's essentially boy meets girl meets vampires kind of film. It's a bit of a coming of age film where the main characters either evolve and learn to deal with the hardships of real life monsters, or wind up being certifiable.
Beyond that it's just a fun film to watch. There's some adventure, some romance, a few laughs, some horror, and some action. Imagine the cheerleader you had a crush on in high school turning into Rambo for the paranormal. That's pretty much what Buffy's all about.
Pop it in to the old DVD player and enjoy!
Why do I bring that up? Because I happen to like this movie as a bit of fun popcorn fluff, but reading the posts and other reviews you'd think some people were expecting a vampire genred "Citizen Kane". But, whatever.
The film is essentially a tongue in cheek vampire film with an action and role reversal twist. There's not much else here. We've got some marquis players in the thing starting with Donald Sutherland as the world weary trainer, Rutger Hauer as the upper crusted monster from Slovak nobility, to TV's then very popular Luke Perry, the guy who plays a little role reversal with Kristy Swanson's character.
It's essentially boy meets girl meets vampires kind of film. It's a bit of a coming of age film where the main characters either evolve and learn to deal with the hardships of real life monsters, or wind up being certifiable.
Beyond that it's just a fun film to watch. There's some adventure, some romance, a few laughs, some horror, and some action. Imagine the cheerleader you had a crush on in high school turning into Rambo for the paranormal. That's pretty much what Buffy's all about.
Pop it in to the old DVD player and enjoy!
Buffy the vampire slayer is not a terrific film. It is not the type of cinema that leaves you breathless and reeling, nor is it the type of cinema that idles at first creeps through your dreams with pervasive intensity. No, this is Time Capsule Cinema, a voyage to the neon panoply of early 90's California in the self described "Lite Age."
Kristy Swanson is lovely as the wise cracking eponymous star, nicely alternating between clinical sarcasm and tenderness in what is, essentially, a limited role. Donald Sutherland and Rutger Howard are hilarious as ancient figures who just happen to be hip to the slangy nature of late 20th century teen dialog. Luke Perry, David Arquette and Hillary Swank (far from her best role, but my favorite film of hers!) and a few others are fine as the assemblage of irreverent teenagers, eye rolling to the max! A highlight of the film is Stephen Root, playing the principal, regaling Buffy with a cautionary tale of his experiences with LSD in the 60's..."I was at a Doobie Brothers concert..."
Oh, and by the way, that's PEE WEE FREAKIN HERMAN as the fanged creep Lefty. Boy he got outta jail just soon enough. Paul Ruebens is phenomenal, of course, and it may be his presence that allows me to shamelessly enjoy the rest of the film through my rose colored glasses of guilty nostalgia!
Too many serious films reek of Los Angeles- you can almost taste the soy burgers and smog- when they take place elsewhere. This makes it difficult to differentiate the cast of actors from the characters they are paid to represent. This film revels in LA's lack of charm and sophistication. I half expected an In-N-Out Burger commercial to pop up half way through. Not enough comedies are as unselfconscious as this one, content to poke fun at themselves till the vampires come home!
7*/10 CAMPY FUN
Kristy Swanson is lovely as the wise cracking eponymous star, nicely alternating between clinical sarcasm and tenderness in what is, essentially, a limited role. Donald Sutherland and Rutger Howard are hilarious as ancient figures who just happen to be hip to the slangy nature of late 20th century teen dialog. Luke Perry, David Arquette and Hillary Swank (far from her best role, but my favorite film of hers!) and a few others are fine as the assemblage of irreverent teenagers, eye rolling to the max! A highlight of the film is Stephen Root, playing the principal, regaling Buffy with a cautionary tale of his experiences with LSD in the 60's..."I was at a Doobie Brothers concert..."
Oh, and by the way, that's PEE WEE FREAKIN HERMAN as the fanged creep Lefty. Boy he got outta jail just soon enough. Paul Ruebens is phenomenal, of course, and it may be his presence that allows me to shamelessly enjoy the rest of the film through my rose colored glasses of guilty nostalgia!
Too many serious films reek of Los Angeles- you can almost taste the soy burgers and smog- when they take place elsewhere. This makes it difficult to differentiate the cast of actors from the characters they are paid to represent. This film revels in LA's lack of charm and sophistication. I half expected an In-N-Out Burger commercial to pop up half way through. Not enough comedies are as unselfconscious as this one, content to poke fun at themselves till the vampires come home!
7*/10 CAMPY FUN
This is one of my favorite movies. It's full of extremely clever one-liners that I never get tired of. "Oh, yeah? Clap!" The main character acts like a brainless bimbo but, if you pay attention, the movie gives you subtle hints she's a lot smarter than she lets on. Acting brainless is a little social camouflage so she fits in with her airhead friends.
It's fun to watch everyone playing it way over the top: Rutger Hauer is the perfect creepy head vampire, Paul Reubens seems to relish his role as the main vampire henchman, and Donald Sutherland delivers yet another quirky performance in a career full of quirky performances.
Oh, and watch for a fairly obvious continuity error about, maybe, halfway through.
It's fun to watch everyone playing it way over the top: Rutger Hauer is the perfect creepy head vampire, Paul Reubens seems to relish his role as the main vampire henchman, and Donald Sutherland delivers yet another quirky performance in a career full of quirky performances.
Oh, and watch for a fairly obvious continuity error about, maybe, halfway through.
First off I have to say my review of this movie may be somewhat coloured by my adoration of the television series. Despite sharing a few superficial elements - a character called Buffy who slays vampires and who has a watcher - the two are quite distinctive (even if Joss Whedon penned them both).
"Buffy" here is very much played with a tongue-in-cheek. It's Clueless meets Dracula. Buffy and her cohorts are shallower than an evaporated puddle and Buffy can only learn to grow up when heaped with the responsibility of being the Chosen One, destined to slay vampires. The vampires in question are just people with white faces played up in quite a camp manner and bare little resemblance to the sharp, wise, smart vampires favored by both the TV series and other movies.
There's no acting of any note and the plot is wet-paper thin. The direction isn't memorable... so what stops the movie getting a 0 or a 1? The humour. The movie is played for laughs, taking a bit of a dig at pop culture and vampire lore. There's some great lines in it - particularly the "kill him A LOT!" line. Watch the coach at the basketball game for similar humour, and there is an unforgettable vampire staking towards the movie end that's very amusing.
The movie looks like it was shot on a shoe-string budget (adding to the camp tongue-in-cheek parody feel) and has none of the production values we'd see Whedon employ later on. What it does have is a sometimes very amusing line in black humour offset somewhat by an irritating need to follow the "Clueless" mould of teenagers (which was, admittedly, the trend at the time). It's not an awfully bad movie but it's not really all that good. In the end it's a 5.5/10 from me.
"Buffy" here is very much played with a tongue-in-cheek. It's Clueless meets Dracula. Buffy and her cohorts are shallower than an evaporated puddle and Buffy can only learn to grow up when heaped with the responsibility of being the Chosen One, destined to slay vampires. The vampires in question are just people with white faces played up in quite a camp manner and bare little resemblance to the sharp, wise, smart vampires favored by both the TV series and other movies.
There's no acting of any note and the plot is wet-paper thin. The direction isn't memorable... so what stops the movie getting a 0 or a 1? The humour. The movie is played for laughs, taking a bit of a dig at pop culture and vampire lore. There's some great lines in it - particularly the "kill him A LOT!" line. Watch the coach at the basketball game for similar humour, and there is an unforgettable vampire staking towards the movie end that's very amusing.
The movie looks like it was shot on a shoe-string budget (adding to the camp tongue-in-cheek parody feel) and has none of the production values we'd see Whedon employ later on. What it does have is a sometimes very amusing line in black humour offset somewhat by an irritating need to follow the "Clueless" mould of teenagers (which was, admittedly, the trend at the time). It's not an awfully bad movie but it's not really all that good. In the end it's a 5.5/10 from me.
Wusstest du schon
- WissenswertesDespite claiming he was cut from the movie, Seth Green does appear in it, although it is just for three seconds, and for two of them he is seen from behind. He is the short red-haired vampire that gets kicked by Buffy outside the gym when a group of vampires, including him, are taunting her. You can recognize him by his haircut alone.
- PatzerWhen Benny is floating outside Pike's window, his reflection is visible.
- Crazy CreditsAmilyn (Paul Reubens) revives to go through some more death throes.
- Alternative VersionenThe German TV-version has got a few cuts to get a 'not under 12' rating.
- VerbindungenFeatured in Heartstoppers: Horror at the Movies (1992)
- SoundtracksKeep It Coming (Dance 'Till You Can't Dance No More)
Written by Robert Clivillés, Anthony Quiles, Duran Ramos and David Cole
Produced by Robert Clivillés and David Cole for Cole/Clivillés Music Enterprises
Performed by C+C Music Factory (as C & C Music Factory) featuring Q-Unique and Deborah Cooper
Courtesy of Columbia Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Buffy, der Vampir Killer
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.624.456 $
- Eröffnungswochenende in den USA und in Kanada
- 4.515.541 $
- 2. Aug. 1992
- Weltweiter Bruttoertrag
- 16.625.256 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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