IMDb-BEWERTUNG
7,0/10
2249
IHRE BEWERTUNG
Die wahre Geschichte von Ivan Sanchin, dem KGB-Offizier, der von 1939 bis zum Tod des Diktators Stalins privater Filmvorführer war.Die wahre Geschichte von Ivan Sanchin, dem KGB-Offizier, der von 1939 bis zum Tod des Diktators Stalins privater Filmvorführer war.Die wahre Geschichte von Ivan Sanchin, dem KGB-Offizier, der von 1939 bis zum Tod des Diktators Stalins privater Filmvorführer war.
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- 12 Nominierungen insgesamt
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This film is a great favorite of mine, though it's a hard-sell to recommend to friends. It's an extremely moving story that brings tears to your eyes, without manipulating you by "pulling the strings." The pathos emerge from the events and the (very well-played) characters depicted. Russian artists seem to have a special affinity for this, and for Konchalovsky this is a very accessible film. Was it tailor-made for Western audiences? The cast would suggest so. Although Tom Hulce was wonderful in "Amadeus," seeing him in "The Inner Circle" impressed me no end. I think it's telling that more than one reviewer of Russian descent on the IMDb found his characterization quintessentially Russian. It's a damn shame we don't see more of his work in films these days. The character of Ivan's wife Anastasia might have helped given rise to some comments that the characters are two-dimensional. As played by Lolita Davidovich, she is all simple, sweet naivety. Somewhat distractingly, for me she evoked memories of Gilda Radner in her appearance and voice. Nevertheless, I enjoyed her performance, and thought it an honest and effective one. All of us should have the opportunity to know someone like Anastasia in our lifetimes. Like many such characters in works of fiction, she proves to be too good to live. The scene at the end of the film, when Ivan sees the teenaged Katya amongst the mob at Stalin's funeral, and runs over the heads and shoulders of the crowd to prevent her from killing herself in the lethal crush -- it's absolutely devastating. How Konchalovsky finds a credible way to set the scene of their cathartic breakdown to each other to the fourth movement of Tchaikovsky's "Pathetique" symphony is really ingenious. I get misty just writing about it. Maybe it's not for everybody, but I can't praise it highly enough.
After reading the comments of several Russians who have given their special insights on this film, I see no point in my going into detail about its plot. But, for the Americans who were bored with it... well, history is not your thing, to use the vernacular. For me, this movie exposed the odious nature of Soviet totalitarianism, and the complete human conformity that was required for survival. This is an important film.
There is a human tragedy of global scale - and those humans who sway this tragedy and who just turned out to be grains of sand under those wheels of history. To model what those people were in their good and weak producers and authors of "The Inner Circle" made an awesome cast in this movie - don't you agree that Bob Hoskins playing marshal Berija is worth seeing anyway. Lolita Davidovich's and great Russian actor Oleg Tabakov's was magnificent performance. And at last the central character - Ivan Sanshin - is utterly shrill figure and utterly potent message. Due to genius Tom Hulce who looks and acts completely and very naturally Russian - as I see it being Russian myself. No further words on Tom Hulce - he's just a great actor (though not a "star" in the industry, as I can guess) and every one of his works worth seeing. Even in his small role in "Parenthood" he's very convincing and dramatic - and in "The Inner Circle" he has a great material to work on... An obvious merit of this film - it is historically accurate (with exception of ahead-of-time tanks and probably something else) in details. Accurate Soviet uniforms in a Western movie is really very rare thing and in this film uniform of NKVD-officers looks authentic to the Soviet people like me... And the director's job is not bad at all - Konchalovsky has his peaks and faults and The Inner Circle is one of the peaks, I guess...
As an armchair historian who's read dozens of book on Stalin and the Soviet Union under his control, I was fascinated by this movie. A great cast helps underscore the paranoia, backstabbing, and fear of the Stalinist system as seen through the eyes of a small-time player who's been thrust into a very dangerous circle.
Hulce is terrific as the simple, hard-working Soviet citizen who wants nothing more than to believe in the system that dominates his life, yet he knows it's a system riddled with traps and monsters. Hoskins is equally good as the real-life monster Beria - Stalin's chief of state security and main hatchet-man.
A highly underrated movie.
Hulce is terrific as the simple, hard-working Soviet citizen who wants nothing more than to believe in the system that dominates his life, yet he knows it's a system riddled with traps and monsters. Hoskins is equally good as the real-life monster Beria - Stalin's chief of state security and main hatchet-man.
A highly underrated movie.
Andrei Konchalovsky have always been my favorite russian director, but this is his best film. It tells us about a national tragedy: Stalin tirany. Some wonderful forgein actors also add to the success of the film. They are Tom Hulce, Lolita Davidovich (Indictment: The McMartin Trial (HBO:1995)), Bess Meyer is wonderful as the Jweish girl Katya. The scene of Stalin's funeral is so shocking and touching when Katya is trying to get close to the coffin with Stalin and Ivan (Tom Hulce) is holding her because she could got killed. The most horrible thing about Katya's thoughts is that she is so devoted to comrade Stalin, she says that it's just because of her she is an educated person, she lives okay (really horrible), but 'twas Stalin who arrested her parents only because they're Jewish people. She says: What profession can I get - I am a Jew, you know. That shocks. There's no a thind more horrible than when since his or hers childhood a preson thinks that he/she is worse than the others... Thank you, Andrei Sergeevich for this wonderful and touching masterpiece
Wusstest du schon
- WissenswertesThe movie premiered in the United States on December 25, 1991 - one day before the Soviet Union dissolved and became the Russian Federation.
- PatzerThe movie covers the years 1939 to Stalin's death in 1953. However, it constantly refers to the KGB, an organization that did not come into existence until 1954. Until then the USSR security service was known by a variety of names, most notably the NKVD (Narodny Komisariat Vnutrennykh Del or People's Commissariat of Internal Affairs) between 1934 and 1943. It is this organization that Ivan would have joined in 1939. However, the sign on the NKVD headquarters in the film does read "NKVD" not "KGB". This refers only to foreign versions of movie, because in russian version names are correct. "NKVD" is used in early scenes and "MGB" in '50s.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 93.292 $
- Eröffnungswochenende in den USA und in Kanada
- 36.782 $
- 29. Dez. 1991
- Weltweiter Bruttoertrag
- 93.292 $
- Laufzeit
- 2 Std. 17 Min.(137 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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