IMDb-BEWERTUNG
7,0/10
2250
IHRE BEWERTUNG
Die wahre Geschichte von Ivan Sanchin, dem KGB-Offizier, der von 1939 bis zum Tod des Diktators Stalins privater Filmvorführer war.Die wahre Geschichte von Ivan Sanchin, dem KGB-Offizier, der von 1939 bis zum Tod des Diktators Stalins privater Filmvorführer war.Die wahre Geschichte von Ivan Sanchin, dem KGB-Offizier, der von 1939 bis zum Tod des Diktators Stalins privater Filmvorführer war.
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- Auszeichnungen
- 12 Nominierungen insgesamt
Empfohlene Bewertungen
This film is a great favorite of mine, though it's a hard-sell to recommend to friends. It's an extremely moving story that brings tears to your eyes, without manipulating you by "pulling the strings." The pathos emerge from the events and the (very well-played) characters depicted. Russian artists seem to have a special affinity for this, and for Konchalovsky this is a very accessible film. Was it tailor-made for Western audiences? The cast would suggest so. Although Tom Hulce was wonderful in "Amadeus," seeing him in "The Inner Circle" impressed me no end. I think it's telling that more than one reviewer of Russian descent on the IMDb found his characterization quintessentially Russian. It's a damn shame we don't see more of his work in films these days. The character of Ivan's wife Anastasia might have helped given rise to some comments that the characters are two-dimensional. As played by Lolita Davidovich, she is all simple, sweet naivety. Somewhat distractingly, for me she evoked memories of Gilda Radner in her appearance and voice. Nevertheless, I enjoyed her performance, and thought it an honest and effective one. All of us should have the opportunity to know someone like Anastasia in our lifetimes. Like many such characters in works of fiction, she proves to be too good to live. The scene at the end of the film, when Ivan sees the teenaged Katya amongst the mob at Stalin's funeral, and runs over the heads and shoulders of the crowd to prevent her from killing herself in the lethal crush -- it's absolutely devastating. How Konchalovsky finds a credible way to set the scene of their cathartic breakdown to each other to the fourth movement of Tchaikovsky's "Pathetique" symphony is really ingenious. I get misty just writing about it. Maybe it's not for everybody, but I can't praise it highly enough.
10pshagar
I decided to review this film because of its emotional impact.
Like "The Killing Fields," it creates tremendous tension in the viewer by portraying sympathetic, likable characters within an environment of tremendous evil.
The acting and cinematography are both excellent, making a direct connection with the feelings of every character.
My only criticism is very slight (I did rate it a 10, after all), but I wondered a bit at the persistance of Sanchin's naivete. While this is central to his character, I found it a little difficult to comprehend based on what he went through.
Like "The Killing Fields," it creates tremendous tension in the viewer by portraying sympathetic, likable characters within an environment of tremendous evil.
The acting and cinematography are both excellent, making a direct connection with the feelings of every character.
My only criticism is very slight (I did rate it a 10, after all), but I wondered a bit at the persistance of Sanchin's naivete. While this is central to his character, I found it a little difficult to comprehend based on what he went through.
Andrei Konchalovsky have always been my favorite russian director, but this is his best film. It tells us about a national tragedy: Stalin tirany. Some wonderful forgein actors also add to the success of the film. They are Tom Hulce, Lolita Davidovich (Indictment: The McMartin Trial (HBO:1995)), Bess Meyer is wonderful as the Jweish girl Katya. The scene of Stalin's funeral is so shocking and touching when Katya is trying to get close to the coffin with Stalin and Ivan (Tom Hulce) is holding her because she could got killed. The most horrible thing about Katya's thoughts is that she is so devoted to comrade Stalin, she says that it's just because of her she is an educated person, she lives okay (really horrible), but 'twas Stalin who arrested her parents only because they're Jewish people. She says: What profession can I get - I am a Jew, you know. That shocks. There's no a thind more horrible than when since his or hers childhood a preson thinks that he/she is worse than the others... Thank you, Andrei Sergeevich for this wonderful and touching masterpiece
If, as me, you are interested in the Soviet Union period, its history, art, period atmosphere, Stalin and his whereabouts, if you want to dive into those gloomy years of terror for the common Russian folk, and especially from the inside the Kremlin walls, this TV movie is made for you; It is accurate, splendidly played, made, fascinating material and destined to people in search of the most actual, real events. It's not destined to make gross, to entertain the bulk of today's audiences. I would put it with another TV stuff STALIN, starring Robert Duvall in the lead character. Production design is outstanding here, very meticulously made. You will enjoy it for sure.
Unbelievable...that's all that kept going through my mind. How could people treat others so badly? I saw this around Christmas time and it totally bummed me out. Wow, not a film for the holiday season! Basically, if you had any doubts at all about the horror that was Russia's Stalinist era, here is your confirmation. Good Acting, sad, sad story, tragic even, photography excellent (some shots looks so realistic! Of course, some scenes were shot in the Kremlin, supposedly).
Very moving film.
Very moving film.
Wusstest du schon
- WissenswertesThe movie premiered in the United States on December 25, 1991 - one day before the Soviet Union dissolved and became the Russian Federation.
- PatzerThe movie covers the years 1939 to Stalin's death in 1953. However, it constantly refers to the KGB, an organization that did not come into existence until 1954. Until then the USSR security service was known by a variety of names, most notably the NKVD (Narodny Komisariat Vnutrennykh Del or People's Commissariat of Internal Affairs) between 1934 and 1943. It is this organization that Ivan would have joined in 1939. However, the sign on the NKVD headquarters in the film does read "NKVD" not "KGB". This refers only to foreign versions of movie, because in russian version names are correct. "NKVD" is used in early scenes and "MGB" in '50s.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 93.292 $
- Eröffnungswochenende in den USA und in Kanada
- 36.782 $
- 29. Dez. 1991
- Weltweiter Bruttoertrag
- 93.292 $
- Laufzeit
- 2 Std. 17 Min.(137 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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