Als ein korrupter Geschäftsmann und der groteske Pinguin die Kontrolle über Gotham City übernehmen, kann nur Batman sie aufhalten, während Catwoman ihre eigenen Pläne hat.Als ein korrupter Geschäftsmann und der groteske Pinguin die Kontrolle über Gotham City übernehmen, kann nur Batman sie aufhalten, während Catwoman ihre eigenen Pläne hat.Als ein korrupter Geschäftsmann und der groteske Pinguin die Kontrolle über Gotham City übernehmen, kann nur Batman sie aufhalten, während Catwoman ihre eigenen Pläne hat.
- Für 2 Oscars nominiert
- 2 Gewinne & 29 Nominierungen insgesamt
Empfohlene Bewertungen
I've enjoyed this movie ever since I was a kid and I still do. I also liked Batman forever back then but the real difference is that THIS movie didn't date when I grew up. I did notice a few scenes in this film that didn't make any sense like: 'Hhmm... the crowd is angry. Hey! Where did they get those tomatoes from?' Then I thought: 'who cares? This movie is not 100% serious anyway!'
The original Tim Burton Batman was great as well but it was a bit cheesy at some parts and I didn't like all the actors. This movie improved on almost every aspect with a wonderful cast, a more Gothic style and no involvement of Prince.
Nowadays, many fans of the Christopher Nolan movies dislike Burton claiming that the Nolan movies are more serious and therefore more loyal to the comics. I don't think this is entirely true: -There has never been an adaptation of the original concept of Batman which was a vengeful criminal killer with a gun. -Batman has taken many forms over the years peeking its silliness in the 60's (and a bit with Batman & Robin). A director is free to choose what kind of Batman he's going to portray as long if it's good.
My opinion: Batman doesn't necessarily have to be serious. It's about a man in a rubber suit with pointy ears. Burton managed to create a perfect balance between the silliness and the darkness surrounding the whole idea.
I just recently watched the Nolan movies and I love those ones as well (especially The Dark Knight). There's simply something about this movie that interests me more. Nolan's goal was to give the character much more depth and in doing so, he looked for an explanation of nearly every aspect of Batman. That's a bit too much for me, I'm a bigger fan of the more abstract version of Batman. The Burton movies are more theatrical and centered around the atmosphere.
My conclusion is that you shouldn't compare the Nolan with the Burton movies. They're just different and it's up to you to decide which one you like better. My respect is for both directors.
The original Tim Burton Batman was great as well but it was a bit cheesy at some parts and I didn't like all the actors. This movie improved on almost every aspect with a wonderful cast, a more Gothic style and no involvement of Prince.
Nowadays, many fans of the Christopher Nolan movies dislike Burton claiming that the Nolan movies are more serious and therefore more loyal to the comics. I don't think this is entirely true: -There has never been an adaptation of the original concept of Batman which was a vengeful criminal killer with a gun. -Batman has taken many forms over the years peeking its silliness in the 60's (and a bit with Batman & Robin). A director is free to choose what kind of Batman he's going to portray as long if it's good.
My opinion: Batman doesn't necessarily have to be serious. It's about a man in a rubber suit with pointy ears. Burton managed to create a perfect balance between the silliness and the darkness surrounding the whole idea.
I just recently watched the Nolan movies and I love those ones as well (especially The Dark Knight). There's simply something about this movie that interests me more. Nolan's goal was to give the character much more depth and in doing so, he looked for an explanation of nearly every aspect of Batman. That's a bit too much for me, I'm a bigger fan of the more abstract version of Batman. The Burton movies are more theatrical and centered around the atmosphere.
My conclusion is that you shouldn't compare the Nolan with the Burton movies. They're just different and it's up to you to decide which one you like better. My respect is for both directors.
Batman Returns is to be considered quality when one speaks of superhero films. Its predecessor, Batman, in my opinion, is by far the greatest and most well thought out of the comic book genre. For one to say that Batman Returns was disappointing, he or she has not fully watched the movie and considered the acting of Danny Devito as the Penguin. Devito and Walken offer some memorable moments. The tale of Batman is suppose to be dark and Tim Burton has fulfilled how the comic portrays Batman. Batman Returns provides comic relief, action, suspense and fantasy; and it should not be viewed as 'crap', although we are all entitled to our own opinions.
Equally magnificent sequel has Michael Keaton returning as Bruce Wayne/Batman, only here is opposed by the double threat of Catwoman(marvelously played by the sultry Michele Pfeiffer) who starts off as harried secretary Selina Kyle, who is transformed into Catwoman after a betrayal. They develop a close relationship, since they both have a great deal in common...
Danny DeVito portrays Oswald Cobblepot/the Penquin, who was a deformed child brought up in the sewers of Gotham, and now heads a criminal gang. DeVito effectively plays the pathos of this man, who can't decide if he wants to re-enter society or not, but a dramatic turn-of-events pushes him over the edge... Christopher Walken co-stars as ruthless businessman Max Shreck.
Filled with fantastic action, set design, and music score, this production is another triumph, one of the few sequels to match the original, even though some feel it is too dark, the subject matter suits this.
A great pity that star Michael Keaton and director Tim Burton stopped here, and didn't get the chance to do a trilogy, since the new team drove this series off the rails...A shame that.
Danny DeVito portrays Oswald Cobblepot/the Penquin, who was a deformed child brought up in the sewers of Gotham, and now heads a criminal gang. DeVito effectively plays the pathos of this man, who can't decide if he wants to re-enter society or not, but a dramatic turn-of-events pushes him over the edge... Christopher Walken co-stars as ruthless businessman Max Shreck.
Filled with fantastic action, set design, and music score, this production is another triumph, one of the few sequels to match the original, even though some feel it is too dark, the subject matter suits this.
A great pity that star Michael Keaton and director Tim Burton stopped here, and didn't get the chance to do a trilogy, since the new team drove this series off the rails...A shame that.
Batmust returns is the darkest batman movie to date. With a scary villain, and sneaky hero/villain and the dark knight himself. The penguin brings a dark look to the character. Tim Burton success from the 1st batman brings the success of batman returns, a very good storyline with good actors bringing the characters to life. Burton dark and Gothic scenes gives Gotham the reign of terror look, makes you believe that batman is needed in Gotham. A film that was ahead of it time. The audience of 1992 wasn't ready for this, but as time as gone on the film has become more liked, maybe the downfall of batman forever and batman and robin, everyone seemed to realise then that this film was very good and should of kept Tim Burton as the director. Never the less a brilliant film and 100% must see.
As a life-long mega Bat-fan, I thought that Batman Returns did the best job (of all four films) of portraying the Dark Knight. Sure, the 1989's Batman was great, but it was lopsided; it might as well have been called "Joker" considering the focus of the film. Batman Returns allowed us a better look at Batman/Bruce Wayne himself, who was little more than an imposing supporting cast member in the first film; I loved Jack Nicholson's over-the-top performance, but THIS fanboy wanted more of the Caped Crusader in the film. Batman Returns gave us that and more...we got Batman/Bruce character development, the AWESOME give-and-take between Batman and Catwoman (one of the strangest courtships in comics), and Burton even tossed us a little bit of fun, dark humor with Shreck and the Penguin. Everyone's performances maintained consistent characterizations that came across beautifully as both mad and tragic; Keaton was subtly psychotic, Pfeiffer was fatally seductive, Walken was deliciously megalomaniacal, and DeVito was unwaveringly grotesque. Everyone pulled off their characters with gusto and memorable appeal. Though not as dark and gritty as the first film, "Returns" captured the subtle madness that permeates Gotham City. When you compare "Returns" to the other Batman films, it is easy to see that it gives Batman's world the touch of underlying insanity (as only Burton can capture) that the first film lacked (where was the Joker's twisted sense of humor?) and the last two increasingly turned into the Three Stooges ("Chicks dig the car"!?!). Batman Returns excelled in that it was a dark, disturbingly insane portrait of Batman and Gotham City; a film that carefully balances on the fine line where and darkness and madness meet. For those movie lovers brave enough to try walking that line, I recommend this film.
Wusstest du schon
- WissenswertesBurgess Meredith, who played the Penguin on Batman (1966) and in Batman hält die Welt in Atem (1966), was asked to play the Penguin's father in the opening of the film, but illness prevented him from it.
- PatzerWhen the Mayor of Gotham City says "Where is that insufferable son of a bitch?" you can see Commissioner Gordon mouthing his line.
- Zitate
The Penguin: [while being bombarded by food] Why is there always someone who brings eggs and tomatoes to a speech?
- Crazy CreditsOf the four films from the Tim Burton/Joel Schumacher Batman franchise, this is the only one in which the opening credits sequence does not feature/use the Batman logo or a variation on it.
- Alternative VersionenIn the UK the film was cut by 9 seconds at its cinema release. One cut was of a clown swinging nunchakus, the other was of Catwoman putting some spray-paint cans in a microwave to start an explosion at a department store. These cuts also applied to all pre-2005 VHS and DVD releases. In 2005, the film was resubmitted for the special edition DVD release. The BBFC downgraded the certificate back to the original 12 certificate (which was not possible in 1992, when the 12 certificate was cinema only), and waived the cuts to the chain-sticks scene, but the aerosol in the microwave scene remained cut on the grounds that it was a potentially dangerous imitable technique. Various extra features being rated 15 caused the overall category of the DVD to be 15. The resulting cuts meant that the audio commentary was dropped from the UK release (probably because it would have been out of sync), although it is still mistakenly advertised as present on the DVD packaging. All previous BBFC cuts were finally fully waived in 2009 for the Blu-ray release, and the film upgraded to 15.
- VerbindungenEdited into Batman Returns Heroes: Batman (2005)
- SoundtracksFace to Face
Words and Music by Danny Elfman and Siouxsie and the Banshees
Produced by Stephen Hague and Danny Elfman
Performed by Siouxsie and the Banshees
Courtesy of Polydor Limited and Geffen Records
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Batman regresa
- Drehorte
- Stage 12, Universal Studios - 100 Universal City Plaza, Universal City, Kalifornien, USA(Penguin's lair, demolished in 2020)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 162.924.631 $
- Eröffnungswochenende in den USA und in Kanada
- 45.687.711 $
- 21. Juni 1992
- Weltweiter Bruttoertrag
- 266.941.512 $
- Laufzeit
- 2 Std. 6 Min.(126 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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