Als ein Straßenjunge um die Liebe einer schönen Prinzessin wetteifert, nutzt er die magische Kraft eines Geistes, sich als Prinz auszugeben und sie heiraten zu können.Als ein Straßenjunge um die Liebe einer schönen Prinzessin wetteifert, nutzt er die magische Kraft eines Geistes, sich als Prinz auszugeben und sie heiraten zu können.Als ein Straßenjunge um die Liebe einer schönen Prinzessin wetteifert, nutzt er die magische Kraft eines Geistes, sich als Prinz auszugeben und sie heiraten zu können.
- 2 Oscars gewonnen
- 35 Gewinne & 22 Nominierungen insgesamt
Scott Weinger
- Aladdin
- (Synchronisation)
Robin Williams
- Genie
- (Synchronisation)
- …
Linda Larkin
- Princess Jasmine
- (Synchronisation)
Jonathan Freeman
- Jafar
- (Synchronisation)
Frank Welker
- Abu
- (Synchronisation)
- …
Gilbert Gottfried
- Iago
- (Synchronisation)
Douglas Seale
- Sultan
- (Synchronisation)
Charlie Adler
- Gazeem
- (Synchronisation)
- …
Jack Angel
- Additional Voices
- (Synchronisation)
Corey Burton
- Prince Achmed
- (Synchronisation)
- …
Philip L. Clarke
- Additional Voices
- (Synchronisation)
- (as Philip Clarke)
Jim Cummings
- Razoul
- (Synchronisation)
- …
Jennifer Darling
- Additional Voices
- (Synchronisation)
Debi Derryberry
- Harem Girl
- (Synchronisation)
Bruce Gooch
- Additional Voices
- (Synchronisation)
Jerry Houser
- Additional Voices
- (Synchronisation)
Vera Lockwood
- Portly Agrabah Woman
- (Synchronisation)
Sherry Lynn
- Additional Voices
- (Synchronisation)
Empfohlene Bewertungen
I can think of three quick reasons why this has remained one of the best animated movies ever: 1 - Very good, very catchy songs that still sound good 15 years later; 2 - excellent, colorful visuals; 3 - the unique humor of Robin Williams, who seems to spout a joke-a- second. In fact, you have to pay close attention to hear Williams' lines because they come so fast and furious. Actually, at times they are too fast. You hardly have time to laugh or digest what he just said when another line hits you. Williams' genie character doesn't appear on screen until after the first third of the film is over.
Without all those jokes - and the great visuals that go with those gags (things popping up like Saturday morning cartoons), this would just be a routine Disney animated film. Part of the normal Disney fare includes a hero who is a good guy but a liar and a heroine who is the typical wasp-waisted beauty who is rebellious against the rules of the day. The villain is an "Oil Can Harry" mustached dastardly employee of the king who desires king-like powers. His scenes, however, are tempered with humor thanks to his New York City-sounding obnoxious parrot, who provides most of the movie's slapstick humor.
Maybe the best attribute of this film is simply how fast it moves, meaning it's very, very entertaining.
Without all those jokes - and the great visuals that go with those gags (things popping up like Saturday morning cartoons), this would just be a routine Disney animated film. Part of the normal Disney fare includes a hero who is a good guy but a liar and a heroine who is the typical wasp-waisted beauty who is rebellious against the rules of the day. The villain is an "Oil Can Harry" mustached dastardly employee of the king who desires king-like powers. His scenes, however, are tempered with humor thanks to his New York City-sounding obnoxious parrot, who provides most of the movie's slapstick humor.
Maybe the best attribute of this film is simply how fast it moves, meaning it's very, very entertaining.
This movie was the biggest film of '92, and it's easy to see why-a lotta fun, as a terrific Robin Williams performance carries it to heights it otherwise would not have gone to. Great animation, fine songs, a decent plot--what is there not to like? I will admit some of the Arab characters seemed to be stereotyped-but no more so than in Mulan or Tarzan or whatever; animation seems to stereotype Everything.
A great movie, ***1/2 outta ****, a fave then and now.
A great movie, ***1/2 outta ****, a fave then and now.
10taeweth
Simply a classic. The movie Aladdin is hilariously told with many many MANY funny moments. The genie his an all-time high in this classic film about a street rat and a princess. A great movie for young kids, but even adults will love the wonderfully amusing lines throughout the story.
The songs in the movie are well-known and catchy. I even had a guy since one of them to a girl at a school dance! Everyone recognizes them, and it is our duty to make sure the next generations continues to appreciate such a wonderful work of art.
A great movie for the entire family to sit down and watch together, it's good sometimes to take a blast to the past and enjoy some of those good ol' movies.
The songs in the movie are well-known and catchy. I even had a guy since one of them to a girl at a school dance! Everyone recognizes them, and it is our duty to make sure the next generations continues to appreciate such a wonderful work of art.
A great movie for the entire family to sit down and watch together, it's good sometimes to take a blast to the past and enjoy some of those good ol' movies.
I will never forget the first time I watched "Aladdin", I was with a group of friends waiting in the airport for the plane that would take us from Orlando to Paris at the time when "Aladdin" was the 'big thing' in the USA while some previews of "The Lion King" were starting to screen. "Aladdin" will forever be associated to that wonderful week I spent in Disneyland, and it's only fitting if the movie is my favorite Disney film, slightly edging-out "The Jungle Book".
I know I can get all rational in this review, analyzing what makes "Aladdin" such an appealing film and using the expected words of 'Disney Renaissance' and a comparison with the glorious Best Picture nominee predecessor. I can also talk about the animation, the music, the extraordinary multi-vocal performance of Robin Williams as Genie but I don't feel like getting rational. I love the film for personal reasons that are essentially due to the excellent timing of this film in its penetration of my pre-adolescent life. "Aladdin" took a forever cherished place as one of the last treasures that enriched my childhood even playing a pivotal role in the way I would start enjoying cartoons.
"Kid's day in the USA!" was the motto of the week that was celebrating the 65th birthday of Mickey Mouse, and for a kid who never traveled outside his country, going to Disneyland was the most unexpected destination, the most extraordinary trip I would never have dared to dream of. This is when I discovered "Aladdin", through the 'Prince Ali' fanfare endlessly performed during the parades, through the films' images aired on TV; something was strangely attracting me to the film. And I guess the fact that I knew the story helped a lot: I grew up with a French cartoon from 1969, titled 'Aladin and the Magic Lamp' recorded in an 80's videocassette, a movie I can recite (and sing) by heart, and there was also an obscure Manga 'Aladdin' film we watched at school before the summer holidays.
Needless to say I was already familiar with the story, and seeing it translated into Disney language was something I was excited to see. Would they talk about Aladdin's deceased father Mustapha? Would he live with his mother? What kind of roles would Genie play? Well one thing matters apart from these questions: I knew the story and I could understand the film even if I didn't speak English at that time it wouldn't have helped me anyway because the airport was very noisy, so I just sat on my luggage, eating some candies, and I could understand who was who and what was everyone's scheme: obviously, Aladdin wanted to be a prince to marry the princess and Jafar to marry the princess to become the prince, and between them, the Genie would come to fulfill their dreams. So, I saw the film and I loved it.
And for one year, before I would see it again, the music of 'Pince Ali' and 'A Whole New World' was the musical remembrance of that magical week in Disney World. And when I saw it again, it took another dimension: I finally understood the subtleties of the stories, I learned all the songs after repetitive viewings, and for months and months, I was transported by the 'Prince Ali' parade and its climactic conclusion and the romantic 'A Whole New World' and its beautiful opening, when Jasmine jumps on the carpet and the zoomed-out Rajah looks smaller and smaller, watching from the balcony. I saw the film so many times during my pre-teen years that I would never forget the first sensations it immersed me into, with an unexpected awkward one.
I must confess that Jasmine was one of my first movie crushes and my idea of the ideal woman as a kid, I don't know why but the way she looked during the 'love at first sight moment' hypnotized me and the moment where I always melt occurs in the carpet ride, when Aladdin gives her the apple, when you understand that she understood who the Prince Ali is, there are no words to describe how incredibly sexy she looks at that very moment. The crush didn't last of course, and as I grew older and was disappointed with the 'Return of Jafar' sequel and the TV series, my interest for "Aladdin" declined and it was reduced to 'kid's stuff I used to like'.
And then 10 years later, as a student, I saw the film again on my computer, eating a pizza, and something magical happened when the 'Whole New World' music started during the closing credits, my heart was inundated by a nostalgic torrent, so immense that I couldn't stop crying because it reminded me of the privileged place the movie occupied once in my heart. The magic was back, and whenever I was spending a good time with friends, we were having fun listening to these old Disney songs, and the clip of 'A Whole New World' was a must-see and how glad I was to discover that I wasn't the only one who 'liked' Jasmine.
I feel so concerned by this film and so deeply attached to it, that I don't want to spoil this review with critical or ecstatic reviews, the film is just thrilling, romantic, adventurous, and features certainly the greatest cast of supporting characters without it being the counterpart of a dull hero or heroine, there's not a single minute of the film that seems pointless and wasted and certainly not with a character like Genie. That's the best I could do to rationally 'explain' my love for "Aladdin".
But maybe because loving a film can also depend on external factors that influence your judgment, in the case of "Aladdin", everything contributed to make this my favorite Disney film ... for sentimental reasons yes, but who ever said they were wrong?
I know I can get all rational in this review, analyzing what makes "Aladdin" such an appealing film and using the expected words of 'Disney Renaissance' and a comparison with the glorious Best Picture nominee predecessor. I can also talk about the animation, the music, the extraordinary multi-vocal performance of Robin Williams as Genie but I don't feel like getting rational. I love the film for personal reasons that are essentially due to the excellent timing of this film in its penetration of my pre-adolescent life. "Aladdin" took a forever cherished place as one of the last treasures that enriched my childhood even playing a pivotal role in the way I would start enjoying cartoons.
"Kid's day in the USA!" was the motto of the week that was celebrating the 65th birthday of Mickey Mouse, and for a kid who never traveled outside his country, going to Disneyland was the most unexpected destination, the most extraordinary trip I would never have dared to dream of. This is when I discovered "Aladdin", through the 'Prince Ali' fanfare endlessly performed during the parades, through the films' images aired on TV; something was strangely attracting me to the film. And I guess the fact that I knew the story helped a lot: I grew up with a French cartoon from 1969, titled 'Aladin and the Magic Lamp' recorded in an 80's videocassette, a movie I can recite (and sing) by heart, and there was also an obscure Manga 'Aladdin' film we watched at school before the summer holidays.
Needless to say I was already familiar with the story, and seeing it translated into Disney language was something I was excited to see. Would they talk about Aladdin's deceased father Mustapha? Would he live with his mother? What kind of roles would Genie play? Well one thing matters apart from these questions: I knew the story and I could understand the film even if I didn't speak English at that time it wouldn't have helped me anyway because the airport was very noisy, so I just sat on my luggage, eating some candies, and I could understand who was who and what was everyone's scheme: obviously, Aladdin wanted to be a prince to marry the princess and Jafar to marry the princess to become the prince, and between them, the Genie would come to fulfill their dreams. So, I saw the film and I loved it.
And for one year, before I would see it again, the music of 'Pince Ali' and 'A Whole New World' was the musical remembrance of that magical week in Disney World. And when I saw it again, it took another dimension: I finally understood the subtleties of the stories, I learned all the songs after repetitive viewings, and for months and months, I was transported by the 'Prince Ali' parade and its climactic conclusion and the romantic 'A Whole New World' and its beautiful opening, when Jasmine jumps on the carpet and the zoomed-out Rajah looks smaller and smaller, watching from the balcony. I saw the film so many times during my pre-teen years that I would never forget the first sensations it immersed me into, with an unexpected awkward one.
I must confess that Jasmine was one of my first movie crushes and my idea of the ideal woman as a kid, I don't know why but the way she looked during the 'love at first sight moment' hypnotized me and the moment where I always melt occurs in the carpet ride, when Aladdin gives her the apple, when you understand that she understood who the Prince Ali is, there are no words to describe how incredibly sexy she looks at that very moment. The crush didn't last of course, and as I grew older and was disappointed with the 'Return of Jafar' sequel and the TV series, my interest for "Aladdin" declined and it was reduced to 'kid's stuff I used to like'.
And then 10 years later, as a student, I saw the film again on my computer, eating a pizza, and something magical happened when the 'Whole New World' music started during the closing credits, my heart was inundated by a nostalgic torrent, so immense that I couldn't stop crying because it reminded me of the privileged place the movie occupied once in my heart. The magic was back, and whenever I was spending a good time with friends, we were having fun listening to these old Disney songs, and the clip of 'A Whole New World' was a must-see and how glad I was to discover that I wasn't the only one who 'liked' Jasmine.
I feel so concerned by this film and so deeply attached to it, that I don't want to spoil this review with critical or ecstatic reviews, the film is just thrilling, romantic, adventurous, and features certainly the greatest cast of supporting characters without it being the counterpart of a dull hero or heroine, there's not a single minute of the film that seems pointless and wasted and certainly not with a character like Genie. That's the best I could do to rationally 'explain' my love for "Aladdin".
But maybe because loving a film can also depend on external factors that influence your judgment, in the case of "Aladdin", everything contributed to make this my favorite Disney film ... for sentimental reasons yes, but who ever said they were wrong?
The 31st animated Disney classic is one of Disney's best known movies. It also takes us to a whole new world, a new fantastic point of view. This one takes place in Saudi Arabia. I've always liked this movie.
"Aladdin" is very entertaining and great fun. It is hilarious, creative, imaginative and romantic. It isn't a faultless movie, but it's a little difficult not to like it.
I'll start by talking about the characters. The blue Genie is, without a doubt, the most amusing, hilarious, imaginative and genial Genie ever created. Robin Williams steals the show as the Genie's voice. With his incredible talent to do voices, he's hilariously awesome and fantastic as the Genie's voice (and also as the voice of the enigmatic merchant that appears at the beginning, who happens to be an interesting character).
Iago is the funniest character of this movie, along with the Genie. Nobody better than Gilbert Gottfried to voice the sarcastic parrot. Iago is simply hilarious! He's rude, grumpy, sarcastic, hungry for power, malicious, obnoxious and foul-tempered. He has an irritating voice but in a funny way, as well as a great talent to perfectly mimic other characters's voices. However, deep down inside he has a heart. I also love his hate for crackers. I don't see why does he hates crackers so much, but that also makes him so funny! Besides, a parrot with teeth?? lol!
Jafar is a great villain. Although often calm and humorous (for example, he keeps calling "Prince Abooboo" to "Prince Ali"), he also represents the worst and most ambitious kind of villain and he is one of the most dangerous Disney villains. And he does possess a snake-like tone of voice sometimes.
Princess Jasmine, what can I say? Have you ever seen a more beautiful Disney princess? She's just gorgeous! Despite her strong and challenging personality, I like her anyway.
The Sultan is a funny dude. The Magic Carpet is lovable, one of my favorite characters from the movie. Aladdin himself is a nice guy, poor but kind-hearted (although dishonest, immature and selfish sometimes).
Abu is funny mostly because of his vocal sounds, very Donald Duck-like. The Cave of Wonders is an amazing character. It is a giant tiger's head with an absolutely fantastic and brutal deep-throat voice.
"Aladdin" is a festival of magic, special effects, bombastic humor and jokes.
By the way, I absolutely love the song "A Whole New World". The version sung by Aladdin and Jasmine is great, but the original version of Peabo Bryson and Regina Belle is better, deeper and more romantic and classic. It's a very romantic and joyful song, which is always a pleasure to listen. "Arabian Nights" is a nice song as well...
I'd only wish that "Aladdin" hadn't become a victim of its own success. It inspired 2 sequels and several stories with these characters.
This should definitely be on Top 250.
"Aladdin" is very entertaining and great fun. It is hilarious, creative, imaginative and romantic. It isn't a faultless movie, but it's a little difficult not to like it.
I'll start by talking about the characters. The blue Genie is, without a doubt, the most amusing, hilarious, imaginative and genial Genie ever created. Robin Williams steals the show as the Genie's voice. With his incredible talent to do voices, he's hilariously awesome and fantastic as the Genie's voice (and also as the voice of the enigmatic merchant that appears at the beginning, who happens to be an interesting character).
Iago is the funniest character of this movie, along with the Genie. Nobody better than Gilbert Gottfried to voice the sarcastic parrot. Iago is simply hilarious! He's rude, grumpy, sarcastic, hungry for power, malicious, obnoxious and foul-tempered. He has an irritating voice but in a funny way, as well as a great talent to perfectly mimic other characters's voices. However, deep down inside he has a heart. I also love his hate for crackers. I don't see why does he hates crackers so much, but that also makes him so funny! Besides, a parrot with teeth?? lol!
Jafar is a great villain. Although often calm and humorous (for example, he keeps calling "Prince Abooboo" to "Prince Ali"), he also represents the worst and most ambitious kind of villain and he is one of the most dangerous Disney villains. And he does possess a snake-like tone of voice sometimes.
Princess Jasmine, what can I say? Have you ever seen a more beautiful Disney princess? She's just gorgeous! Despite her strong and challenging personality, I like her anyway.
The Sultan is a funny dude. The Magic Carpet is lovable, one of my favorite characters from the movie. Aladdin himself is a nice guy, poor but kind-hearted (although dishonest, immature and selfish sometimes).
Abu is funny mostly because of his vocal sounds, very Donald Duck-like. The Cave of Wonders is an amazing character. It is a giant tiger's head with an absolutely fantastic and brutal deep-throat voice.
"Aladdin" is a festival of magic, special effects, bombastic humor and jokes.
By the way, I absolutely love the song "A Whole New World". The version sung by Aladdin and Jasmine is great, but the original version of Peabo Bryson and Regina Belle is better, deeper and more romantic and classic. It's a very romantic and joyful song, which is always a pleasure to listen. "Arabian Nights" is a nice song as well...
I'd only wish that "Aladdin" hadn't become a victim of its own success. It inspired 2 sequels and several stories with these characters.
This should definitely be on Top 250.
Wusstest du schon
- WissenswertesDuring the course of recording the voices, the late Robin Williams improvised so much they had almost sixteen hours of material.
- PatzerAlthough the scroll appears to be Arabic, the Sultan and Jafar's eyes move from left to right as they read it, not right to left as they should have.
- Crazy CreditsAs the movie ends, The End appears with Genie as a moon laughing. He then crumples the screen up and says "Made you look" and puts the screen back down.
- Alternative VersionenIn the post-2015 releases, the original 1990 Walt Disney Pictures logo was replaced with the 2011 variant of the current 2006 Walt Disney Pictures logo.
- VerbindungenEdited into Aladdin Activity Center (1994)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Aladdín
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 28.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 217.350.219 $
- Eröffnungswochenende in den USA und in Kanada
- 196.664 $
- 15. Nov. 1992
- Weltweiter Bruttoertrag
- 504.050.219 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
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