Die Larry Sanders Show

Sufficiently skewers the late-night circuit. The most important names in 21st century comedy were on this show. Forget Seinfeld, this was the funniest show on TV of its time, because it felt so real. Can Garry Shandling ever do another show after this? He may have shot his career in the foot after exposing the true demons that run in entertainment circles. Devastatingly funny and will be influential to many. One of a kind. "I hate you, I hate my audience, I hate this network, I hate this job, I hate myself. So, your show is on Tuesdays at 8:30 on ABC, right? We'll be right back. Stay tuned."

Avant-garde and iconic in many ways, the Larry sanders show paved the way for later tv comedies like The Office, 30 rock, etc.

The show is about... well, a show. The viewer get a behind the scenes look into show business and the world of Hollywood in the 90s. It's very topical due to the nature of it being a talk show using real guests, but it only ads to the realness of it.

Not quite a mockumentary (the 4th wall is never broken) and seemingly mostly scripted with streaks of improv and natural, overlapping dialogue, the writing at times comes off as intentionally 'regular' before being unexpectedly whipped in a direction of authenticity and cynicism.

The show is mostly carried by the characters of Larry sanders (Gary shandling), Arty the producer (Rip Torn) and Hank Kingsley (Jeffrey tambor) as well as a talented and funny supporting cast.

Hank Kingsley may be the funniest TV character in all of television... And I mean that as no exaggeration. I have never laughed out loud at a singular character more than any other. Out of all the characters he somehow feels the most real, and is somehow so likable despite being such a despicable person. A legendary performance by Jeffrey tambor.

This show is a must see for any comedy aficionado.

The award winning Larry Sanders show is subtle genius. Brilliantly written, superbly acted and hilarious, it took the documentary style comedy of Spinal Tap and re-tuned it to define a new sitcom style that inspired many other shows including Brit comedy The Office.

It ran alongside Sienfeld during the 90s but seems to have been overlooked by the mainstream and is in danger of slipping into obscurity.

The series follows the days in the lives of everybody involved in the production of a popular late night American talk show. The action centers around the three main characters, Larry Sanders the star and host of the show, Rip Torn's hilarious producer, Artie and the wonderful Hank Kingsley, Larry's sidekick.

The action is split into two styles, the behind the scenes docu-drama and the actual broadcast talk show. The two formats cleverly cut to tell the story of the characters. I don't know how they do it but the show is subtle and understated but at the same time fast moving and in your face.

I haven't seen the American version of The Office yet, but I strongly suggest that you don't even bother with it - just watch this instead. There are at least 7 or 8 series of it and you have to watch them in sequence too, because the stories cleverly develop and come to almost apocalyptic climaxes.

Do it!

This was a smart,funny and very cynical show that showed Hollywood behind and in front of the cameras. This show may have been about Larry, but some of its funniest moments were all about Hank. Hank Kingsley was one of the most hysterically funny characters in TV history. Hank had such an underlying sense of poignancy and humanity that you had to feel bad for him. One of my favorite scenes from the series is when Artie put Hank into a headlock to keep him from speaking at Larry's roast. Hank actually sat back down at the roast after the headlock as if nothing had happened - imagine the low self worth the man must have had to not just storm out of the banquet hall. Another funny episode is where Hank insists on having Phil write up a script for "Hank's Hot Potato," a backwards, confusing game of Hot Potato. After Phil writes something that includes the audience shouting out a profanity at Hank, all Hank can do is comment on the fact that the audience wasn't supposed to have a line. My favorite episode has to be the one with "Hank's Look Around Restaurant". The tables moved around so you have a different view every few minutes. Everyone knew it was a bad idea, but Hank wanted it so badly. When Larry is eating there, the tables creak and wobble and the glasses tip over...it kills me every time. To quote Artie, "That's great television, my friend." And of course, Rip Torn was superb as Artie, the producer whose years of experience in Tinseltown had made him bitter, over-aggressive, disenchanted to the point of being total sullen, and perhaps more realistic than anyone else in that environment.

Also, as an aside, if you buy the entire series don't let season one throw you. The characters struggle trying to find themselves, and Larry is even married during that first season, still I'd highly recommend the entire series as quite hilarious.

For years we've all heard the stories of behind the scenes powerplays, ego, contracts, manipulation etc. among the late night hosts and networks. Ever since Johnny "clicked" with American TV audiences on NBC we have watched a steady stream of after 11pm hosts of variety type shows. Post-Carson we have seen Jay, Dave, Conan, Arsenio, Pat Sajak, Chevy Chase, Craig Kilborn, Bob Costas, etc. vie for the late night dollars. A movie entitled "The Late Night Shift" was made depicting the infighting between Jay Leno's people and David Letterman's group to take over The Tonight Show when Johnny retired.

Now Gary Shandling and HBO have devised a character and show to weave between reality and fiction all in the form of Shandling's alter-ego Larry Sanders. Much like Billy Crystal's creation, Buddy Young Jr., Sanders has taken on a personna of his own. However, what Shandling and HBO have done takes it to new heights of excellence. The stories are witty, funny, provocative, and probably lend more truth to insights into show business then even the most skeptical of us could have imagined.

With an absolutely great supporting cast this show embodies the idea that comedy can be intellectual, cutting edge, and somewhat bitter sharp without excluding portions of the audience. Of special note the performance of Rip Torn, as Larry's veteran producer (Artie), is shear greatness. Torn has fashioned his character after Fred DeCordova who was Johnny Carson's Executive Producer.Artie "knows when to hold 'em and when to fold 'em". He knows when to f__k with the network and when not to and he insulates Larry from anything that would compromise Larry's ability to be on the edge for a great show. He loves Larry like a brother and loathes him for his insecurities, childishness, ego and all that Larry can be that's infuriating.

Jeffrey Tambor is terrific as Larry's Ed McMahon sidekick Hank Kingsley. A sniveling, insecure, limited talent based guy Kingsley is well paid and likes to throw around power. Trouble is his power base is Larry and those staffers that work on the show only do for Hank what they absolutely have to. Tambor plays this character to a tee!

With real celebrity guests poking fun at celebrity, TV, movies, and themselves at times the program almost seems to allow the entertainment industry to safely poke fun at itself in a somewhat scathing manner.

The show ended it's run about a year and a half ago but it replays on the HBO channels each week and is well worth the time to view.