Duncan MacLeod ist unsterblich und muss in der modernen Gesellschaft leben und seine wahre Natur verbergen, während er gegen andere Unsterblichen kämpft.Duncan MacLeod ist unsterblich und muss in der modernen Gesellschaft leben und seine wahre Natur verbergen, während er gegen andere Unsterblichen kämpft.Duncan MacLeod ist unsterblich und muss in der modernen Gesellschaft leben und seine wahre Natur verbergen, während er gegen andere Unsterblichen kämpft.
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Your average Highlander"-fan had a hard time deciding whether a series following two sequels to the original movie: having watched the abominable "Highlander: The Sorcerer" and "Highlander: The Quickening", arguably one of the worst movies ever produced, had left scars and had made the fan suspicious.
And how could one not have watched the pilot, knowing that Christopher Lambert would reprise his role as Connor McLeod, introducing the series leading man, Duncan McLeod (Adrian Paul)? The first seasons were slightly tedious, being too TV-ish and, apparently, produced in auto-mode: a few flashbacks in time, Duncan battling (and eventually beheading, though always TV-compatible; no blood, no gore) another immortal; Duncan's relationship with Tessa, etc. Often Adrian Paul's sidekicks, namely Richie (Stan Kirsch) and Amanda (Elizabeth Gracen) would become tedious but casting Adrian Paul – although it's unlikely that the actor will ever score an Oscar – compensating for a lot, him having a similar amiable acting style to the original Highlander, Christopher Lambert. By the end of the second season, story lines became more concrete, interesting and the guest-stars more selected – to name just a few, Roger Daltrey, Kabir Bedi, Werner Stocker, hey, even Roland Gift, singer of the "Fine Young Cannibals", played an immortal.
It may not matter to the general viewer, but what has bothered many-a more 'fanatic' fan, is the fact that the series kept altering the "Highlander"-canon: there are female immortals (not being chauvinistic, but such it was in the original film), the "Quickening" was no longer about the assembling of the last immortals, but simply a prize, which one immortal from each generation could win; the immortals actually died for a while when being 'killed', then returned to life, while the immortals in "Highlander" never died, may they be underwater, having their throats cut or being crushed by elevators. Or take the concept of 'The Watchers', even though Sean Connery assured us that, "no one hash ever known we were among you....until now". But how else to keep a long-running TV-series running, without adding or changing something in the storyline? All in all, one was saddened when the series finally came to an end, having gotten fond of the characters and willing to watch a few more episodes. It was a good seven year run, definitely worth watching, even if you've skipped the last three installments of the "Highlander" movie-franchise.
Overall, a good 7 points from 10.
And how could one not have watched the pilot, knowing that Christopher Lambert would reprise his role as Connor McLeod, introducing the series leading man, Duncan McLeod (Adrian Paul)? The first seasons were slightly tedious, being too TV-ish and, apparently, produced in auto-mode: a few flashbacks in time, Duncan battling (and eventually beheading, though always TV-compatible; no blood, no gore) another immortal; Duncan's relationship with Tessa, etc. Often Adrian Paul's sidekicks, namely Richie (Stan Kirsch) and Amanda (Elizabeth Gracen) would become tedious but casting Adrian Paul – although it's unlikely that the actor will ever score an Oscar – compensating for a lot, him having a similar amiable acting style to the original Highlander, Christopher Lambert. By the end of the second season, story lines became more concrete, interesting and the guest-stars more selected – to name just a few, Roger Daltrey, Kabir Bedi, Werner Stocker, hey, even Roland Gift, singer of the "Fine Young Cannibals", played an immortal.
It may not matter to the general viewer, but what has bothered many-a more 'fanatic' fan, is the fact that the series kept altering the "Highlander"-canon: there are female immortals (not being chauvinistic, but such it was in the original film), the "Quickening" was no longer about the assembling of the last immortals, but simply a prize, which one immortal from each generation could win; the immortals actually died for a while when being 'killed', then returned to life, while the immortals in "Highlander" never died, may they be underwater, having their throats cut or being crushed by elevators. Or take the concept of 'The Watchers', even though Sean Connery assured us that, "no one hash ever known we were among you....until now". But how else to keep a long-running TV-series running, without adding or changing something in the storyline? All in all, one was saddened when the series finally came to an end, having gotten fond of the characters and willing to watch a few more episodes. It was a good seven year run, definitely worth watching, even if you've skipped the last three installments of the "Highlander" movie-franchise.
Overall, a good 7 points from 10.
The idea of immortals isn't new.This show examines the life of "immortals" and examines the answers to question as: What is like surviving your loved ones?Surviving your family?Your hometown?Your country?Your religion?The civilisation whose ideas you carry on?It can be thoughtful.Especialy once you stop thinking about "good"and "evil"immortals and start examining what makes them act the way they do.It's deeper than most modern TV shows and far better than the movies with the same name.The charachters tend to be very interesting.Especially the cynic,dissilusioned immortal Methos the surviver.Five thousand years old and he is sounding like count Fosca from de Beauvoir's "All Men Are Mortal"who is bitter,dissilusioned and hopelessely alone,destined to survive mankind.Other charachters of interest to viewers are1)Amanda the French,manipulative thieves who seems to enjoy her life more than other immortals seem to do.Has she found the meaning of life?2)Duncan McLeodThe star.Noble and thick-headed.He doesn't hunt other immortals.He waits for them to come and they do.How important is he?3)Darius,general and priest.What made him quit the game anyway.4)Kalas,singer and monk.An immortal killer who loves music and plotting.5)Kronos a horseman.He brings anarchy. The show is definitely worth seing.
I liked the movies. okay I loved the first movie and hated the second then kinda liked the third and I liked endgame. Two outta four ain't that bad. Anyway. I liked the movies BUT in the fighting choreography Christopher Lambert cannot match Adrian Paul. The sword fights in the series got better throug the season's. If your into martial arts (perferably with a sword kata's) like me you'll know what i'm talking about. It seems like Adrian KNEW at least a little something about sword fighting. Maybe i'm looking too deep anyway i give it a 9/10. And i want the DVD set
Later
Later
Far superior to the films, for every reason: Better venue for developing the mythos and the characters, better opportunity to explore the nature and implications of immortality, and a far superior leading man for all the reasons we choose them. Adrian Paul (who inspires whole libraries of romance novels) looks magnificent and convincing in any time period and has ALL the right moves. He's also a vastly superior actor to Christopher Lambert. It is easy to see why the producers regretted not having made Duncan MacLeod immortal in an earlier time period; not only would there have been more history to explore and a richer background for Duncan, but it would have provided more visual riches for the audience.
The series jumped the shark after season 5, which I think had some of its best episodes: "Comes a Horseman", "Revelation 6:8", "Duende", "Dramatic License", "Little Tin God". "The Stone of Scone," which has its defects, represents an episode type that this series should have done more of: a complete flashback without 20th C references. The possibilities of such episodes were a missed opportunity.
The series jumped the shark after season 5, which I think had some of its best episodes: "Comes a Horseman", "Revelation 6:8", "Duende", "Dramatic License", "Little Tin God". "The Stone of Scone," which has its defects, represents an episode type that this series should have done more of: a complete flashback without 20th C references. The possibilities of such episodes were a missed opportunity.
Ever feel that good things go to those who don't deserve them? If only someone who could do it justice had gotten hold of Gregory Widen's brilliant idea. But no. So I just pretend that the ending of the original movie and all the other movies never happened, as well as all the stupidity of the last season of the series. (who ever heard of the hero only appearing in about 3 episodes of the final season?) I just wish the show had taken itself a little more seriously. Here was a grand opportunity to bring some genuine high concept to TV and the series did that in many respects. However, it was made in the 90's and the bits which seem out of place now were, I suppose, the best they could do. Still, the series was the first of a wonderful kind of modern fantasy TV genre, which has been followed by the Crow: Stairway to Heaven, and now Witchblade. (If only the writers of Witchblade had written the series! Not to mention if the series would've had those kind of effects.) I just pick and choose what fits with my personal vision of highlander. Watch it yourself and make up your own mind- it is definately worth it.
Final Words: Quit making the idiotic movie sequels. Give Methos his own show and set it entirely in the past.
Final Words: Quit making the idiotic movie sequels. Give Methos his own show and set it entirely in the past.
Wusstest du schon
- WissenswertesChristopher Lambert originally asked for just $50,000 to appear in the pilot, but one of the French investors protested it was too much money and had him written out. This made the German investors threaten to withdraw, so he was put back in. But he'd gotten annoyed by the situation so he refused and as a result he was eventually paid $500,000 for 3 days of work.
- PatzerMany times throughout, Immortals draw their unseen swords from beneath jackets that were too short to conceal them.
- Alternative VersionenThe European-broadcast versions of all episodes were 4 minutes longer than the original US airings (rebroadcasts on USA network have further cuts).
- VerbindungenFeatured in Making of 'Highlander: The Series' (1992)
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