Meister des Schwertes 2

You know it's going to be a wild ride when bodies are being chopped in half five seconds into the film. The manic pace of this film never lets up, the assault of flashing swords, flying bodies, snakes, needles, throwing stars, whips, needles and kitchen sinks (all right, not really, but I think you get my point) is almost too much to absorb all in one sitting. But what really makes the film is the striking performance by Brigitte Lin as the villain. She's fast becoming my favourite HK actress, and her wicked performance here is a big reason why. Her character is so captivating that the next "Swordsman" film was apparently centered around her character. The only letdown is that for the bulk of the film, she's dubbed (with a male voice), but since that's integral to the plot, I'll let it slide. For fans of HK fantasy/action films, this is very much worth your while.

Ling Wu Chung (Jet Li) is a great young swordsman with a big problem: the question on which side he shall fight means only choosing the lesser of two evils. On one hand, there is master Wu (Shi-Kwan Yen) who became mad during his imprisonment. Ling frees him from the prison, but does not wish to support Wu's cruel and merciless vengeance afterwards. On the other hand, there is Asia (Brigitte Lin), a wicked, mysterious woman of great beauty who hides many secrets from Ling and cannot be trusted. The movie has many wild, over the top action scenes from the director of "Chinese Ghost Story", but it was impossible to find a happy ending for it. Along with the sad music, visual beauty and spectacular effects, without a doubt a classic of its genre in the 1990s. My only little grudge is that the characters in the first Swordsman movie were more sympathetic than here in the sequel.

(1992) Swordsman II (In Chinese with English subtitles) ACTION

Full of big name Chinese stars from the likes of Jet Li, Rosamond Kwan, Jacky Cheung and Hong Kong actress veteran Brigitte Lin follows a mythical tale about ruling powers within' China. Full of wire- fu effects, and not so much a fan of those either but plenty of sword fights and beheading's (looks fake, of course), back stabbers and betrayals and some comedy relief. Similar to what one can find on one of those long Chinese soap opera films except that it's all crammed into a film. The other thing I like about this film is that it's not all serious as say "Crouching Tiger and Hidden Dragon" or even "Hero"! Jet Li's boyish persona was still intact here before his movies went all serious and the subtitled version is better than seeing it dubbed.

many of the previous comments have cited this film as one the best in the martial arts genre. i think there's a little more to it. this film articulates one of the central philosophical questions of the Chinese tradition: withdrawal from the world vs. facing the world. it is a theme featured in all of china's great philosophers, Lao-Tze, Zhuang-Tze, Confucious, and as well as its great poets and artists. it is also, arguably, the central question of Chinese Buddhism.

recall that the film premises on the withdrawal of Jet Li's character and his clan from the world of martial arts (the uniquely Chinese, "Jiang-Hu"). they were tired of the constant battles and blood-shed. "Ox-back Mountain" was, for them, the idyllic place to escape the bitterness of the world. the events of the movie--Jet Li's involvement with Ying Ying, the rescue of Ren Woxing, the appearance of Dong Fang Bu Bai, the brutal slaughter of the Hua Mountain clan--all serve to problem's the possibility of exiting the world.

Linghu Chong's (Jet Li's) conversation with Ren Woxing captures this conflict in these immortal words (my translation): "you (Linghu Chong) know so little about the world. when there is people, there is hatred and resentment, and when there is hatred and resentment, there is Jiang Hu (the world)." this is a pessimistic view of the world, but one that rightly argues for the importance of resentment in the order of the world. moreover, unlike most films that fall into this trap, the Swordsman II does not posit love as a force of reconstitution and re-ordering; love only complicates things...

If you only see one movie from Hong Kong, look no further. This one packed the best of all that kept HK's movie industry at the forefront of the action/ martial arts genre. The androgynous leading role also revived veteran actress Brigitte Lin's career, launching scores of other copycats casting her in such roles. She completely overshadows everyone else, despite the star-studded cast (incl Jet Li). The action sequences were stunning and kudos also for the meticulous costume-design and music score - a classic!