Witchcraft 3 - Der Kuss des Todes

A good warlock fights for the love of a woman against an evil warlock. The story is thinly disguised as a horror film, and not a very good one at that. Slightly better than the first two, but not by much. Most of the female cast members are terrific looking, and are frequently naked. 2 out of 10.

THE KISS OF DEATH is the third in a series of incessantly-made straight-to-video horrors that together form the WITCHCRAFT series. The first two films in the franchise were below par and this is no different, a near-indistinguishable entry filled with the usual softcore fumblings and mild horror.

Once again male protagonist Charles Solomon Jr. returns to the series playing the good-hearted warlock just trying to get on with his life (and love life). Unfortunately for him a rival warlock has evil in his heart and is killing a series of women in order to give his love eternal life. The two men eventually come to blows but not before lots of characters have bedded each other and female nudity is thrown into the mix.

THE KISS OF DEATH makes for boring viewing and one that's devoid of interest. Solomon Jr.'s character couldn't get any less interesting and the lack of money means that there are few effects scenes or indeed life in the picture. In fact, it only really gets going at the climax which offers up some of the usual action nonsense. Many more films were to follow...

My review was written in April 1991 after watching the movie on Academy video cassette.

Third entry in the popular home video "Witchcraft" series scores high in sexiness but low in the supernatural realm. It should appeal to fans of erotic thrillers.

Charles Solomon, whose acting is unconvincing throughout, toplines as the son of a warlock who denies his ancestry (and inherited powers) until he has to do battle with a vampire bad guy (Domonic Luciano).

Luciano, who preys on Solomon and his girlfriend (Lisa Toothman), periodically kills women with a kiss of death that literally ucks the life out of them.

Luciano's own girlfriend is platinum blonde Luana Hall, who gets an energy transfusion every time her beau puts the fatal smooch on someone, Plot comes unglued when Luciano offs the femme prosecutor who's been giving Solomon a hard time.

Pic climaxes when Luciano dumps Hall and makes Toothman his new thrall. Using inherited witchcraft, and a little help from witch doctor William L. Baker, Solomon puts Luciano out of commission.

Real find here is heroine Toothman. After small film roles and Playboy Channel appearances, she proves to be vulnerable as well as voluptuous in a leading role. Luciano also makes a smooth villain.

Action scenes, particularly the anticlimactic final reel fights, are awkwardly staged with chintzy special effects.

Sure, this is a standard, cheese ball, demon-lover story with a little tease, but the saving grace of this flick is lovely Lisa Toothman shines charms throughout, but saves the best for last. This is one of those actresses who incites one thought all the way through: Damn, I hope she has a nude scene! And she doesn't disappoint. What a joy to see this girl-next-door type flaunt her Big Naturals before the closing credits! Lisa deserved many more bad movies with award winning nude scenes. Her big scene is all the more satisfying because of the cat fight she has with her witch rival. Lisa, thank you for leaving us this legacy! I recommend fast forwarding to just the scenes with Lisa in them

Will Spanner (Charles Solomon Jr.) is now an attorney and not living a life as a warlock. But, another warlock named Louis (Domonic Luciana) steps into his life and is messing things up. He has committed murder using Spanner's car in hit and run and is after his girlfriend Charlotte (Lisa Toothman) as well. Guess he's going to have to get his warlock on and fight this guy.

Usually three strikes means your out, but not in this series. An endless parade of more sequels has followed. While I do believe Rachel Feldman may have been the most competent director so far in the series, you still gotta have something to work with. The film gets silly and nonsensical. Not to mention the effects while once again used sparingly (which is good) are pretty cheesy.