Ein erfolgreicher Psychotherapeut verliert den Verstand, nachdem ihn einer seiner, ein Zwangsneurotiker,während seines Familienurlaubs aufgespürt hat.Ein erfolgreicher Psychotherapeut verliert den Verstand, nachdem ihn einer seiner, ein Zwangsneurotiker,während seines Familienurlaubs aufgespürt hat.Ein erfolgreicher Psychotherapeut verliert den Verstand, nachdem ihn einer seiner, ein Zwangsneurotiker,während seines Familienurlaubs aufgespürt hat.
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- 2 Gewinne & 2 Nominierungen insgesamt
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What About Bob features very entertaining performances from both Bill Murray and Richard Dreyfuss, but I can't help but sympathize with Dr. Leo Marvin. After all, an unstable patient he barely met is entering his home, but everyone else acts as if it's totally fine. It stressed me out a bit. Nevertheless, I was still able to laugh at the absurdity of it all.
I thoroughly enjoyed this movie the first time I saw it, laughing most of the way. By the second look, Bill Murray's deliberately obnoxious-pushy character now started driving me crazy, too. No longer was it just Richard Dreyfuss being tormented. By the third viewing, I'd had enough.
Murray, "Bob," is so annoying, so irritating, that you either laugh or want to kill this guy yourself as he hounds his psychiatrist all over the place. Kudos to Dreyfuss to put up with, even if it's just acting. Murray certainly did his job well in this film. He was the perfect actor to play "Bob."
Highly recommended for one but beware "Bob" may drive you nuts, too.
Murray, "Bob," is so annoying, so irritating, that you either laugh or want to kill this guy yourself as he hounds his psychiatrist all over the place. Kudos to Dreyfuss to put up with, even if it's just acting. Murray certainly did his job well in this film. He was the perfect actor to play "Bob."
Highly recommended for one but beware "Bob" may drive you nuts, too.
"What About Bob?" is a laugh-out riot with Bill Murray playing the title character of Bob Wiley, a somewhat neurotic nut ball who's in need of therapy in order to calm his nerves from all the fears he has from germs, elevators, and God knows what else. Richard Dreyfuss plays his psychiatrist Dr. Marvin, a pompous doctor who can't value time with his family until his book becomes a hit and has a chance to talk about it nationwide. It's when Bob and Dr. Marvin meet face-to-face where the barrel of laughs begin with the patient making his life upside down while winning the hearts of his family, enemies and everybody around him. I've been a fan of Bill Murray since his performances from Ghostbusters to Caddyshack and he never disappoints.
This relatively simple, good Frank Oz comedy is to me one of Bill Murray's best. In here, the former 'Ghostbuster' star is Bob Wiley, a good-hearted obsessive-compulsive who tracks down his new psychiatrist when he goes on vacation with his family; his annoying but good-hearted actions, coupled with the doctor's upcoming TV interview, cause the man to slowly go crazy himself.
I find this film rather polarizing, exactly because of Murray; or, to be more precise, his character. Bob Wiley is good-hearted and enthusiastic to a fault, to the point of being obnoxious. You can't help feeling sorry for the psychiatrist (a very good Richard Dreyfuss) for having to put up with him. And Murray, himself, does a great job; he is not obnoxious in an overly cheerful/clownish way (like Robin Williams, for example), but rather in the comedic OCD way his character is supposed to be. His is merely great acting; a bit TOO good acting, though, as sometimes I myself felt irritated with Bob.
Richard Dreyfuss does a very good job too. His character, an overly-uptight and arrogant 'genius' psychiatrist, is shown in a way that we should feel he deserves the hell Bob inadvertently brought him; yet, because of Bill Murray, we can't help sympathize with him. Still, his breakdown moments are hilarious and the interactions between Dreyfuss and Murray are perfect.
The supporting cast exists, but it is really Murray's and Dreyfuss' show.
In the end, it comes down to how you cope with Murray's character. Whether you can stand him and laugh, or whether you find him so irritating to the point of being unbearable. I certainly found it quite funny and liked it, and would not hesitate to recommend.
I find this film rather polarizing, exactly because of Murray; or, to be more precise, his character. Bob Wiley is good-hearted and enthusiastic to a fault, to the point of being obnoxious. You can't help feeling sorry for the psychiatrist (a very good Richard Dreyfuss) for having to put up with him. And Murray, himself, does a great job; he is not obnoxious in an overly cheerful/clownish way (like Robin Williams, for example), but rather in the comedic OCD way his character is supposed to be. His is merely great acting; a bit TOO good acting, though, as sometimes I myself felt irritated with Bob.
Richard Dreyfuss does a very good job too. His character, an overly-uptight and arrogant 'genius' psychiatrist, is shown in a way that we should feel he deserves the hell Bob inadvertently brought him; yet, because of Bill Murray, we can't help sympathize with him. Still, his breakdown moments are hilarious and the interactions between Dreyfuss and Murray are perfect.
The supporting cast exists, but it is really Murray's and Dreyfuss' show.
In the end, it comes down to how you cope with Murray's character. Whether you can stand him and laugh, or whether you find him so irritating to the point of being unbearable. I certainly found it quite funny and liked it, and would not hesitate to recommend.
Bob Wiley (Bill Murray) is a wacky oddball. Doctor Leo Marvin (Richard Dreyfuss) is a confident NY psychotherapist who is looking forward to a "Good Morning America" appearance to push his book. A colleague pawns Bob off to Leo as a new patient. Bob is immediately attached to Leo and his book's advise of Baby Steps. When Leo tells Bob that he's going on vacation with his family, Bob can't take it and tracks him down. Leo thinks his life is great, but not everything is going as well as he supposes. His townie neighbors hate him. His son is afraid to dive. His daughter hates to be over-analyzed and has normal boy troubles. His wife could do with more consideration from Leo. And worst of all, everybody loves Bob.
Bill Murray and Richard Dreyfuss make for a great odd couple. They are both doing something within their skill sets. Bill Murray is especially wacky in this, and Dreyfuss plays annoyed very well without being completely unlikeable. One could certainly understand Leo's point of view, but it's also obvious how wrong he is.
Bill Murray and Richard Dreyfuss make for a great odd couple. They are both doing something within their skill sets. Bill Murray is especially wacky in this, and Dreyfuss plays annoyed very well without being completely unlikeable. One could certainly understand Leo's point of view, but it's also obvious how wrong he is.
Wusstest du schon
- WissenswertesRobin Williams was the first choice for the role of Bob Wiley, as he had been nominated for an Oscar for his performance in screenwriter Tom Schulman's Der Club der toten Dichter (1989), also distributed by Touchstone Pictures. However, at the time filming was to begin, Williams had just finished filming König der Fischer (1991) and was forced to turn down the role. Williams and Charlie Korsmo, who plays Richard Dreyfuss's son in this movie, would go on to star in Steven Spielberg's Hook (1991) the same year.
- PatzerWhen Marie from Good Morning America (1975) is interviewing Dr. Marvin and Bob, Leo inadvertently calls her "Joan" the first time he speaks to her. Joan Lunden plays/is the home-base correspondent for GMA. Leo had been rehearsing his speech to Joan Lunden all night, but Marie was the interviewer that came to his house. Leo froze up on TV and repeated his rehearsed message even though it was no longer appropriate.
- Zitate
Dr. Leo Marvin: I want some peace and quiet!
Bob Wiley: Well, I'll be quiet.
Siggy: I'll be peace!
[Bob and Siggy burst into giggles]
- Alternative VersionenRecent 2004 airing on TBS uses the term "tourette's syndrome" instead of the TV-friendly toned-down "Buddy's disease", and used *almost* all of the original dialog associated with it.
- SoundtracksJolt
Written by Gerry Hurtado and Chris Abbott
Performed by Skatemaster Tate and The Concrete Crew
Courtesy of Russett Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- ¿Qué tal, Bob?
- Drehorte
- 8254 Scruggs Road, Moneta, Virginia, USA(house location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 39.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 63.707.829 $
- Eröffnungswochenende in den USA und in Kanada
- 9.216.334 $
- 19. Mai 1991
- Weltweiter Bruttoertrag
- 63.707.829 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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