Die Reise des Capitan Fracassa

One of the reviews here is that it is one of the best films of the great Italian director Ettore Scola. I would say more: it's one of the best movies ever. Top 20 in the History of cinema IMHO.

Comedy, drama, romance, history, poetry and literature in one of the most simple and beautiful tributes made to theater and the love of acting. This movie is proof that you can make a great work without much money or production. In fact, simplicity is its greatest virtue.

And as icing on the cake it still allows us to enjoy the stunning beauty of Ornella Muti throughout its projection. 10/10

One of films in which every aspect gives a special state. From performances to the inspired use of story, from nostalgia to the refreshing humor, from the dialogues to the love story. A homage to theater and a great adaptation of a fascinating novel. And, sure, Massimo Troisi .

In pastel colours of a fairy-tale sort, mostly in mist, Scola weaves his masterful adaptation of the classic of French literature (written by Theophile Gautier in 1861-63), slowly approaching towards the end's magnificent "realistic" twist (which - I dare to say - would not make the author angry). "Il viaggio di Capitan Fracassa" is cinema that cannot offend anyone, full of great emotional(as well as intellectual)pleasures. I found the new French blu-ray with English subtitles great, as well as companion releases of Scola's "La nuit de Varennes", "Splendor", and "Che ora e ?". My only complaint is that Massimo Troisi's voice was dubbed in French.

This movie is one of the best films the great Italian director, Ettore Scola has ever made. It also has a fantastic cast, all doing a great job, but, is seems the late Massimo Troisi does outshine them all, with a stunning performance as Pulcinella, a Sancho Panza sort of clown. This fantasy, dream-like tale, is based on the famous book by the same name by Théophile Gautier, the French author. This is actually the 5th movie adaptation of this novel, which must tell you something about its force to attract generations of film makers.

Vincent Pérez plays Baron of Sigognac, a young royal, whose quest for material wealth brings him true love and revelations on the nature of this world. The plot themes are somewhat related to Stoppard's excellent Rosencrantz and Guildenstern Are Dead - both uses the traveling players to explore the nature of the human condition. One might also recall Bergman's Seventh Seal, but Fracassa is more akin of Stoppard's light hearted, witty, approach to those grave subjects.

A truly exceptional, beautiful and entertaining film, a long standing achievement for all involved, surely better than Il Postino, though, sadly, much less known. Surely overdue for re-release?

Although it does not follow Theophile Gautier's novel slavishly, this movie gets the essentials all right. (The very next day after seeing the movie in 1990 in France, I went to the nearest bookstore o buy the book, which I hadn't read yet; and which proved a delight, too.) While many US and UK movies do period pieces like the Three Musketeers in near-parody or camp, this one treats the story with respect. Think Cyrano de Bergerac, but with a more even and varied cast of characters, and a big twist of a happy ending. It's particularly fun for anyone who does amateur theater, as the plot involves a nobleman (down on his luck in the south) who swallows his pride long enough to join a troup of travelling actors (at the time, denied the right of burial), for a trip to Paris. Fortunately, despite being in the sticks, his tutor at sword fighting was the best.