Van Gogh

I have been an admirer of Vincent Van Gogh for many years and have ready many books about him, so I picked up a copy of this movie with high hopes. I also, like the first reviewer, liked the authentic period look of the movie. The actor that played Dr. Gachet, was very convincing and looked very much like him. Jocques Dutronc looks nothing like Vincent and I didn't really understand why the film makers wouldn't at least have him grow a beard? I have also never seen any photos of Theo with out either a mustache or a goatee but never a beard. Kinda like they got the characters mixed up. Theo was only 33 during the period this movie is supposed to portray. The actor that played him looked 50. I have never really figured out why film makers cannot do a more accurate movie of Vincent. Most of this movie depicts his "affair" with Margurite Gachet and there is little or no evidence to support any this nonsense. There is a lot of very strange and irrelevant dialog in this movie and many of the scenes don't seem to have much purpose or even flow together...Its a very odd film. Could have been much much better with little effort...

The strength of this film hinges on the plausibility of the account- if this is indeed an accurate portrayal of Van Gogh's last days then it at least has some innate value in that regard. Although the pain of V.G.'s suffering was excruciatingly heightened by the real-life pace, the film suffered overall from being too slow. I was left feeling depressed about Van Gogh and got the feeling that maybe some aspects of a person's life are better left undramatized. The character of "Van Gogh" ultimately comes across as a hopeless case--crazy, depressed, bitter, irresponsible and ill-tempered, hopelessly dependent on his brother and resentful to the point of suicide because of it. But is that the whole story? There must be more and this movie doesn't leave the viewer with the impression that any stones have been left unturned. Too much of this man's earlier life is unknown to us(assumed) and his actions and relationship with his brother, Theo have no real context for the viewer to truly sympathize or understand Van Gogh. And the relations he has with the love interests in the film are in many ways stilted and hard to believe. Van Gogh was a stormy, complex, singular type of human being whose story resists just this type of retelling. Nice try but I think this film missed.

This is Maurice Pialat's masterpiece, one of the best French films ever !

Unlike the title may induce, it's not a Van Gogh "classic" biography as Pialat only shows the last three months of the painter's life, from his arrival in Auvers sur Oise until his suicide.

The picture is constantly moving, intelligent, funny and masterfully photographed (some sequences along the river look like Renoirs's paintings). It's as much a movie about Pialat himself as about Van Gogh.

The scene between Vincent and his brother Theo , or the ones between the latter and her wife Jo are just extraordinary. And the way Pialat films Van Gogh's agony at the Auberge Ravoux in Auvers sur Oise is the mark of a genius.

Jacques Dutronc may not be a Vincent van Gogh lookalike, he's absolutely outstanding. And Bernard Le Coq as Theo makes his best performance so far.

Unmissable!!!!!!!!!!

The idea of Jacques Dutronc as Van Gogh didn't sit well with me at first. I didn't think they looked much alike and Jacques just seemed too cool and French and rock star like to pull it off. It took a few minutes to get used to, but I quickly became engrossed in the tale and the acting and was no longer wary. This film focuses on Van Gogh's last few months of life, while he went to Auvers to seek treatment from Dr. Gachet for his headaches.

Always the recluse, the daughter of Dr. Gachet is drawn to him, falls in love and follows him about, although Van Gogh seems mostly indifferent to her attention and feelings. His mental state becomes worse and worse and in his case it makes him a short-tempered, angry, difficult person. He insults his brother, his brother's wife, his girlfriend, Dr. Gachet and about everyone he knows until he finally shoots himself. The film spends an inordinate amount of time on Vincent suffering in bed with a bullet in his gut, being downright cruel to those who attempt to help or console him. How many scenes of him laying angry and in pain in his soon to be death bed do we really need.

This movie is like an avocado and bacon and watercress salad that Tyler Florence created. First you take 3 avocados (which I have come to love since I went to Chile last March) cut them in half and remove the pit. Then fry up a couple of slices of bacon and crumble them over the avocado halves. Then strew some watercress artistically across the plate. Then drizzle the whole thing with olive oil and season with salt and pepper. I find the salad great when I'm eating bites of avocado and bacon, which I generally eat first. Then I have some watercress with a few bits of bacon leftover. This is bitter and not that pleasant, so it finishes of rather poorly for me. When I'm done I mostly remember the good bites from the beginning with the creamy avocados and the salty, delicious bacon. I should just leave the watercress out and it would be excellent. 6/10 http://blog.myspace.com/locoformovies

I loved every golden minute of this film. It was honest, sensitive and respectful of the artist and anyone who loves Van Gogh's paintings and wants the fly-on-the-wall glimpse of his last days on earth will be in for a wonderful experience.

Unlike such films as "Lust for Life" with the Academy Awards so visibly in mind, this one doesn't offer any mad scenes, or pulpitizing or self-mutilation. In other words, if you are looking for Kirk Douglas chewing up the scenery or Stanley Kramer, bullhorn in hand, preaching one of his messages, or, heaven forbid, "Mondo Cane", this will be a disappointment. Unlike so many biopics of artists' lives, this one doesn't sell out to the mass audience with cheap histrionics. It dares to respect its subject and treat it humanely and humbly.

Every object, every face, every scene evokes what Van Gogh would have witnessed himself before his death. Just walking through a field evokes the thrill of recognizing the scene from one of his paintings! As undramatic as it may seem to some, it's really quite exciting for those of us who revere the artist and his work. In fact, I was actually angry at the end of the film that the beauty finally had to stop.

I would recommend this with all my heart to those viewers who love Van Gogh's paintings and are in search of a film that respects the artist in his dying days. It is moving and honest.

Curtis Stotlar