Made in Spotswood - Die Fabrik der schrägen Vögel

This film shows us a slice of Australian work life as globalisation takes over. The workers in a small shoe factory, having grown up with the "job for life" paradigm, are examined by an efficiency expert called in by the boss, a man who wants to "modernise" without cutting staff.

Many well-known Australian actors appear in this film. It is a gentle and sympathetic look at the effects of economic change. The film also has comic moments where adolescent boys try to ask out a good-looking girl without much success.

This film is not a "must-see", but it passes the time acceptably.

I have just used this film to show the effects of a taylorist management style to my year 12 Business management students. Spotswood captures the problems involved in treating workers as just another resource to be exploited, very succinctly. I just loved the employees of this factory. They were all quite typical of Australians of this period, with names I haven't heard for years, like Wendy, Shirley and Cheryl! Their refusal to see the value in the efficiency improvements foisted upon them simply because they were so human, and needed to socialise neatly demonstrated just what is wrong with scientific management practice. I think this movie should be compulsory viewing for all Australians in view of the new industrial relations laws recently passed by the Howard government. Spotswood shows us just the type of community that we are losing as individualism becomes the dominant philosophy in society. In short spotswood neatly illustrated to my students concepts and theories that had been presented in class.

Although this film is about the upheavals in Australia in the 60s, it could easily be reset in the mid to late-2000s with the economic upheaval that the US has been having as well. Companies having a person coming in to re-evaluate what they are doing to find the efficiency leaks/breaks that are causing the company to lose more money than gain, based upon 3 rules that he tells later in the movie.

Anthony Hopkins was the bad guy just in 1991, a year before this movie, and he does the same in this film, but less than a resident evil that he did in the prior movie. You can see the struggles his character is having while playing the bad guy at the company and reporting to the head of the company changes that needs to be made. You almost feel sorry for Anthony Hopkin's character to have to make these life-changing decisions that affect so many other folks lives and livelihoods.

Seeing it now in 2014 (almost 25 years later), it's interesting seeing that Anthony Hopkins stays true to form to his classic Anthony Hopkins self. No disappointment there; how could anything go wrong seeing him in the movies?

BTW, their wardrobes are classic 60s and loved the lady in pink (from head to toe), even with the pink lipstick.

SPOTSWOOD, which, in American release, is called THE EFFICIENCY EXPERT, is a rewarding movie for those who pay attention. I've watched it three times in the last three nights and liked it more each time. Briefly, Anthony Hopkins plays one of these guys who goes from company to company telling management how costs can be cut. It being Anthony Hopkins, you know he's going to look calm and cool while hating what he's doing. (Think of MEET JOE BLACK.) If you've seen the Ealing comedies from the 50s you'll see that SPOTSWOOD is much in the mode of those. The best part of this movie is its focus on the factory Hopkins visits. The characters are droll, but relatively realistic, and, of course, you don't want Hopkins to cause them the misfortune he seems poised to introduce into their lives. The movie is a bit weak in relating the story of Carey (Ben Mendelsohn), a young machinist who worships the boss's daughter from afar. Given that this is a comedy about workers versus big money, the love triangle almost derails the satire (enter Toni Collete as the saintly factory girl Ben Mendelsohn keeps ignoring.) In any case, even in its weak spots it's so well-acted (dig Russell Crowe as an up-and-coming shark) that it holds your interest. There is a really great scene of pure cinema. This is a slot-car race, filled with suspense and laughter. I have yet to see an Australian movie that didn't have at least one almost impossible-to-film moment. The land that gave us 90-some minutes of almost-impossible-to-film moments (that's THE ROAD WARRIOR, of course) offers a marvelous mini-moment in this scene. There is at least one great sight gag ("Don't turn the key until I tell you...") and some very moving moments led by Alwyn Kurts as the owner of the targeted factory. This is a very well-made, amusing motion picture. Also, check out Hopkins in one scene in close-up, when he's laying down his cynical law to Alwyn Kurts. He's got the back of his hand just under his own jaw-bone, and he's moving it in a sawing action. It reminded me of Brando in APOCALYPSE NOW.

Who knew Hannibal Lector could be so subtly funny and filled with pathos. Hopkns turns in a marvelous role of the efficiency consultant who thinks nothing of recommending that half a work force be fired for better profits. Then he visits a down and out shoe company and meets his match in the Mendelshohn and Kurts characters and the rest of their workmates. Indeed, Kurts steals the film as the owner who lives back then and hopes that his efficiency expert can get him and his factory into the modern era, but does not expect it to be as brutal and painful as it is.

Kudos to all. If you want a droll comedy that gives remarkable insight into the human dilemma, rent this. You will not regret it. In closing, pay close attention to how Hopkins portrays a plethora of emotions with only his facial and non verbal reactions. He is a genius!