Das Schweigen der Lämmer

I just saw, for the second or third time, this cinematographic masterpiece, during an « UGC culte » evening, in Paris. The list of the Big Five Academy Award winners is short. There are currently three of them, in nine decades: Es geschah in einer Nacht (1934), Einer flog über das Kuckucksnest (1975) and ... Das Schweigen der Lämmer (1991). This is not really surprising, this film being excellent, endowed with a script skillfully elaborated by Thomas Harris, with an irreproachable casting including Anthony Hopkins, Jodie Foster and Scott Glenn. In addition, the director Jonathan Demme delivers a work obviously enjoying an admirable preparatory work.

Without unduly spoiling the script, if you have not seen it yet, by the greatest fluke: a psychopath known as the Buffalo Bill sows terror in the Middle West by kidnapping and murdering young pulpy women, after partially or completely skinning them. Clarice Starling, a young FBI agent, is in charge of interviewing Hannibal Lecter, a well-known former psychiatrist who has also the characteristic of a truly intelligent psychopath focused on cannibalism. Hannibal Lecter is able to provide Clarice Starling with providential information about Buffalo Bill . But he agrees to help her only in exchange for information about the young woman's private life. Between them is established a link of fascination and repulsion.

As a synthesis: a thrilling must see. 9/10 of 10

This is definitely a film that proves you don't need tons of blood and gore to have a good suspense film. Anthony Hopkins performance as the deranged genius Lecter earned him a well deserved Academy Award and the same was true of Jodie Foster's performance as Clarice Starling. This film should go down in history as one of the greatest suspense films in the history of cinema.

The Silence of the Lambs, having accomplished the rare feat of winning all five of the major Academy Award categories, is a remarkable achievement in filmmaking. Gruesome, pulpish material was transformed by dedicated participants on all levels of production, and a film that would have failed in the hands of many others wound up becoming a modern masterpiece. Taut direction and a superb screenplay might be the best arguments for the film's power, but the flashiest are certainly delivered in the bravura performances of Hopkins and Foster. Their interplay -- and remember, they only share a handful of scenes together -- is nothing short of riveting.

Brilliant Best Picture of 1991 that never gets old. "The Silence of the Lambs" deals with a young FBI cadet (Oscar-winner Jodie Foster) who is sent to interview a captured madman (Oscar-winner Anthony Hopkins in one of the greatest performances ever on the screen) to find out about a serial killer (Ted Levine) who is stripping the skin from his female victims after they die. The FBI has had no luck with the case and agent Scott Glenn tries to throw a curve-ball to Hopkins by sending Foster. Hopkins is a former doctor of Levine and holds the clues to capturing the unknown criminal. Needless to say the film takes many twists and turns, creating a suspenseful thriller that has no equal. At the heart of "The Silence of the Lambs" are the confrontations between Hopkins and Foster. They play a complicated chess match of words which results in some of the greatest footage ever captured for the cinema. Hopkins dominates in spite of the fact he has approximately 17 minutes of time in the film. This is a film that will wrap itself around you and you will likely never be able to shake some of the key elements you have seen in this amazing masterpiece. 5 stars out of 5.

Admittedly, I am not the most well versed when it comes to cinema and more importantly well thought-out and thorough reviews of cinema however I wanted to attempt to talk about The Silence of the Lambs.

This is quite possibly one of my most revisited horror films, I find myself returning to it without boredom quite often. Re-watchablity is something I have noticed to be heavily lacking in the horror genre, something I personally equate to the overuse of the jumpscare, which isn't such a terrible thing but the intended effect wears thin by the third viewing.

Silence of the Lambs being a more psychological horror does an immensely interesting job in their depiction of "deranged" or mentally ill criminals. Obviously Hannibal himself can become quite alluring given his disturbed charisma alongside the dustings of his criminal, cannibal, activities. His interactions with Clarice are superb and I don't get tired of watching their bizarre chemistry. Plus Jodie Foster did an excellent job as an up and coming FBI student, evidently a small fish in a large, male dominated pond.

On that note I think the depictions of her relationships with men in the film are rather well executed. I would love to one day do a deeper more insightful reflection on this film and actually take into account story and cinematography, all factors really but I'll leave it here for now.