Ein ganz normaler Hochzeitstag

Like a stale marriage, after about half an hour you might feel like retaking your vows with this one, because although it starts well enough, the fire soon dies down. The two leads are great, sparking off each other and generally giving all they've got to these two-dimensional characters. But there's only so many one-liners you can take before you realise that there isn't actually anything happening. It's an interesting idea, and worth a look, but with the credentials of those involved you'd expect to get more for your money.

He lives in Southern California. He spends time in a mall. He carries a surfboard. He wears a ponytail. Is this really Woody Allen, or an imposter? This movie received a critical beating when it came out, but it's really not that bad. In fact, I sort of got a kick out of seeing Woody in this. He is well matched by Bette Midler, who reprises her Down and Out in Beverly Hills character. Director Paul Mazursky, who usually makes either Southern California or Manhattan-set social comedies, brings Woody out to the Beverly Hills that he's trashed in so many movies (the most obvious being Annie Hall), and plucks him into the center of '80s and '90s California consumerism--the mall. The story involves Allen and Midler discussing their infidelities in various mall settings, but the dialogue is merely a clothesline for the idea. It was a hard idea to pull off, but I, being the Woody Allen fan that I am, enjoyed it.

I enjoyed this a lot, but more in the way you enjoy a play than a film. I can see how this would annoy some people, but I quite like it when film mimics theatre- for instance, by restricting virtually all the dialogue to two characters, and virtually all the action to one, claustrophobic, location. The plot is slow and unlikely, but the writing is good, and the acting superb. Particularly fine is Midler's murderous side-long glance at the word 'zombies'. Actually, I don't think I've ever seen Allen have better chemistry with his leading lady. So, not a film for laughing out loud at, but engrossing, well done, and fun to watch. Best thing about it: A mime gets punched. Worst thing: Woody Allen in a white jacket and- God help us- a pony-tail.

In Annie Hall, Alvy Singer observes that the only cultural advantage of living in California is that you can make a left on a red light. Here. in the thick of it, Woody's character is a committed Los Angelean with designer suits, fast-talking business deals but still with that underlying angst. There's a lot to recommend this relatively stagey effort from Paul Mazursky - the screenplay, the leads and the unique setting - although Kevin Smith has done it better since in Mallrats. What is perhaps missing here is any new revelation or insight into the characters who remain pretty much two-dimensional throughout. It is alas predictable fare but still worth a look for a touch of Woody as he might have been if California had enticed him over.

One word that describes the movie for me is frustrating. Though the setting might be a rather original idea, it falls short on the plot and characters. For me, the couple are not convincing. They seem to different, a clingy, weak, uncool attorney married to a strong, manipulative and insightful woman. Whilst, Woody totally destroys any dignity and self respect for himself, Bette, seems to be constantly boosting her ego with more and more manipulation.

Another flaw is that the setting works against it. At times, i must admit they fit the criteria for a realistic approach of those couples who argue at shopping centre's so loudly, the whole idea in itself removes the realism from it. Though this is comedy, the mime, for me is straight up an irritation.

There just seems to be no character development and that's what the whole film has tried to fit into. The plot is written to suit the insight of a couple who play mind games on each other constantly, and for me falls short.