Fieberhaft - Undercover in der Drogenhölle

Rush does not have my favorite atmosphere, that of big belt buckles, long hair, cowboy hats, and barrelhead bars. Not a fan. But, the film is very powerful. It's directed with a very discerning pace and clearcut, head-on reception of every emotion and tension released by every scene by Lili Fini Zanuck. Because of this, the film, which some say is not so action- packed, is actually brimming with action. The action doesn't largely involve guns or chases or fights but involves a harrowing ride through the attacks of libido and paranoia of drug addiction. The film is a masterpiece of direct film-making. Not only is Zanuck's aforementioned style barefaced and precise, the story is the reality of a deep cover narcotics operation. Hardly any connection with the outside world at all, the acclamation to hard drugs, the dangerous risk taken by the chemistry between the narcs working together, and the unexpected traumatic, malicious confrontations that turn out to be the most harrowing and affecting experiences on the whole.

Jason Patric and Jennifer Jason Leigh make for a surprisingly very intense duo. Patric delivers a gem of a performance as a dark, hardened cop who reaches the peak of every alarming human extent. Leigh, as the straight man so to speak in that particular area, delivers on quite a sensitive note. Also, having been scarred by her maddening irritating side in The Hudsucker Proxy, I was happy to see her in a performance where she did not go over the top and stayed at the level that made her stand out quite a lot. And, on a side note, I had no idea she was so hot. Her body, especially around the level of the hips and thighs, is perfection rarely so magnified. Watch for the scene in the apartment where she's wearing jeans and a black shirt. You'll sweat till your clothes stick.

Rush has what one wouldn't expect from a film like it, and that is a villain that is an added bonus in every way. We see him only as silent punctuation at the beginning, middle, and end. He is elusive, smarter than any of his partners, calculating, all underneath that long Texas hair of his. From the start, we are presented with a man who only appears to all that come in contact with him to be no different, wearing boots, the accent, everything I said at the top, the like, but beneath the appearance is someone who knows the trouble and chaos those who try to catch him throughout the film are about to go through and smirks inside about it.

I watched this only because Sam Elliott was in it, expecting little from Patric & Leigh, whom I looked upon as TV-quality lightweights. I was quite wrong -- both can act with great strength when given a quality script (a rare item in Hollywood). This is an intense, driven tale about undercover cops firmly entangled in the drug underworld, with the criminal activity and hypocrisy evenly spread between the cops and the dealers. The accuracy of this portrayal and the obvious futility of the "War on Drugs" explain why this film was hammered loudly by the police departments, newspapers and mainstream critics. To anyone who hasn't spent time around serious junkies this film will be a bit of a jolt, but it's the best and most honest portrayal of this world ever put on film.

This is definitely not your standard two-cop "buddy" films that spew forth so often from the Hollywood colon. The story is not predictable, nor is the ending....nor the ending after that ending. Scripts like this are jolting because they make you realize just how awful most of the other films actually are.

Some of the secondary actors turn in surprisingly nice jobs here. Sam Elliott turns in his usual good work, always enjoyable, but several others are well worth mention: Max Perlich, the pathetic little snitch, and Gregg Allman, who with almost no dialogue does a very convincing portrayal of a malevolent local crime kingpin.

This is one of those rare movies where the soundtrack is worth owning. Eric Clapton does a superb score, and his selection of music for the saloon and drug den scenes is masterful.

I've watched this three times, each a few years apart, and it gets better each time. The film doesn't have rely on fancy car chases, lengthy gunfights or comic relief. It's simply a fine film done by craftsmen -- a rare treat indeed.

Although this story isn't about the average person's everyday life, in my opinion this film is one of the most realistic and interesting movies I have ever viewed. This tale takes place in Caterly, TX where two undercover detectives have found their chance to make a difference, but after becoming involved in this world they realize that right and wrong is not always black and white. This film is very close to my heart. There are no cheesy lines that you only here in movies where you find yourself thinking "who really talks like that?" The emotions displayed by these characters come across the screen as guanine and hit you where it hurts. Most of all this movie has an unbelievable soundtrack including hits from Jimi Hendrix and Eric Clapton.

'Rush' is a very powerful and moving drama complimented by some of the greatest acting performances of the stars' careers. Patric and Leigh are the most notably outstanding actors as a duo of undercover narcotic police officers delving into the illegal drug world of a small town in Texas. There were a few problems, though, in this film. Small parts of the film's dialogue are flawed and the pace gets too choppy at many points. Nevertheless, 'Rush' remains a great example of what dramatic scenes and acting should be. Highly recommended for drama movie lovers.

Rush was a controversial film upon it's initial release. Scenes depicting drug use by police officers were denounced by the usual Fraternal Orders and right wing cranks. Those scenes are only part of what makes Rush such a memorable experience. Good performances from Jennifer Jason Leigh as a starry eyed rookie narc, Sam Elliott as her burned out boss, and especially Max Perlich as a construction worker making some extra bucks in the drug trade anchor a film that makes a mockery of our vain attempts to somehow end the importation and use of these illegal substances. When does use change into addiction? How far will we go to stop people from abusing their bodies, and how many lies must be told in the process? Rush is a brave and provocative film that tells it's story without histrionics, a minimum of gunplay, and a dearth of sensationalism...despite what Officer Friendly may say about it.