IMDb-BEWERTUNG
5,5/10
7836
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champio... Alles lesenIn the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champions.In the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champions.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Geoffrey Copleston
- Confederation Commissioner
- (as Geoffrey Coplestone)
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This under-budgeted film has the kind of stuff I like to see in sci-fi movies: A cool premise (two factions using giant Mech-warrior type robots to fight for land or politics in an arena), two-dimensional characters and great miniature filming!
The story's about a soon-to-be-retired jock who drives giant robots and slugs it out with the other faction's jocks and robots. He is unwillingly replaced by a novice girl he cares about or something, and she tries to fight the old jock's nemesis. Before this guy kills the girl, the old jock gets a chance to mount a robot and fight his enemy until both robots are done with.
The fight sequence are nice to see, the miniature filming is top-notch, and the story breezes through without been noticed (believe me, it's not important enough to notice)... The space-fighting scene at least has an honest-to-God true fact about space fighting: no sound!! (for the first time in Sci-fi movie history, except of course for "2001: A space odyssey", but they had no space fighting in "2001...").
For sure, a fun grade-B movie.
The story's about a soon-to-be-retired jock who drives giant robots and slugs it out with the other faction's jocks and robots. He is unwillingly replaced by a novice girl he cares about or something, and she tries to fight the old jock's nemesis. Before this guy kills the girl, the old jock gets a chance to mount a robot and fight his enemy until both robots are done with.
The fight sequence are nice to see, the miniature filming is top-notch, and the story breezes through without been noticed (believe me, it's not important enough to notice)... The space-fighting scene at least has an honest-to-God true fact about space fighting: no sound!! (for the first time in Sci-fi movie history, except of course for "2001: A space odyssey", but they had no space fighting in "2001...").
For sure, a fun grade-B movie.
It's not Stuart Gordons best movie but it's still an absolutely fantastic movie. Terribly bad acting. Weirdly placed music. A script that would of killed itself if it was sentient.
All adds up to one of the best movies of the time.
I've often wondered if Ray Harryhausen ever saw this because it's probably one of the last best movies to feature stop motion.
All adds up to one of the best movies of the time.
I've often wondered if Ray Harryhausen ever saw this because it's probably one of the last best movies to feature stop motion.
Robot Jox tries hard, but is fundamentally a series of fight scenes strung together -- robot against robot, man against man, man against woman. The premise had potential, but it seems the script wasn't really given the couple of more drafts it needed. Still, it was fairly good, for a science fiction action movie. Part of it was because the script was by Joe Haldeman. For those who aren't familiar with the name, Haldeman wrote the award-winning science fiction novel "The Forever War." It's considered one of the very best powered battle armor novels, right up there with Robert Heinlein's "Starship Troopers" and John Steakley's "Armor." And this movie is really more like a giant powered battle armor movie, rather than giant robots. It's closer to what fans would have wanted instead of the travesty that was Paul Verhoeven's "Starship Troopers," which bore only a passing resemblance to the novel it was based on.
Despite some assumptions, this really isn't based on Homer's "Iliad." A couple of names are all they had in common. Achilles having his robot's foot blown off had no parallel in the Iliad, which didn't include Achilles' death. Nor was the ancient Achilles a noble warrior. He was the mightiest, but also vengeful and petty. Even the robot jock killed off in the first scene doesn't fit. He was named Hercules, while the Greek Iliad would have had Herakles.
The effects were fairly good for the time and the budget. True, it wasn't comparable to "Terminator 2" a year later, but that movie cost ten times as much. The stop motion was almost as good as the robotic walkers in "The Empire Strikes Back" and "Return of the Jedi." Better, in fact, than a lot of Ray Harryhausen animation, which is highly regarded, but quite dated.
Don't bring high expectations into this and you probably won't be disappointed. It's better than a lot of other low-budget flicks and even some big-budget blockbuster wannabes that have better effects but far worse scripts.
Despite some assumptions, this really isn't based on Homer's "Iliad." A couple of names are all they had in common. Achilles having his robot's foot blown off had no parallel in the Iliad, which didn't include Achilles' death. Nor was the ancient Achilles a noble warrior. He was the mightiest, but also vengeful and petty. Even the robot jock killed off in the first scene doesn't fit. He was named Hercules, while the Greek Iliad would have had Herakles.
The effects were fairly good for the time and the budget. True, it wasn't comparable to "Terminator 2" a year later, but that movie cost ten times as much. The stop motion was almost as good as the robotic walkers in "The Empire Strikes Back" and "Return of the Jedi." Better, in fact, than a lot of Ray Harryhausen animation, which is highly regarded, but quite dated.
Don't bring high expectations into this and you probably won't be disappointed. It's better than a lot of other low-budget flicks and even some big-budget blockbuster wannabes that have better effects but far worse scripts.
While this movie in no way could be compared to the greats like Godfather or Star Wars, keep in mind that it had very little money. Stuart Gordon does a spectacular job of trying to maintain a big-budget realism with a very small budget. Not only does he do that, but he also makes a fairly entertaining film as well.
I saw this one a long time ago, and have since bought the tape. It really is a true guilty pleasure. While this is not as good as Stuart Gordon's other movies such as Re-Animator, it does beat out the awful Castle Freak. While many say that this is possibly the worst ever, they have obviously never seen a really bad film before.
The plot, which is actually fairly original, focuses on a "Robot Jock (Jox)" that is torn between retiring or continuing to fight for his country in a giant man made robot with specially made weapons to against the interesting, although cliched, Alexander. Add in genetically engineered fighters, and you have yourself one heck of a final fight royal.
The music score, done by some no name composer I have never heard of is actually quite good. I was very very impressed. The score really cought the mood of the action to me.
Overall, it's worth a rental, and if you like it, buy it on tape. I love it, but can see why others would call it average fair. But considering the budget and the company (It was made by the same guys who made Full Moon Studios) it scores pretty high on the zombie meter- 3 1/2 out of five
I saw this one a long time ago, and have since bought the tape. It really is a true guilty pleasure. While this is not as good as Stuart Gordon's other movies such as Re-Animator, it does beat out the awful Castle Freak. While many say that this is possibly the worst ever, they have obviously never seen a really bad film before.
The plot, which is actually fairly original, focuses on a "Robot Jock (Jox)" that is torn between retiring or continuing to fight for his country in a giant man made robot with specially made weapons to against the interesting, although cliched, Alexander. Add in genetically engineered fighters, and you have yourself one heck of a final fight royal.
The music score, done by some no name composer I have never heard of is actually quite good. I was very very impressed. The score really cought the mood of the action to me.
Overall, it's worth a rental, and if you like it, buy it on tape. I love it, but can see why others would call it average fair. But considering the budget and the company (It was made by the same guys who made Full Moon Studios) it scores pretty high on the zombie meter- 3 1/2 out of five
This is the best movie in human creation. From the millisecond the movie began to when it ended, I could not stop urinating my pants. The movie was simply incredible. Don't try eating Milk Duds while watching it, you will choke on them. Sure, I jacked up my trousers, but it was worth it for this fine film. I couldn't take my eyes off the movie screen, even when there was a car accident outside and the movie theater caught on fire and my eye was gauged out by a falling beam. I spilled my beverage all over the ground, but I didn't care. The movie was too good. Even the guy that couldn't speak English sitting next to me enjoyed it. He kept yelling "ME GUSTA EL ROBOT JOX!" It is obvious that the film is an international masterpiece. We should all appreciate Stuart Gordon for creating this masterpiece. He should have won a Nobel Peace prize for this marvel of robotdom. Oh man, I have to change my underwear every time I think about Mr. Gordon. He makes me proud. His vision of robot battle was something I will never forget. And don't forget: NO GUTS, NO GALAXY! THE RULES OF THE ROBOT JOX. VIVA LOS ROBOTS DE JOX!
Wusstest du schon
- WissenswertesAn actual sequel to Robot Jox was considered but never made. Stuart Gordon, Gary Graham and Paul Koslo would have returned as both director and stars respectively. The cancelled sequel would have had Achilles and Alexander team up to stop an alien invasion.
- PatzerWhen Athena confronts Achilles in his apartment to render him unconscious with an injector, it's all too easy to spot Athena pulling what is clearly a glue gun out of her outfit. This is then "matched" to a much better looking prop injector in an insert - followed by a cut back to the shot with the original glue gun.
- Alternative VersionenSPOILER: MGM's R1 DVD carries the film's original PG rating, but includes instances of violence and gore previously unseen in the U.S. and Canada. After Achilles' robot falls on the spectators, there are more shots of both Gary Graham's bloody face and of the dead bodies in the stands. A news broadcast immediately following now opens with a badly burned man screaming in pain for a couple of seconds. Also, when the traitorous person shoots scientist Matsumoto in the head, blood sprays on the wall behind the latter. In the old version (released theatrically by Epic and on tape and laserdisc by RCA/Columbia), that person pulls the trigger and it instead cuts to a recycled shot of an exploding robot on a video monitor; the bloodstained wall is never shown. The bits in question are included on the Japanese DVD, so apparently American and Canadian audiences are only now getting the cut of the movie that the rest of the world has seen for years. The MPAA database indicates that ROBOT JOX was originally rated PG-13, but trimmed to obtain PG. Evidently Epic felt that children were the movie's only audience, which makes one wonder why they didn't also edit out Anne-Marie Johnson's brief nude scene.
- VerbindungenEdited into Kampf der Roboter (1990)
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.272.977 $
- Eröffnungswochenende in den USA und in Kanada
- 464.441 $
- 25. Nov. 1990
- Weltweiter Bruttoertrag
- 1.272.977 $
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Sound-Mix
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