Robin Hood - Ein Leben für Richard Löwenherz

Robin Hood has come to the big screen in many ways and with many faces. Errol Flynn in 1938 remains the classic, although it is a little dated by modern standards. Kevin Costner starred in a big-budget 1991 version, notable for an outstanding Alan Rickman as an over-the-top sheriff but otherwise fairly forgettable. (If you're lucky.) I've seen most of them, and the best by far is Robin Hood, directed by John Irvin and likewise released in 1991. Patrick Bergin is a dynamic Robin Hood, hitting the mark with the perfect mix of arrogance, compassion, charm and devil-may-care, hell-bent glory-seeking. Sure, there's a list of noble reasons why Robin Hood takes to the forest to fight Norman oppression and protect the unfortunate Saxon serfs from tyranny. But let's face it, Robin is a hero who enjoys what he does. He loves nothing more than laughing at danger and tweaking the nose of authority. It's easy to see that Bergin enjoyed the part, and his pleasure translates to the screen, making it an enjoyable romp for viewers. Bergin shares Sherwood with a fine cast. Uma Thurman is a surprisingly strong Marian. Owen Teale is an excellent, fun-loving Will Scarlett, and David Morrissey is the best Little John I've seen yet. Jeff Nuttall is also a picture-perfect Friar Tuck. On the Norman side, Jurgen Prochnow is the malicious knight, Sir Miles Folcanet, who pursues Robin through the forest, and Jeroen Krabbe is Baron Daguerre, a greedy lord with a conscience. There's a brief, but impressive, appearance of Edward Fox as the would-be King John. The movie boasts excellent swordplay, good costuming, authentic-sounding accents (Are you listening, Kevin?) and some great pagan symbolism. This film also has immense respect for the history behind the legend. While we may not know much about the real Robin Hood -- if there even was one -- we do know a lot about the time period in question, and Irvin keeps his cameras focused on the truth of feudal Britain. This is a Robin Hood I can believe in without reservation.

Revisionist as well as dark version of the medieval tale . Modern recounting in which some Hood aficionados will appreciate the painstaking effort taken to adapt the vintage story to recent times ; including great action scenes with some fun images about the Merry Men . This time in the Sherwood forest , the adventurers inhabitants are amusingly portrayed by agreeable actors . In 13th century England , Robin is a noble Xaxon , he escapes from a nasty baron , the powerful Normand called Roger Daguerre (Jeroen Krabbé who had previously worked with John Irvin in Turtle Diary ,1985) , and the extremely villain Sir Miles Folcanet (Jürgen Prochnow) . Stalwart Robin goes to Sherwood forest where forms his brave band of marauders and confront corruption in the local villages and lead an uprising against Prince John (Edward Fox) and his underlings that will forever alter the balance of world power . Meanwhile , tax collectors brutally invade villages under the pretext of collecting Royal taxes . The legendary Sherwood forest's hero Robin Locksly and again the graceful Lady Marian (Uma Thurman) along with his Merrie Men , Will Scarlett (Owen Teale) , Friar Tuck (Jeff Nuttal) and Little John (David Morrissey), facing off the really malicious Daguerre and Sir Miles , two extremely crazed , wicked Normands . Later on , they save two kiddies from hanging .

This well developed movie has great action sequences stunningly staged with stylish and vitality , adventure , romance , poke fun and results to be pretty entertaining . Although is a little revisionist about characters , history , townsfolk , and time when is developed the action in a dirty , gritty Middle Age , as spectators generally disapproved the changes of Robin Hood's classic canon . Three studios announced plans to remake ¨Robin Hood¨ in 1990 and two were completed , including this one which was scaled down for Cable TV . Nice performances abound , as the politically correct rebel with a cause who battles the bullies , being rightly played by Patrick Bergin . Patrick is very fine as well as Uma Thurman who is memorable and attractive , she comes up the film as a valiant and obstinate heroine . Special mention to treacherous Sir Miles , magnetically performed by Jurgen Prochnow and Edward Fox as evil and crazed king in a sensationalistic interpretation as Prince John . Despite some critics' complete and utter distaste for the film , I found it fun , well-acted , and fast-paced . There are great action sequences including the battle into an impressive fortress and the final confrontation at the climax of the film . Impeccable but dark cinematography by Jason Lehel . Although a little shading and foggy , as the sun does not fully shine until the end of the film . Movie is shot on natural sets and English woods , and interior scenarios with impressive production design . Being shot on location in Peckforton Castle , Peckforton , Cheshire , England, UK . Lively and vivid musical score by Geoffrey Burgon . The motion picture was well directed by John Irvin who managed to stage some excellent action scenes , stunning scenarios and clever edition . However , being a flop , though the critics considered one of the best adaptations . John Irvin would later cast Uma Thurman and Edward Fox in another film of his prestigious career , A month by the lake (1995).

Other versions about this famous personage are the followings : ¨Robin Hood¨ (1922) an extravagant silent production by Allan Dawn with Douglas Fairbanks ; the classic rendition is ¨The adventures of Robin Hood¨ by Michael Curtiz with Errol Flynn and Olivia De Havilland. Furthermore , ¨Robin Hood price of thieves (1991)¨ by Kevin Reynolds with Kevin Costner , Alan Rickman , Michael Wincott and Morgan Freeman , the same year was exhibited this ¨Robin Hood¨ by John Irvin and thus did not receive a theatrical release in the United States . And a hilarious retelling : ¨Robin Hood , men in tights¨(1993) by Mel Brooks with Gary Elwes, Richard Lewis, Roger Rees Amy Yasbeck . Besides , ¨Robin of Locksley¨(1995) by Michael Kennedy with Devon Sawa , Joshua Jackson . Plus , ¨Princess of Thieves¨ by Peter Hewitt with Keira Knightley , Malcolm McDowell and Stuart Wilson . And TV series as ¨Robin Hood¨ produced by Hammer Films with Richard Greene , Peter Cushing , directed by Terence Fisher and ¨Robin Hood , the legend¨ (1995) with Jason Connery , Oliver Cotton , Nickolas Grace and directed by Ian Sharp and Robert M. Young .

Action? Adventure? Swashbuckling excitement? Well you have come to the WRONG Robin Hood for that. The choreography is non-existent. But that's okay.

There are other reasons to watch this movie, especially for aficionados and romantics. The costumes and sets are beautiful, delicately balanced between realism and romanticism. The greenery is lush, the settings are well chosen. There is a poetry in the dialogue, and the acting is heart-felt. This movie makes you think a little bit, including a moving, moral ending.

The classic trope scenes of the Robin Hood fairy tale are a let down. Little Jon on the river is painful to watch, and not in a good way. The bow staff fight is a yawn, as is the absurd "action" scene of Robin floating down a gentle river. If you seek excitement, again, this is the wrong movie.

On the other hand, you are treated to a version of the Robin Hood tale that offers an educational slant. Unlike Prince of Thieves, this Robin Hood dives into the Saxon-Norman antagonism that characterized the centuries following the successful invasion by the Normans under William the Conqueror. Set one to two hundred years after, this Robin Hood takes place in an England that is hosts to a ruling class of French/Viking descent. (There is even a clever allusion to the French Baron being a descendant of pirates).

As mentioned, the acting is quite good, as is the script. The characters, which at the start of the film seem one-dimensional, become infused with real humanity as the movie progresses. No cartoon villains here, just flawed humans from a vicious era, and a meditation on the attractiveness and seductiveness of simple decency when presented as a possibility.

In the cinema, as in most areas of life, one occasionally comes across some strange coincidences. In 1960, for example, there were two filmed biographies of Oscar Wilde and two of Coco Chanel in 2009. Two films about Wyatt Earp appeared in 1993/4, although that was due less to coincidence than to creative differences among the team working on "Wyatt Earp", differences which led to the creation of the rival film "Tombstone" on the same subject. In the early seventies two studios were working on disaster movies about skyscrapers on fire, but in this case the coincidence was detected early on and the studios joined forces to produce the film now known as "The Towering Inferno".

1991 was the year which saw two films on the legend of Robin Hood. "Robin Hood: Prince of Thieves", a big-budget Hollywood blockbuster starring Kevin Costner, is by far the better-known of the two. This lower-budget version, simply entitled "Robin Hood", was only shown on television in the USA, although it was released in cinemas in other parts of the world. It did not feature any big Hollywood names; Uma Thurman may be a big name today, but in 1991 she was still more of an up- and-coming starlet.

As in "Prince of Thieves" and several other films on this subject, Robin is portrayed as a Saxon earl, here named Robert Hode. (The idea that Robin was an aristocrat was a later addition to the legend; the recent 2010 "Robin Hood" with Russell Crowe reverts to the original story by making him a Saxon of more humble origins). He falls foul of the authorities, and is declared an outlaw, when he intervenes to prevent a miller, who has been caught poaching the King's deer, from being blinded. He flees into Sherwood Forest, gathers together the "Merry Men", and fights for justice and the rights of the Saxon peasantry against the corrupt Norman nobility.

The film includes all the usual cast of Merry Men, including Little John, Will Scarlett, Friar Tuck and Much the Miller, as well as Maid Marian, but, oddly, not the normal villains. There is no Sheriff of Nottingham and no Sir Guy of Gisborne, and Prince John only puts in a brief appearance. (King Richard does not appear at all, although he is referred to). Instead, Robin's main antagonists are the Norman aristocrats Baron Roger Daguerre and Sir Miles Folcanet. (That is how it is spelt in the cast-list, although "Falconet" might be a more plausible French spelling). Sir Miles is a straightforward villain; it is he who wanted to have the unfortunate miller's eyes put out and he who is Robin's rival for Marian's hand. (She, of course, will have nothing to do with him). Daguerre, however, is a more ambiguous figure. He is Marian's uncle and originally Robin's friend; the two later fall out but are eventually reconciled, and Daguerre is converted to Robin's vision of an England where Saxon and Norman can live together in peace.

One similarity which links this film with the Russell Crowe version is that both aim at a more "naturalistic" view of the Middle Ages to the romanticised "Merrie England" view presented in the Errol Flynn classic "The Adventures of Robin Hood" from 1938 and, to some extent, in "Prince of Thieves". Some might think this sort of naturalism misplaced in a film which is based on legend rather than historical fact, but both directors (John Irvin here and Ridley Scott in 2010) clearly felt that a film dealing with a peasant revolt against oppression should show us something of the conditions against which the peasants are revolting. Mediaeval life is therefore portrayed as drab, dirty and dangerous, not as something colourful and exciting. The look of the film is dark with muted colours; the leafless trees in Sherwood Forest suggest that the story takes place in winter and early spring.

Patrick Bergin makes a charismatic hero, but few of the other characters, Thurman included, make the same impression. There is nothing particularly wrong with the performances of Jeroen Krabbé as Daguerre or Jürgen Prochnow as Folcanet, but neither of them makes as memorable a villain as Basil Rathbone's Gisborne in "The Adventures of Robin Hood" or Alan Rickman's Sheriff of Nottingham in "Prince of Thieves". Another weakness is it that lacks any real exciting or swashbuckling action sequences; not even the final attack on Nottingham Castle really counts as such. The climactic duel between Robin and Folcanet is in nothing like the same class as that between Flynn and Rathbone.

This "Robin Hood" is certainly better than "Robin and Marian" from the seventies, which manages to be both dull and unrealistic, but I would not rate it as highly as either the 2010 version or "Prince of Thieves", both of which could generate greater excitement. As for "The Adventures of Robin Hood", that set a very high standard, and in my view none of the versions since 1938 have really lived up to it. 6/10

This has just been run on British TV. What a pleasure to see something from Hollywood that feels realistic when referring to something over here (no US cavalry riding to the rescue at the critical moment!!). Apart from that it is also well made, enjoyable and I'm just sorry I didn't start the recorder at the beginning. Uma Thurman is not the most gorgeous Marion I have seen (not too bad either though), but she was believable and that counts for a lot. The action scenes had a touch of authenticity about them that is all too often missing (for example when Robin was handed a staff by Will to battle with John Little it was a thick branch, forked at one end and obviously from a tree, not a martial arts supplier - just the sort of thing that might have been picked up in a real situation <accepting that something like that might well not have been lying around unless it was rotten>). All round, a film I will watch next time it is screened and I hope I manage to get the DVD recorder going in time next time.