Die Lust der schönen Rose

I haven't seen this film in quite a while but I have pretty good memories about it. It's an intriguing film, something different and appealing even though some of the subject matter is "inappropriate."

I saw the last word because it involves a 13-year-old boy whose hormones are raging and his brief relationship with a grown woman. There is one sex scene that may make people squirm a bit, so be forewarned. Other than that, I don't remember anything else objectionable.

I like the photography and always enjoy seeing the old days - here it's the 1920s and 1930s - portrayed on today's films with the great cameramen and directors of today. Also, the South has some beautiful scenery that is eloquently on display here.

The story is well-acted with real-life mother-daughter Diane Ladd and Laura Dern, along with Robert Duvall and Lukas Haas. The latter plays the young man and was already somewhat of a star after playing the young Amish boy in the 1985 film "Witness." Duvall is one of the finest actors of his generation so you always get a good performance out of him.

This is a pretty low-key story but never puts you to sleep. Modern day feminists might like this film was Ladd plays that role to the hilt. Dern also delivered, making a very believable "Rose."

My review was written in July 1991 after watching the film at a Times Square screening room.

Calder Willingham's memoir of the South "Rambling Rose" allows a talented ensemble to deliver the year's best screen acting so far. Funny and moving tale of an oversexed young woman will attract class audiences after its film festival exposure and has the potential to cross over to mainstream hit status.

It is difficult to conjure up another actress to embody Rose better than Laura Dern, whose tall, angular figure and striking (rather than beautiful) face under a row of curls personifies the naive title character.

She's a girl from the wrong side of the tracks who starts her life over as maid to the family of Robert Duvall and Diane Ladd in a small Georgia town in 1935. Rose is under a cloud, and it turns out that rumors of having been forced into prostitution at a tender age are true.

Both Duvall and his 13-year-old son Luka Haas are immediately taken by Dern's raw sexuality, yet it is the boy who nearly has his first conquest with her when Dern innocently gets in bed with him one night in a funny and risque scene.

Duvall is a proper gentleman, rejecting Dern's attempt at seduction and quickly adopting a fatherly concern for her. Family matriarch Ladd (Dern's real-life mom) is a Yankee educated at Columbia University, who also takes Dern under her wing and defends the girl under all circumstances.

Main source of conflict is Dern's promiscuous activities, which cause young men to loiter outside the house at all hours. This brings Duvall no end of grief in dealing with his uncontrollable charge.

Film climaxes in a classic scene involving Dern's future following her pregnancy scare that turns out to be an illness. Duvall and a stern Yankee doctor (terrifically played by Kevin Conway) come to a gentleman's agreement that a radical hysterectomy will end her loose ways. When Ladd stands up for the girl's rights, eliciting an apology and emotional turnaround from Duvaol, the film's main themes have been driven home with uncommon force and precision.

Pic is bookended by a scene of John Heard in 1971 portraying Haas grown to middle age, recalling the story and learning of Rose's fate from his aged father. Device is the film's weakest link but does not detract from the power of the main footage.

Dern's naturalness in a very eccentric role confirms the promise of her earlier work and makes Rose one of the most memorable characters in recent cinema. Duvall and Ladd play off each other to perfection, with Duvall maximizing all the humor inherent in author Willingham' odd turns of phrase.

The wide-eyed innocence and curiosity Haas brings to hsis rites-of-passage assignment are remarkable and help avoid the potential tastelessness in Dern's "robbing the cradle" scene with him. As his younger siblings, Lisa Jakub and Evan Lockwood also are affecting.

Director Martha Coolidge and herf technical crw have recreated the detail and texture of southern life with great feeling, filming this Carolco-financed picture at Carolco's Wilmington, North Carolina studio (formerly owned by the defunct De Laurentiis Entertainment Group). Like "Driving Miss Daisy", this quaint setting allows moral issues to be developed with subtlety rather than the inevitable didactic approach of a modern story.

Elmer Bernstein's warm musical accompaniment is a key asset to the film, but Nat King Cole's '60s pop hit "Rambling Rose" is not used on the soundtrack.

Depending on the impact of the year-end releases, "Rambling Rose" stands a good chance of being remembered come awards time. Pic has its world premiere August 22 as the opening night selection at the Montreal Film Festival.

If you grew up Southern you always have a thing about Hollywood actors trying to put on a Southern accent. I cringe when I hear Paul Newman, his wife Joan Woodward or Elizabeth Taylor trying to be "Southern." I liked "Rambling Rose" because, for once, the actors nailed it. Only to be expected, I guess, since Diane Ladd is from Mississippi and Laura Dern is her daughter. (So how to explain Robert Duvall, who grew up in San Diego? Well, he's just one helluva an actor.) Aside from the accents, the acting was outstanding.

Also I thought the soft summery lighting was perfect, unlike some period movies that seem done in comic book colors. I wonder where the location scenes were shot--anybody know?

The story itself wasn't great, but was above average, IMHO.

I got a chance to see this film accidentally while glancing through the channels on my TV. I was instantly hooked and watched the whole film. This film is about a young, restless and free-spirited orphan girl, who is in search of affection. She's also sexually overactive, well that's what the people around her in the 30s feel. She's sheltered by a family who are just like an ordinary family down the road, but when she needs them stand up for her, never caring about the so called caretakers of morals and virtues. A very intersting study if deep rooted charcters, played equally well by the actors. 2 characters stand apart in the film, one of the girl Rose played brilliantly by Laura Dern, and of the mother, played by Laura's real mom, Diane Ladd. Robert Duvall is very believable as the head of the family in the southern in the 1930s. I liked the gentle pace of the movie, and its buildup towards the end, where Diane garners herself for a confrontation with the self proclaimed keepers of the virtues, including her own husband. I like the way their Diane's and Robert's characters undergo transformations, small ones but enough to keep the audience attached to the film at an emotional level. Even days after watching the movie, you'd have the images of the cheerful, sometimes confused, lively and lovely Rose, flashing in front of your eyes. And that's makes the use of a narrative, which some people didn't like about this movie, so appropriate. If I had known someone like Rose in my lifetime, I would definately told this story to everybody I knew, many times over.

I feel like there's a really great film hidden somewhere inside here. If not great, at least good. I don't think it really develops into anything too interesting, even if it's never outright bad. The performances are good enough to sustain some interest in what is going on, and the initial premise of it really does seem intriguing enough. Maybe it's just where the film went that it all seems sort of disappointing, and because of that I do think that the first half is noticeably stronger. Laura Dern really is brilliant in this though, as is both Duvall and Ladd. I can't really say I disliked, but I wouldn't really recommend it either. Seek it out if you must.