Skinner

This actually was kind of a fun horror flick, as the Scream movies were. The best part in my opinion is the movies-within-a-movie the characters show at their sci-fi festival ... cheesy 50s stuff similar to what was done in Matinee.

Maggie, a film student at University, continuously wakes up with one bad dream after another involving some bearded wacko, which she records about on a tape, so to come up with some sort of screenplay. Her film teacher and fellow peers have organised a all-night film festival at an old theatre, which will be featuring old b-horror movies with the use of interactive gimmicks in the hope of raising enough money to support the film department, after the university cut their funds. While setting everything up, they stumble across an old film known as "The Possessor" and learn from their teacher about its macabre past. This startles Maggie, as the images in the film are the same ones in her dreams. When the fun starts, Maggie is sure that the supposedly dead star/director Lanyard Gates of that film is wandering the theatre.

Bad dreams might appear early on, but Mark Herrier / Alan Ormsby's contributions are a far more pleasant experience in this fashionably inspired parody of gimmicky (think of William Castle) 50's b-grade horror films interwoven into a silly slasher formula of a film-within-a-film. Since it knows what it is, it plays itself accordingly to the budget and material.

The enthusiastic concept is freshly staged with plenty of neatly devised novelties, vividly fruitful backdrop and a preposterously far-fetched screenplay streaming with admirable imagination, fruitiness and ingenious twists. However most of the oddball fun is derived from the stylishly correct mocking of the "horrorthon" b-films; "Mosquito", "Attack of the Amazing Electrified Man" and "The Stench" and their cinema gimmicks (like the 3-D flying mosquito in "Project-O-Vision", "Shock-O-Scope." in the audience seats and releasing bad odours in "Aroma-rama" for the proper experience), which is being screened to the boisterous audience with their smart remarks and in-spirit costumes. Ormsby was the mastermind behind this enjoyably down-pat features with their natural fondness to the era, which I believe outdid the slasher element of the picture.

Now that side of the fragmented story starts off strong, compelling and eerie, but it crashes towards the back-end with contrived, illogical and overblown developments working there way in. But hey that's part of the parcel and makes this festivity wildly fun. It's kind of like a melding together of "The Abominable Dr. Phibes" and "The Phantom of the Opera" with severely likable 80's camp. There are only few deaths, but they're done with enough macabre creativity to cover-up the lack of blood and the spongy script delivers on the wit and overall weirdness. Although some on going gags turn out to be less funny.

Herrier's panache direction is on cue for most part with snappy pacing, atmospheric lighting and the right sense of mood when drilling those moments of tension with the lurking quirkiness. He makes great use of the flamboyant scenery and vintage theatre settings. Expressive make-up / special effects are strikingly crafted to achieve the right effect and the killer looks menacing with there ingenious hobby involving faces. Ronnie Taylor's understated, polished cinematography works the floor well and Paul J. Zaza's tingly spooky music score suit's the film's light-hearted air. Also the bouncy soundtrack has that reggae/pop touch to it.

Largely shaping up is a likable cast with agreeable performances. The always sweet Jill Schoelen is typically fine in a valiantly airy turn as Maggie and Derek Rydall measures up as the heroine who can't take a break Mark. But it's the support roles where the most interest arises with the likes of Tom Villard's superb performance as an obsessively nutty film student, Tony Roberts' amusing turn as the film teacher, Dee Wallace Stone plays it sincerely as Maggie's mother and Ray Walston's avidly effortless cameo as the gimmick man.

This winsome little low-budget item is a rather solid cheesy comedy/horror/parody effort even with so many uneven distractions inbound. Don't wait around, get your tickets now if this sounds like your kind of entertainment

I've seen worse horror films, (every sequel of Friday 13th & Halloween.)

Paid a lot of respect to the pioneers of the 50's horror.

I think Wlliam Castle would have loved it.

I think the fake movie (Mosquito, Stench) titles that were mentioned in

Popcorn could have been made, sounds like some of the movies made in the 50's.

Think about the movies made in the 50's: "The Blob, Deadly Mantis, Earth vs. the Spider, The H-Man".

William Castle or American International would had done them.

I think the movie is under rated.

This is a really well-done, early nineties horror flick that actually made it to the theaters. At the time this was a very original movie. It was back in the day before Scream (hate what that movie did to horror) and all the clones dominated the horror box office.

It all starts when a group of film-students looking to raise money, fix up an old movie theater for a one-night-only horror festival. They plan to show 50s horror flicks using old gimmicks (aroma-rama, 3-D glasses, and shock seats). In a box of old junk they find an ancient film reel containing some really graphic and disgusting footage of an insane, demonic looking hippy chanting "posessor" in a reallly sick voice. One of the students is shocked to discover that the man in the film is the man who has been plaguing her dreams lately. The festival rolls around and all is fine until someone starts offing the students one-by-one. It then turns into a whodunnit and things never get boring

I enjoyed "Popcorn" because it was a highly original take on the slasher genre and it was before there was any other films like it too rip-off. There are a few cliches but the acting is top-notch from a great cast. Ray Walston had an amusing cameo and Tom Villard was never better. It's a shame that he's not around any more. The guy had a lot of potential and was very underrated.

I was lucky enough to find this film for sale in a video store that was going out of business. It may be kind of hard to find (don't know if it's available through Amazon) but if you can find it, it's definitely worth seeing.

Although it takes a while to get going, POPCORN proves to be a warm and affectionate little slasher movie made along the same lines as Joe Dante's Matinée – i.e. a celebration of the world of the B-movie in its cinematic form. Indeed, the ghost of William Castle seems to be watching over this movies, both in the presence of the cheesy films shown by the fictional cinema and in the bizarre antics of the film students, determined to give their audience an interactive experience!

It's all about the gimmicks and the celebration of the weird, so much so that the actual slasher plot comes second. It's a slight shame, because the story isn't bad, even if it is remarkably familiar: there's an evil killer from the past returning to affect the heroine in the present, and his calling card is that he uses prosthetic masks to disguise himself as anyone and anything. The subsequent kills aren't particularly gory, but they are well staged with an element of Grand Guignol that becomes especially apparent during the over-the-top climax.

POPCORN was made in Jamaica doubling for small-town America, which gives it even more of an offbeat vibe – and the reggae soundtrack is great. The acting is nothing to write home about (THE HOWLING's Dee Wallace-Stone is the only actress of note in a minor part), but when the story and screenplay are so obviously written by genuine fans of old-time horror shows – well, this becomes a film impossible to dislike.