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Das Geld anderer Leute

Originaltitel: Other People's Money
  • 1991
  • 6
  • 1 Std. 43 Min.
IMDb-BEWERTUNG
6,2/10
9918
IHRE BEWERTUNG
Danny DeVito in Das Geld anderer Leute (1991)
text os
trailer wiedergeben0:30
1 Video
65 Fotos
SatireDramaKomödieRomanze

Ein Corporate Raider kauft Aktien eines unterbewerteten Unternehmens auf und verliebt sich in die Anwältin/Stieftochter des Sohnes des Gründers. Lasst den Kampf beginnen.Ein Corporate Raider kauft Aktien eines unterbewerteten Unternehmens auf und verliebt sich in die Anwältin/Stieftochter des Sohnes des Gründers. Lasst den Kampf beginnen.Ein Corporate Raider kauft Aktien eines unterbewerteten Unternehmens auf und verliebt sich in die Anwältin/Stieftochter des Sohnes des Gründers. Lasst den Kampf beginnen.

  • Regie
    • Norman Jewison
  • Drehbuch
    • Jerry Sterner
    • Alvin Sargent
  • Hauptbesetzung
    • Danny DeVito
    • Gregory Peck
    • Penelope Ann Miller
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    9918
    IHRE BEWERTUNG
    • Regie
      • Norman Jewison
    • Drehbuch
      • Jerry Sterner
      • Alvin Sargent
    • Hauptbesetzung
      • Danny DeVito
      • Gregory Peck
      • Penelope Ann Miller
    • 64Benutzerrezensionen
    • 20Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Other People's Money
    Trailer 0:30
    Other People's Money

    Fotos65

    Poster ansehen
    Poster ansehen
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    Poster ansehen
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    + 58
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    Topbesetzung59

    Ändern
    Danny DeVito
    Danny DeVito
    • Lawrence Garfield
    Gregory Peck
    Gregory Peck
    • Andrew Jorgenson
    Penelope Ann Miller
    Penelope Ann Miller
    • Kate Sullivan
    Piper Laurie
    Piper Laurie
    • Bea Sullivan
    Dean Jones
    Dean Jones
    • Bill Coles
    R.D. Call
    • Arthur
    Mo Gaffney
    Mo Gaffney
    • Harriet
    Bette Henritze
    • Emma
    Tom Aldredge
    Tom Aldredge
    • Ozzie
    Leila Kenzle
    Leila Kenzle
    • Marcia
    Cullen O. Johnson
    • Gus
    William De Acutis
    • Pfeiffer
    David Wells
    David Wells
    • Granger
    Stephanie White
    • Angeli
    Jeff Hayenga
    • Klein
    • (as Jeffrey Hayenga)
    Ric Kidney
    • Richardson
    Wallace G. Lane Jr.
    • Woody
    Steve White
    Steve White
    • Richard
    • Regie
      • Norman Jewison
    • Drehbuch
      • Jerry Sterner
      • Alvin Sargent
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen64

    6,29.9K
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    Empfohlene Bewertungen

    8Ron-181

    DeVito can't miss

    Another Danny DeVito triumph. He always gives a strong performance. An excellent cast including Penelope Miller, Gregory Peck and Dean Jones. This film welcomes you to the real world of business take overs and DeVito pulls it off convincingly. Clever dialogue and good pace make for an entertaining film. I rated this an 8.
    jessfink

    Engaging and intelligent

    In no way whatsoever does this film compare to the play upon which it was based. That having been said, however, it stands very nicely on its own if one does not have any expectations going in. Danny DeVito, one of my all-time favorite character actors, brilliantly and flawlessly portrays Larry Garfield, corporate raider, known to those in the trade as "Larry the Liquidator". If you are reading this, chances are you have read other reviews which recap the plot points, so in lieu of boring you I will just add my recommendation that you will not go unrewarded if you give this one a try.

    Certain other elements, like the controversial casting of Penelope Ann Miller, the near-absence of Piper Laurie's character, and most seriously, the total absence of other key plot elements from the play which contributed to the overall emotional impact of the piece, leave something of a regret in one's mouth after watching the film is over...you see glimmers of what might have been, see the hint of the masterpiece that might have been created, and wonder what sacrifices had to be made by the filmmakers at the studio level in order to make this film at all.

    Worth seeing for DeVito's masterful, lovingly crafted and enthusiastically delivered performance.
    7rupie

    not as bad as some say

    This is an interesting movie which resists the easy temptation to paint Garfield as an avaricious vulture and Jorgenson as the saintly victim. It is even-handed in portraying both the cruelty that adaptation and changing times impose on people, and yet the necessity to do so. (Garfield: "I'm sure that the last buggy whip company in America made the best damn buggy whips in the world.") Jorgenson makes a moving and impassioned speech to the stockholders on the themes of caring and compassion, which completely wins the viewer over; no way do we feel that Garfield can respond, but he does, and very convincingly. One doesn't find this kind of ambiguity and even treatment very often; people like things black & white (e.g. Oliver Stone's "Wall Street"), which is perhaps why this film didn't make it big. I liked it. Danny DeVito is always worth watching, and Peck does a good job too. Unfortunately Penelope Ann Miller is not convincing in sultry mode.
    6jgcorrea

    Speaking of Adam Smith and the invisible hand...

    Fortunately (or maybe not, depending on your preferential taste) this story works better as an allegory-fable about capitalism than as a romantic comedy. It's an adaptation of a theatrical play that raises many questions about the purpose of capitalism in civilized society. It particularly offers the conflicting arguments during an extraordinary shareholders' meeting: do businesses exist merely to enrich investors or do shareholders sign an obliging pact with those who labor on their behalf? It's overall a straightforward, candid and convincing defense of capitalism - therefore a respectable variant to the infamous Gecko speech in Oliver Stone's 'Wall St.' Its comedic end is compromising, though: a predictable Hollywood cocktail of morality and romance. The main philosophical arguments in the play (in short, capitalism is a necessary part of progress, and the old must be destroyed in order to create the new) is eventually sacrificed to romantic comedy, and all the fundamental questions about capitalism remain unanswered. (Of course film & entertainment mean suspension of disbelief, and there is, anyway, no easy answer) Here, free-market liberalism wins the day and Hollywood bets on its side, coming out on top: happiness IS at the end of the capitalist progress - so argued Adam Smith, the author who was an important party to the Scottish Enlightenment, the spiritual thinker who believed that the invisible hand behind the market belongs to God.
    9javaguru

    Brilliant film

    Danny DeVito is sensational as Lawrence Garfield, aka. Larry the Liquidator.

    The movie was chugging along nicely, but nothing special until the proxy fight where Andrew Jorgenson, the we've-always-done-it-this-way founder of the company, and "Larry the Liquidator" give speeches to the assembled shareholders. After Jorgenson's speech I was about to write the movie off as another flawed Hollywood portrayal of business and economics, but then comes Larry's speech which is the high point of the movie. Larry's speech is absolutely fantastic and surprising.

    The rest of the movie is filled in nicely if not spectacularly. The romance between Larry and Jorgenson's smart and attractive lawyer Kate Sullivan is a nice touch and serves to add another dimension to DeVito's character. The resolution with Jorgenson's company at the end is contrived and the only real detraction from the movie, but that's Hollywood.

    One of my all-time favorite movies. I give it a 9, and that puts it in my top 5%.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Danny DeVito refuses to eat junk food, so the donuts he eats in this film aren't fried, contain no sugar, and are fat-free. They were made to order by Mani's Bakery Cafe on Fairfax in Los Angeles.
    • Patzer
      When the envelope of the results is first seen, it is being handed over to the woman as a pink envelope. When she is reading the results, the envelope is yellow.
    • Zitate

      Lawrence Garfield: [In response to Jorgy's speech] Amen. And amen. And amen. You have to forgive me. I'm not familiar with the local custom. Where I come from, you always say "Amen" after you hear a prayer. Because that's what you just heard - a prayer. Where I come from, that particular prayer is called "The Prayer for the Dead." You just heard The Prayer for the Dead, my fellow stockholders, and you didn't say, "Amen." This company is dead. I didn't kill it. Don't blame me. It was dead when I got here. It's too late for prayers. For even if the prayers were answered, and a miracle occurred, and the yen did this, and the dollar did that, and the infrastructure did the other thing, we would still be dead. You know why? Fiber optics. New technologies. Obsolescence. We're dead alright. We're just not broke. And you know the surest way to go broke? Keep getting an increasing share of a shrinking market. Down the tubes. Slow but sure. You know, at one time there must've been dozens of companies making buggy whips. And I'll bet the last company around was the one that made the best goddamn buggy whip you ever saw. Now how would you have liked to have been a stockholder in that company? You invested in a business and this business is dead. Let's have the intelligence, let's have the decency to sign the death certificate, collect the insurance, and invest in something with a future. "Ah, but we can't," goes the prayer. "We can't because we have responsibility, a responsibility to our employees, to our community. What will happen to them?" I got two words for that: Who cares? Care about them? Why? They didn't care about you. They sucked you dry. You have no responsibility to them. For the last ten years this company bled your money. Did this community ever say, "We know times are tough. We'll lower taxes, reduce water and sewer." Check it out: You're paying twice what you did ten years ago. And our devoted employees, who have taken no increases for the past three years, are still making twice what they made ten years ago; and our stock - one-sixth what it was ten years ago. Who cares? I'll tell you. Me. I'm not your best friend. I'm your only friend. I don't make anything? I'm making you money. And lest we forget, that's the only reason any of you became stockholders in the first place. You want to make money! You don't care if they manufacture wire and cable, fried chicken, or grow tangerines! You want to make money! I'm the only friend you've got. I'm making you money. Take the money. Invest it somewhere else. Maybe, maybe you'll get lucky and it'll be used productively. And if it is, you'll create new jobs and provide a service for the economy and, God forbid, even make a few bucks for yourselves. And if anybody asks, tell 'em ya gave at the plant. And by the way, it pleases me that I am called "Larry the Liquidator." You know why, fellow stockholders? Because at my funeral, you'll leave with a smile on your face and a few bucks in your pocket. Now that's a funeral worth having!

    • Alternative Versionen
      The DVD has the 2001 variant of the Warner Bros. Pictures logo plastering the opening 1990 variant.
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Frankie and Johnny/Homicide/Little Man Tate/Ricochet/Shattered (1991)
    • Soundtracks
      I'm in the Mood for Love
      Written by Jimmy McHugh and Dorothy Fields

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 14. November 1991 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Japanisch
    • Auch bekannt als
      • Riqueza ajena
    • Drehorte
      • Seymour, Connecticut, USA
    • Produktionsfirmen
      • Warner Bros.
      • Yorktown Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 25.682.090 $
    • Eröffnungswochenende in den USA und in Kanada
      • 5.012.332 $
      • 20. Okt. 1991
    • Weltweiter Bruttoertrag
      • 25.682.090 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 43 Min.(103 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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