Tödliche Gedanken

"Mortal Thoughts" manages to sustain your interest throughout: it is a well-structured murder mystery with good performances by the entire cast, particularly from Bruce Willis (in one of his most unconventional roles) and Harvey Keitel who, despite his limited screen time, steals the show. But the film still falls short, maybe because it never really takes off. The final twist probably influenced the screenwriter of a very popular mid-90's cop film; those who have seen both films will understand which one I'm talking about.

Not being a fan of either Demi Moore or Bruce Willis, I was not prepared to be blown away by both their performances in Mortal Thoughts. The two actors give nuanced and very real performances as regular Jersey folks, and Glenne Headly steals the movie. Demi (Cythia) and Glenne (Joyce) play lifelong friends, both beauticians at Joyce's shop. Joyce is married to the insufferable Jimmy (Willis), who alternately ignores, harasses, and hits her, when he's not out partying. Joyce is constantly talking about killing Jimmy, and since the movie begins during the investigation into his death, the movie raises your suspicion from the start.

The entire movie is told as a flashback during the police questioning of Cynthia, and Demi manages to bring to life a scared, distraught, exhausted and defensive woman whose life as a simple mother of two has been turned upside down. Harvey Keitel, as the lead investigator into the case, gives an amazing performance, supplying the audience with the right level of doubt about Cynthia's story to keep the suspense flying until the end - and all while sitting in the same chair for most of the film! Glenne Headly shows just how good she is as Joyce goes from kooky and fun to paranoid and potentially dangerous. The ending manages to tie all the ends of the mystery up while grabbing at your emotions. Truly a satisfying film for a dark and stormy night.

I was pleasantly surprised by this film for its guts to take a story and almost present it all through Demi Moore talking to two police detectives(Harvey Keitel and Bille Neal) in a room - everything we see is via her character's thoughts and perceptions and ideas of truth and untruth and is entirely in flashback form. The story centers around Moore and her friend Headly recently married to a brute of a guy played by Bruce Willis - and goes from there to murder, mystery, and the eventual uncovering of what is the truth behind everything. Director Alan Rudolph does a good job creating a story convincingly told throughout by flashback and from the first person whilst coming back to present time repeatedly. This is not as easy as it sounds and has been messed up in other films, but it does work here because of Rudolph's sure directorial talents and the acting of Moore, Willis, Headly and Keitel. Demi Moore gives perhaps one her best performances(looking lovely I might add as well) as a New York woman torn between several things. Headly is as strong as is Willis. All of the actors give serviceable performances and the whole movie looks and sounds like a spin off from The Sopranos or something the way all of the actors walk, talk, and act. You will have no doubts where the film takes place to be sure. The story is inventive and delivers at the end. I didn't see it coming but others could believably so - but even if that is the case the film works on other levels as well. There are some nice psychological examinations made in the film as well as challenges made to perceptions. I must agree the title is really quite horrible and has virtually nothing to do with this film, but all in all this is quite a good thriller that needs another look.

An unfairly underestimated thriller , with a an ongoing suspense , and five efficient actors (Headley ,Moore,Willis ,Neal ,and particularly Keitel as the stubborn cop who feels that there's something which does not quite fit) There are similarities with the French classic ,"les diaboliques "(Henri-Georges Clouzot ,1954) remade several times in the US : two women ,a hateful husband who humiliates his wife before her clientele in her hairdressing salon (like the headmaster did in front of the students) , and a van which plays a prominent part in both movies.

There the comparison ends ; the unexpected final twist is pretty smart ,after long questionings in the police station ; this excellent psychological thriller deserved better than this poor rating.

This movie is worth seeing once.

The suspense is well crafted. The story unfolds in flashbacks which work effectively. The score is stylish, eerie and possibly the best feature of the film. A number of optical effects greatly enhance the movie. The script is reasonable.

Willis hams it up but shows some talent for acting; Keitel does OK (I usually think that he's supreme). Glenne Headly indeed, steals the show with a good performance.

Demi Moore? "Excellent"? "Awesome"? My God - she's barely mediocre. It's a crime that someone with such a basic talent is paid such fortunes.