Spezialeinheit IQ

There is the classic, or `Golden Age,' of WWII based movies, from the 50s, 60s and 70s; and then there is the age of ultra-realism: those movies about WWII (or any war for that matter), that because you can show more on film, be more graphic in war's depiction, and because cinema has changed so much, it allows us to see more of how war actual was, instead of the watered down versions we had been getting for years. Don't get me wrong. When most of us speak of such classics like `Sands of Iwo Jima,' `The Longest Day,' or `A Bridge Too Far' (and so many other great WWII movies), we are perfectly right to sing our praises of such timeless standards. Nevertheless, there is a good chance that we should be even more grateful for these modern WWII gems that have raised the bar to permit us a closer glimpse of how this war really felt to those who fought in it. I suppose all I can say at this point would be to watch `A Midnight Clear,' and perhaps you would understand why I would choose this movie to be ranked only behind the likes of `Band of Brothers' and `Saving Private Ryan.' Then watch some other modern ultra-real WWII flicks like `When Trumpets Fade,' `Das Boot' and maybe even `Cross of Iron;' and then gauge for yourself. `A Midnight Clear,' though not really smacking of anti-war themes, yet showing the futility and absurdity that only propels us to hold our breath; it is a perfect example of not only reality, but of how a WWII movie works with probably no more than 50 rounds fired throughout the whole film. Poetic (though not as much as `The Thin Red Line'), great dialog, and a premise that is built much on fact. Largely based upon a true story, and taken from the book by a WWII veteran that was actually there, this movie keeps great company among the new ultra-real films; and it simply moves me. I hope it moves you, as well. 9.4

Adapted from the novel by William Wharton , with interesting script by director Keith Gordon himself, providing an absorving and stylised rendition , while acting is uniformly over-the-top and exploring issues of faith and morality about US and German soldiers, as both sides are determined to survive . It takes place in the Ardennes Forest , near the French-German enemy-line border , in December 1944 . The end of WWII approaches and it's Christmastime when six of the remaining members of a 12-member squad are sent on a perilous mission , as they settle at an abandoned , deserted cabin in order to report on enemy movements, but short of rations decide to explore all around . The American Intelligence Squad locates a strange German platoon stalking here and there . The German foes remain elusive , and after making contact with these young , nervous young men , the enemy soldiers prove strangely unwilling to attack and wishing to surrender rather than die in Germany's final war offensive, but then things go wrong.

A thrilling wartime movie set in 1944 France, in the Ardennes forest region, at an isolated location with a handful of GIs and a band of of combat-weary Germans , displaying an intelligent story , emotion , solid storyline , enjoyable message and good feeling . A sensitive and thought-provoking movie in which a sense of anquish filtrates throughout the tale , moving inexorably towards spiritual reckoning and lethal confrontation . A worthwhile seeing psychological drama pits the message of peace against the stupidity of war . Packing a top-notch cast wiith full of future big stars and notorious secondaries , including as follows : Ethan Hawke , Gary Sinese , Kevin Dillon , Peter Berg , Frank Whaley , Ayrie Gross , John C. McGinley , David Jensen , Larry Joshua , Rachel Griffin who married director Keith Gordon , among others , all off them give nice interpretations .

Colorful cinematography by Tom Richmond , shot in a dreamy surreal style , as the setting is somewhat reminiscent of a fairytale . As well as moving and touching musical score by Mark Isham . This thoughtful motion picture was compellingly written/directd by Keith Gordon . He's a good actor and filmmaker. Appeared with Kevin Bacon in Off-Broadway theater when they were both starting out as actors. Standing out his characters in Brian De Palma's Home Movies , Back to School (1986) , John Carpenter's Christine , Charles Shyer's I Love Trouble . He quit acting to become a director. As he made the following ones : Mother Night (1996), Walking the dead , The singing detective , The chocolate war and several episodes of famous TV series as Nurse Jackie , The Leftovers , Dexter , The Returned , Masters of Sex , Strain , The Bridge , Homeland , Legion , Fargo , Better Call Saul , among others . Rating : 7/10. Above average. Well worth watching. Essential and indispensable seeing for WWII lovers.

T's a story about a squad of foot soldiers caught in the Battle of the Bulge. They are youngsters, thrown into the battle, trapped behind enemy lines in the freezing Ardennes, trying to survive. Some of them will.

It's a good place, I think to tell my family story about the Bulge. My uncle was a foot soldier in the battle. He was stuck in a fox hole with an Italian POW who agreed to fight with the American forces. A shell landed right on them, blowing my uncle out of the foxhole, ripping off all his clothes. When a jeep showed up, the driver wanted to leave my uncle's body, but the man he was in insisted he not be left behind. My uncle's corpse was strapped to the front of the jeep like a shot deer, taken back to field headquarters, and dumped in the tent with the other dead soldiers, and soon my grandparents get their 'deeply regret' telegram. Some time later, a doctor, walking through the tent, thought he saw my uncle breathing, and revived him from the hypothermia he was in. He spent a few years in a wheelchair, and eventually made a full recovery. He died about fifteen year ago.

Maybe it's that connection that makes this talky drama, shot in a freezing Utah winter, speak to me. Maybe it's the cast, including Peter Berg, Arye Gross, Kevin Dillon, Ethan Hawke, Gary Sinise (in his screen debut), and Frank Whaley. Maybe it's the sere, white cinematography of Tom Richmond. Whatever it is, it's a very worthwhile movie to watch on Memorial Day.

I had to order this movie in from the US because you can't get it in Britain. But it was worth all the hassle of tracking it down because it is an amazing movie. Ethan Hawke is great as the young Sergent who must lead a group of frightened young soldiers to the German front. Gary Sinise is amazing as the emotionally damaged "Mother" Wilkins, and the supporting cast is great too! When the group discovers a Nazi camp of soldiers who have lost the will to fight, an uneasy truce is formed, which will ultimately and in tragedy as the American Platoon try to protect "Mother." The movie is brilliantly acted and with a emotionally powerful ending. (I was very nearly crying at the end!!!!) Defiantely worth hunting down!!!!

It's a war film, but an atypical and sober one at that. Probably war drama fits better. As there's a whole lot more to it than just action. On that count it has its moments, but really it's about the characters (if something of a coming of age) and the realisation that their enemy is just as reluctant and afraid as them. The script is meditatively thoughtful and the performances by a capable cast (Ethan Hawke, Kevin Dillon, Peter Berg, Gary Sinise, Frank Whaley, Arye Gross and John C. McGinley's pig-headed Major Griffin) are genuinely layered. This helps draw you in, feeling the joy but also the tragic nature that waits. It absorbingly paints the foolishness of war, where in a serenely ironic manner it all pans out. It follows a small young American reconnaissance platoon nearing the end of WW2 in Eastern Europe, which was put together due to them having the highest I.Q. in the army. Thinking that they would get better results, however on their mission they come across a patrol of German soldiers hiding from their inevitable fate and a special, if strange bond is formed between the two parties. Written and directed by Keith Gordon (who I'll always remember him as Arnie Cunningham from John Carpenter's 80s horror flick "Christine"), he does an effective job tailoring the welcoming humanity and the painstaking horrors of war through the visuals, dialogues, atmospheric surroundings and performances. The narrative moves back and forth early on dealing with past events that brought these American soldiers together, before settling on the straight-and-narrow. The material is rather offbeat and mellow, especially when it came to the interactions between the two groups. What seems unfathomable, becomes reality and then even playful (snowball fights?!). There's something simply haunting and forlorn about this presentation and you could probably attributed it to the beautifully moody, if glassy music score. It just stays with you. Like the final shot of the film, where the camera pans onto Hawke's face of despair and this is one powerfully heartfelt moment. "A Midnight Clear" is quite low-key and unpredictable in all, but hard to forget.

"I'm through playing soldier."