Last Boy Scout - Das Ziel ist Überleben

It's been 14 years since Tony Scott's The Last Boyscout was released and it was not a major hit at the box office.

Too bad.

Still, this guilty pleasure is one of funniest action movies ever made. The movie starts with the rocky (and cheesy) theme "Friday Night is A Great Night For Football" sung by Bill Medley. You can't top that way to begin a movie.

But then Scott surprises us again. the opening sequence, where a football player is going to use any way possible to score a touchdown, is breath taking too. Enter Joe Hallenback (Willis) and Jimmy Dix (Wayans) two fallen heroes. One, a detective, the other an ex pro of the Stallion's league. The mob is there too, gamble, money, bets, a murdered young girl and big explosions. All of this wrapped up in a great story, which I won't spoil. This film is one of Tarantino's favorites. It's full of one liners and classic scenes. Violent and graphic. "Touch me again and I kill you..." says Willis' character to one of the gangsters. You should see the result. Written by Shane Black (Lethal Weapon) you've got a guarantee you're going to have a great time. Taylor Negron is great as Milo, the villain, a young and beautiful Halle Berry is Kory a girl that knows too much, the sexy Chelsea Field is Hallenback's wife and Danielle Harris is her daughter a great characters that nearly steals the show.

This is not an "art" movie. It's pure entertainment, an excellent flick. Is anything better than that?

In the early 90's, there was a definite, consistent presence in action movies: slow motion cinematography, wild gun-play, and funny one-liners. Granted, there are still some of those today (2004), but it just wasn't the same as back in the day. Now there are so many special effects in the current action films that it drowns out what used to be the great style of a "popcorn flick".

Die Hard paved the way for these type of movies, and some of the offspring of this did well and did not. The Last Boyscout was one that did well. This was a very intelligent and fun action/thriller/buddy-comedy that can still be enjoyed to this day. Tony Scott is the master of under-appreciated action movies in the 90's, such as this and True Romance.

My suggestion is to get a 6-pack, go rent this movie, sit back and enjoy the ride.

Tony Scott's The Last Boy Scout arrived at a time when the macho action thrillers popularised in the 1980's were starting to die out. This, combined with its odd Christmas-time release, meant that the film would go on to underwhelm at the box-office, although it would prove a hit in the rental market and reignite Bruce Willis' action career after the failure of Hudson Hawk. It also took a beating from critics, many voicing their displeasure at the foul-mouthed dialogue and particularly brutal violence. It's a shame really, as looking back, The Last Boy Scout really represents the pinnacle of this overly masculine sub-genre, even though it arrived at a time when audiences were growing tired with it. Yes, it's preposterous, crude and slightly misogynistic, but it's also funny, clever and features screenwriter Shane Black at his most quotable best.

The movie begins with making a mockery of American Football's televised musical intros, before diving right into the thick of the action on a particularly dark and rainy night. Running back Billy Cole (Tae Bo guru Billy Blanks) is having a great night on the field before outside pressures and a hit of PCP lead him to shoot up half of the opposition before turning the gun on himself. Deadbeat private investigator Joe Hallenback (Bruce Willis) is acting as a bodyguard for young stripper Cory (Halle Berry), whilst dealing with his own marital problems in a cheating wife and brat daughter. When Cory is killed, her boyfriend - disgraced former quarterback Jimmy Dix (Damon Wayans) - finds himself reluctantly buddying up with Joe to slowly unravel a conspiracy that may expose corruption on a massive scale, and offer an explanation for Billy Cole's mysterious suicide. Their snooping isn't appreciated however, and they soon find themselves the target of a criminal gang desperate to cover their tracks and see their plan through to the end.

The Last Boy Scout was famously dogged by production problems, where producer Joel Silver was often cited as the cause of it all. Silver and Willis allegedly took over production, forcing Scott to film scenes he didn't approve of and altering Black's script so much that the finally story barely resembled his original idea. Scott would take revenge in his next film True Romance, where the role of a controlling, cocaine-fuelled producer was modelled on Silver. On top of everything else, Willis and Wayans hated each other. Impressively, these troubles somehow can't be seen in the final product. The chemistry between the two leads is one of the movie's strongest suits, and the plot unravels coherently with more car chases and shoot-outs than you could ever hope for. Scott shoots the film with a glossy commercial aesthetic that works well in the context of the tacky world the film is looking to expose. But the real winner here was Black, who pocketed a cool $1.75 million for his efforts after suffering a setback in his personal life. Despite the changes, this still has the writer's fingerprints all over it, even eclipsing what is undoubtedly his most popular work, Lethal Weapon. They just don't make 'em like this anymore.

The Last Boy Scout is an action hero movie with a dirty mouth. It's one of the first mainstream movie to use the F word in all its variations and glory multiple times in each scene.

The good. Plenty of action. Funny banter. Tough hero. Interesting intrigue.

The actors. Bruce Willis plays a dirty version of his seminal role, John McClane. Halle Berry started her rise on the big screen in this flick.

The bad. The hero does a lot of killing, yet he's not handcuffed once.

The ugly. The lackeys are walking caricatures.

The result. Nice action entertainment with a bit of intrigue. If you're a fan of Willis, I highly recommend it.

Football is ravaged by scandals. "No heroes left". Can Sarcastaball be far off? Disgraced player Jimmy(Wayans, funny, and charming if not as easy-going as other roles of his) is insulted that "outside protection" is hired by his girlfriend Cory(Berry, sultry, sweet). As such, he gets off on the wrong foot with former Secret Serviceman Joe(Willis, washed-up). Well, most people do. He gets no respect. Not from his ex-colleagues, his wife, daughter, etc. Both leads are down-on-their-luck losers who are still tough, bad-ass guys. And they're going to have to start trusting each other, even if they don't want to. For the woman they are to keep safe.

This is a classic, an excellent buddy comedy. I don't think Robert Rodriguez watched very much of this before he decided Bruce should play Hartigan. Heck, maybe Miller watched this before he wrote it. Not sure why he didn't go with Halle for Nancy. Then again, nobody knows why he went with Jessica Alba. But I digress. This has 102 f-words, that's an average of 1 per minute of this 1 hour, 41 minute movie. Or 37 if you don't count the end credits. And I loved every second. There is a ton of machismo in this. Several shootouts and explosions. Dozens of deaths, including stand-out ones for a select few. Tons of violence inflicted and/or threatened. It's very clearly directed by Tony Scott(with his inimitable style, its visual flair), and written by Shane Black(countless quotable quips. Memorable pairs of goons). This is realistic on drugs, football and gambling.

I recommend this to anyone who enjoys action flicks. 7/10