Karate Tiger V - König der Kickboxer

I can't explain it, but I love this movie. What gives that movie the edge is the performance of Keith Cooke and Billy Blanks. Loren Avedon cannot keep up with them although he plays the main character (who is quite arrogant in my opinion). The film features decent fights with moody music, all overacted and unrealistic but highly entertaining. When Jake, still in the US, watches that movies and complains about their low quality, its "No retreat, no surrender 3" (starring Loren Avedon, too) and one might find a small piece of self-irony, too.

For a period of a couple of years, Loren Avedon appeared in several great martial arts movies with well choreographed, really fun and enjoyable martial arts action. King of the Kickboxers is another great movie and quite similar to the No Retreat, No Surrender movies which were all fun. It's entertainment from beginning to end, superb fighting is what this is about. Don't look for acting, story or things like that, because there aren't any. The appearance of Billy Blanks adds something extra to this film. He's a bad guy in this, and IMHO he suits that better than being a good guy. I think it's because he lacks that special 'good guy charisma', but as a villain he's great.

I played Mr Director, a talking bit-part, in the filming on-location at Khao Yai National Park, Thailand.

I won't bore you with production secrets like Sherri Rose running all the way from the National Park to downtown Bangkok in 17 seconds flat, I'll just focus on content.

Billy Blanks at that time was 7-Time All-World Full-Contact Karate Champion, in excellent form, hard as nails, and Avedon wasn't.

This sets the basic dilemma for the director: Keith Hirabachi was an All-American champion, Billy was a champion, but the STAR of the film wasn't up to much at all, karate-wise! So there are shots in the film where, in the thick of brawling, Avedon's hair changes to the exact color of his stunt-double's hair... or that ridiculous scene in the climax where Billy's thick, kicking leg is stopped by Avedon, who then ADJUSTS IT, in order to flip Billy...

Puh-leeze! Billy's bits, and Keith's and Ong's... they're authentic, and add something to the film... but as good an actor as Avedon is, with this plot/framework/vehicle and his skinny shanks, the film became a verging-on-ludicrous tale of "Chunky Yellow Man Teaches Skinny White Man to Beat BIG, THICK BLACK Man!" Its inauthentic, through and through...

But what the hey! Its a yarn! Karridine/John Kay

This film is so focused on the fighting they forget the name of the main character...we are introduced to a cop named "Jake", but then the woman he is trying to save at the end can't be bothered to remember what his name is; she calls him "Jack" NUMEROUS TIMES.

There are so many other cheesy lines which have been mentioned in these reviews...how funny is it when Avedon, looking like he's going to burst into tears, sternly demands Blanks to LET THE GIRL GO!! Great stuff.

BTW...I believe Blanks' finisher is U, U, D, D, L, R, L, R, B, A.

Ridiculously good martial arts choreography combined with laughably bad dialogue and an outlandish plot that borrows heavily from Kickboxer add up to a very enjoyable fighting movie. Seeing the film in Middle School when it was on cable I had trouble getting past the poor film stock, and substitution of water in the mouth as fake blood was probably too expensive to use. Coupled with lousy acting and poorly-lit sets, I just enjoyed the fighting scenes (probably on a day when I had my fill of Van Damme and Seagal). Looking back on it recently, the choreography is some of the best ever put on celluloid, and it holds up tremendously against just about all of the other fight scenes from the 90s. A combination of beautiful foreign locales, some pretty intense stunts, and a sense that the director was going for a "let's be satisfied with the first take of any non-action scene" attitude, the movie is a guilty, but VERY impressive martial arts film.