Karate Tiger V - König der Kickboxer

This is how martial arts film should be (excluding Ricky-Oh that is the best movie ever).An undercover "kickboxer" cop travel to Thailand to investigate some kung fu movies were they really kill people, "snuff kung fu" movies. He also have a personal interest, one of the killers is the guy who killed his brother 10 years ago. The movie is similar in structure to Kickboxer(the one with Van Damme) but this one is ten times more entertaining...you know, the guy who seeks revenge, training and fighting. The dialogs are ridiculous like in every movie of this kind but some fights are very cool. but the plus of the "snuff" movies is the key. Also, the character played by Billy Blanks as the "executor" in the snuff films looks like an inspiration to Machine in 8mm.Very recommended!

This film is so focused on the fighting they forget the name of the main character...we are introduced to a cop named "Jake", but then the woman he is trying to save at the end can't be bothered to remember what his name is; she calls him "Jack" NUMEROUS TIMES.

There are so many other cheesy lines which have been mentioned in these reviews...how funny is it when Avedon, looking like he's going to burst into tears, sternly demands Blanks to LET THE GIRL GO!! Great stuff.

BTW...I believe Blanks' finisher is U, U, D, D, L, R, L, R, B, A.

I can't explain it, but I love this movie. What gives that movie the edge is the performance of Keith Cooke and Billy Blanks. Loren Avedon cannot keep up with them although he plays the main character (who is quite arrogant in my opinion). The film features decent fights with moody music, all overacted and unrealistic but highly entertaining. When Jake, still in the US, watches that movies and complains about their low quality, its "No retreat, no surrender 3" (starring Loren Avedon, too) and one might find a small piece of self-irony, too.

The makers of this film are certainly no strangers to films that are "Inspired" by mainstream others. The company's earlier effort "No retreat No Surrender" was meant to be a take on the Karate Kid and this film is no different. Let's just get this out of the way now.......it's a Kickboxer rip off! In fact it goes beyond rip off in places with some parts and locations being nearly identical to the Van Damme film, it really is shameless!

Fortunately, Seasonal films are no slouches when it comes to fight scenes and here's where you start to forgive them for being such blatant pilferers. The Fights are truly spectacular, choreographed with such precise flow, speed and with such immense power. This film is a direct descendant of No Retreat No Surrender which was the first film to use western actors set in America with an Oriental production team and like it's ancestor it really is quite something. Gone are the traditional, slow movements of the 70's Kung-Fu films which were so akin to Shaw Brothers films at the time and in their place there is rip roaring torrents of brutal martial arts action.

Billy Blanks as Khan is a great, nay tremendous and utterly terrifying bad guy and it's always great to see the amazingly talented Keith Cooke (who almost steals the show here) but Loren Avedon is as hammy as ever despite his great fighting skill. Of course that's half the charm of these films and that statement is meant fully as a compliment. It certainly has captured the feel of Van Damme's Kickboxer although it doesn't match up to it in terms of polish or drama, but the fights more than make up for it!

Be like me, buy both and enjoy both!

Ridiculously good martial arts choreography combined with laughably bad dialogue and an outlandish plot that borrows heavily from Kickboxer add up to a very enjoyable fighting movie. Seeing the film in Middle School when it was on cable I had trouble getting past the poor film stock, and substitution of water in the mouth as fake blood was probably too expensive to use. Coupled with lousy acting and poorly-lit sets, I just enjoyed the fighting scenes (probably on a day when I had my fill of Van Damme and Seagal). Looking back on it recently, the choreography is some of the best ever put on celluloid, and it holds up tremendously against just about all of the other fight scenes from the 90s. A combination of beautiful foreign locales, some pretty intense stunts, and a sense that the director was going for a "let's be satisfied with the first take of any non-action scene" attitude, the movie is a guilty, but VERY impressive martial arts film.