IMDb-BEWERTUNG
4,8/10
458
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA policeman and a female scientist team up to recover her latest creation, a cybernetic, crime-fighting dog.A policeman and a female scientist team up to recover her latest creation, a cybernetic, crime-fighting dog.A policeman and a female scientist team up to recover her latest creation, a cybernetic, crime-fighting dog.
- Regie
- Drehbuch
- Hauptbesetzung
Jerry Houser
- Niner
- (Synchronisation)
Judson Scott
- Anton Zeiss
- (as Judson Earney Scott)
Tom McFadden
- Banks
- (as Thom McFadden)
Empfohlene Bewertungen
This...is...the.....GREATEST MOVIE EVER!!!!!!!!!! This movie has everything. Acid washed shorty-shorts, a dog with a microchip in his head, a meat-head, brick-like, mullet-ed, sassy, take-no-guff renegade cop, also with a microchip in his head, and a woman with a wool sweater that says "Mean Streets" on the back. I'm contemplating suicide because there is no way life can better than this! From here on out, it's only gonna be downhill. I tried to think of something that could make this movie better, but you know what? I couldn't think of anything. If you also enjoy this movie, you may want to check out the Elmore Leonard novel, The Switch, on which this film is loosely based.
Whoever came up with this rather derivative quasi sci-fi idea of a dog who is part computer and able to communicate via an implant is probably dismayed at the way it was all put together. It looks like a pilot for a series that wasn't picked up, and no wonder thanks to the lame direction and overall weak production work.
First, what 's the idea of introducing the dog halfway through the film, rather than earlier? That's pretty bad form, as the whole idea of the dog/cop team is what piques our interest here. And then, even though it's 1991, everything looks like leftover 1985 Miami Vice stuff, especially Chris Mulkey's mullet haircut. Also, there's no pacing, no suspense nor tension anywhere in the film, and very few laughs provided by the dog/cop interaction, where one would expect more than what's given here.
Skip it.
First, what 's the idea of introducing the dog halfway through the film, rather than earlier? That's pretty bad form, as the whole idea of the dog/cop team is what piques our interest here. And then, even though it's 1991, everything looks like leftover 1985 Miami Vice stuff, especially Chris Mulkey's mullet haircut. Also, there's no pacing, no suspense nor tension anywhere in the film, and very few laughs provided by the dog/cop interaction, where one would expect more than what's given here.
Skip it.
This movie is highly unrealistic. I turned on the television to watch some television and this was on...and my children were in the room!! I found it highly disturbing that they had a dog that could talk. that just won't ever happen IRL folks! SORRY! but i like movies with a plot I can relate to! SORRY!
I absolutely adored this film. I rented it years and years ago and loved it. Have been looking to buy it since then and when I did finally purchase and re-watched it, I loved as much that time. I am a total animal lover and will watch any film with animals, especially German Shepherd's. This is one of my all time faves. Yes it is cheesy, yes it is a totally silly plot, but it is one that kids will love. And it is a great original idea for a film, wouldn't it be great if we could have a dog like that so you could find out what is going on in their heads?! Loved the cheesiness of it, totally great. If you liked K-9, TURNER AND HOOCH, K-911, you will love it.
This film is just plain weird, but then again most TV movies of the 80's were (for the record, this was done in 1989, not 1991). It's almost like Lethal Weapon meets Miami Vice.
From the opening shootout/chase sequence in Hollywood (gotta love how they run over a Beverly Hills sign in the hood), you know you're going to see something strange. The two cops look EXACTLY like Riggs and Murtaugh from Lethal Weapon! Add to it the Jan Hammer soundtrack (he did Miami Vice too) and a script by writer/producer Steven de Souza (Commando, Running Man, Die Hard) and you have the quintessential 80's crime flick.
There are some elements of comedy, but those tend to be overshadowed by the somewhat violent content (for TV standards 20yrs ago). For the most part, this is almost a cult film.
While out of print on VHS and DVD, you can catch it on TV or Pay Cable (it was on Encore the other day) and worth a watch, just for nostalgia purposes.
From the opening shootout/chase sequence in Hollywood (gotta love how they run over a Beverly Hills sign in the hood), you know you're going to see something strange. The two cops look EXACTLY like Riggs and Murtaugh from Lethal Weapon! Add to it the Jan Hammer soundtrack (he did Miami Vice too) and a script by writer/producer Steven de Souza (Commando, Running Man, Die Hard) and you have the quintessential 80's crime flick.
There are some elements of comedy, but those tend to be overshadowed by the somewhat violent content (for TV standards 20yrs ago). For the most part, this is almost a cult film.
While out of print on VHS and DVD, you can catch it on TV or Pay Cable (it was on Encore the other day) and worth a watch, just for nostalgia purposes.
Wusstest du schon
- WissenswertesCompleted in 1989, but not released until 1991 on the USA. It was released directly on video on other countries between 1989 and 1990.
- PatzerAfter Eddie shoots the deadbolt lock (which wouldn't have opened the lock anyway) in the back door of the room where the incubator was located, the door is opened to reveal there is no strike plate or even a hole in the door frame to accept the bolt. The deadbolt could not have been locked. The strike plate for the doorknob is visible, but there should have been another one above it.
- VerbindungenFeatured in The Best TV Shows That Never Were (2004)
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