IMDb-BEWERTUNG
5,3/10
4655
IHRE BEWERTUNG
Ein Polizist wird als Auftragsmörder verdeckt, um eine kriminelle Vereinigung zu stürzen.Ein Polizist wird als Auftragsmörder verdeckt, um eine kriminelle Vereinigung zu stürzen.Ein Polizist wird als Auftragsmörder verdeckt, um eine kriminelle Vereinigung zu stürzen.
A.C. Peterson
- Lemke
- (as Alan Peterson)
Anthony Stamboulieh
- Rigoletti
- (as Anthony Stambouliem)
Michael Benyaer
- Hassan
- (as Michael B. Enyaer)
Empfohlene Bewertungen
this is the story of a cop who has been undercover for 2 years,posing as a hit-man.Chuck Norris plays CliffGarret/Danny Grogan in the title role. Garret is his really name,while Grogan is his undercover identity.this movie is much darker than most Norris films.Chuck gets to focus more on his dramatic acting ability than martial arts(though there is a bit of that)and handles himself quite nicely.he is very credible in his portrayal of the icy killer.the score for the film is very appropriate and adds to the atmosphere.there are great performances all around,including Al Waxman as the head of one of the criminal factions and Grogan's boss,Bruno Gerusi as one of his underlings,and Michael Parks who plays Ronald "Del" Delany,a bitter enemy of Norris's character.Ken Pogue plays Detective chambers,Garret's Boss.the production values are very decent for this film.Most of the dialogue is well written.there is of course lots of violence in this one,as in most of Chuck's films.overall a very well made,entertaining film.a strong 7/10
I'm glad that someone else likes this movie. I admit it isn't a GREAT movie, but it's never boring, and delivers enough of the goods. Excellent location shooting, and stylish direction (Aaron Norris' somehow managed to competently direct for once). However, there are some racist overtones that left a bad taste in my mouth.
I like this movie. i first rented it to watch with my girlfriend in about 1992 - she didn't like it for some reason but i was impressed with the change of character by Norris compared to his Texas Ranger, Delta Force movies.
The storyline of someone left for dead only to come back a few years later to even the score with his corrupt partner who tried to kill him is a bit corny and has been done before this movie I'm sure but the coldness of Norris when he blows people away is what makes this watchable, not least when he kicks ass big style in the Iranians' club! However, Canadian mob boss Andre Lecombe's 'minder' is possibly the least likely gangster i have ever seen in a movie and does not convince! The Hit-man is pretty hard to find these days and could be regarded as a collectors item if you're a Chuck Norris fan.
The storyline of someone left for dead only to come back a few years later to even the score with his corrupt partner who tried to kill him is a bit corny and has been done before this movie I'm sure but the coldness of Norris when he blows people away is what makes this watchable, not least when he kicks ass big style in the Iranians' club! However, Canadian mob boss Andre Lecombe's 'minder' is possibly the least likely gangster i have ever seen in a movie and does not convince! The Hit-man is pretty hard to find these days and could be regarded as a collectors item if you're a Chuck Norris fan.
Chuck's character in this go-round is an undercover cop who was supposed to have been killed by his corrupt ex-partner (Michael Parks).
But, his cover (a hitter for the Italian mob in Seattle) is so deep he actively is whacking French-Canadian thugs and a new Iranian threat while trying to put away the people he works for.
The twist is that Chuck's near-death experience gives his character an odd perspective on death. He's actually become less serious, more sensitive than his life as a cop. The few funny moments may not make up for it not being a great film but they're there.
Example - Chuck arrives in Vancouver to discuss a potential truce. After having his handgun taken from him, Chuck knocks a thug on his ass and the guy is looking down a double-barrel, over-and-under shotgun. Chuck quips, "You missed one."
But, his cover (a hitter for the Italian mob in Seattle) is so deep he actively is whacking French-Canadian thugs and a new Iranian threat while trying to put away the people he works for.
The twist is that Chuck's near-death experience gives his character an odd perspective on death. He's actually become less serious, more sensitive than his life as a cop. The few funny moments may not make up for it not being a great film but they're there.
Example - Chuck arrives in Vancouver to discuss a potential truce. After having his handgun taken from him, Chuck knocks a thug on his ass and the guy is looking down a double-barrel, over-and-under shotgun. Chuck quips, "You missed one."
A Chuck Norris work from his prime, which I didn't know yet. The evening seemed to be saved! We're already in the direct-to-video phase of the 90s here and this is one of the increasingly mediocre releases with brother Aaron in the director's chair. Unfortunately, the highlight of the film was our hero's mullet, otherwise it looks like one of the equally low-quality products of the 90s Charles Bronson phase. Just a Cannon assembly line product with a profit maximisation strategy. At times it gets really dull and only distinguishes itself from a bland TV film because of the level of violence. At the end there's another action god production, but all in all it's not enough of anything. Not again, I'd rather stay within the 80s in his filmography.
Wusstest du schon
- WissenswertesOriginally envisioned as a vehicle for Charles Bronson by its writers, but offered to Chuck Norris by Cannon -- who had a relationship with the star.
- PatzerWhen the woman gets shot in her car through the driver's window, the window breaks before the bad guy pulls the trigger.
- Zitate
Chris Garret: Running from your fear is more painful than facing it.
- VerbindungenFeatured in Sidekicks (1992)
- SoundtracksOn The Road Again
Written by Floyd Jones and Alan Wilson
Performed by Andy Prieboy
Courtesy of Dr. Dream Records, Inc.
from the album "...Upon my Wicked Son"
Used by arrangement with Frederick Music Company and EMI Unart Catalog Inc.
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Details
- Erscheinungsdatum
- Herkunftsländer
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- Auch bekannt als
- The Hitman
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Box Office
- Bruttoertrag in den USA und Kanada
- 4.654.288 $
- Eröffnungswochenende in den USA und in Kanada
- 1.290.442 $
- 27. Okt. 1991
- Weltweiter Bruttoertrag
- 4.654.288 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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