IMDb-BEWERTUNG
7,2/10
7989
IHRE BEWERTUNG
Rhapsodie im August ist die eindrucksvolle Darstellung des nuklearen Holocausts in Nagasaki durch den japanischen Großmeister Akira Kurosawa, gesehen durch die Augen einer Überlebenden und i... Alles lesenRhapsodie im August ist die eindrucksvolle Darstellung des nuklearen Holocausts in Nagasaki durch den japanischen Großmeister Akira Kurosawa, gesehen durch die Augen einer Überlebenden und ihrer vier Enkelkinder - 44 Jahre später.Rhapsodie im August ist die eindrucksvolle Darstellung des nuklearen Holocausts in Nagasaki durch den japanischen Großmeister Akira Kurosawa, gesehen durch die Augen einer Überlebenden und ihrer vier Enkelkinder - 44 Jahre später.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 7 Nominierungen insgesamt
Richard Gere
- Clark
- (as Richâdo Gia)
Mieko Suzuki
- Minako
- (as Mie Suzuki)
Empfohlene Bewertungen
A beautiful and deeply moving work,it deals with a taboo subject which is rarely treated on the screen.The approach is much different from that of Alain Resnais in "Hiroshima mon amour",and the main reason is that the director is Japanese.Far from Marguerite Duras' verbal logorrhea,Kurosawa lets us in the tragedy through children's eyes,and their simple and naive words.These children,who visit the memorial, only know what the history books tell:almost nothing.
One of the movie's main subject is building some kind of bridge between two generations(a bridge over troubled water,because the adults are rather unsympathetic characters).Kurosawa's granny is universal,she 's the embodiment of suffering,forgiveness and wisdom."Blame it on the war" she keeps on repeating during the whole movie.And her hard-earned peace of mind ,she tries to communicate it to her four grandsons.She does want to see his brother ,now dying,who emigrated to Hawai and made his fortune in pineapples, a long time ago,and his family.The children's fathers are mean little bourgeois,only interested in these American relatives' dough and luxury mansion with pools,the mothers hateful silly geese.None of them can understand the grandmother any more.
So if there's some hope to be found,it can only lie in the relationship old/young,skipping a whole generation,with the exception of minor Richard Gere character.The four children and their granny sitting under a blue moonlight when the adults are talking social promotion and money is beautifully filmed.But it will not delude for long.The last pictures are a real metaphor:sure the road to follow for the youngsters is the grandmother's one,which does not forget the past ,but it's a rocky road,edged with chasms .
One of the movie's main subject is building some kind of bridge between two generations(a bridge over troubled water,because the adults are rather unsympathetic characters).Kurosawa's granny is universal,she 's the embodiment of suffering,forgiveness and wisdom."Blame it on the war" she keeps on repeating during the whole movie.And her hard-earned peace of mind ,she tries to communicate it to her four grandsons.She does want to see his brother ,now dying,who emigrated to Hawai and made his fortune in pineapples, a long time ago,and his family.The children's fathers are mean little bourgeois,only interested in these American relatives' dough and luxury mansion with pools,the mothers hateful silly geese.None of them can understand the grandmother any more.
So if there's some hope to be found,it can only lie in the relationship old/young,skipping a whole generation,with the exception of minor Richard Gere character.The four children and their granny sitting under a blue moonlight when the adults are talking social promotion and money is beautifully filmed.But it will not delude for long.The last pictures are a real metaphor:sure the road to follow for the youngsters is the grandmother's one,which does not forget the past ,but it's a rocky road,edged with chasms .
Although aware of Akira Kurosawa's standing in the realm of world cinema,I have never been a great fanatic of his films as most of them are Samurai films heavily laden with symbolic references to Japanese society.For me Akira Kurosawa's non Samurai films are better films as they speak of deeper issues like human sentiments.I watched "Rhapsody in August" directed by Akira Kurosawa film with rapt attention.As I was watching it after having watched "Madadayo",I could not help but comparing it both in style as well as content with that film.Both the films were made by Kurosawa when he was at the end of his career and may be for this reason he chose to make humanist stories.Rhapsody in August is a meaningful tale for all people whether they are young or old,American or Japanese.It is a film which shows how important a family is and how wisdom must be passed from the old to the young. Kurosawa has deftly tackled the question of Japan's Atomic bomb tragedy through plain words spoken by an old lady who tells her young grandchildren that with the passage of time all wounds are healed.Rhapsody in August tells us albeit in a non academic manner why it is important to live peacefully thereby avoiding war for the benefit of peaceful coexistence and human society.
A beautiful, beautiful film. If you only know Kurosawa through Seven Samurai then this will come as something of a shock. Gentle, sensitive, moving and uplifting. The cinematography is sumptuous with plenty of touches that let you know that this is no ordinary film maker. By far the best of his later films in my opinion.
Don't be confused by the 'starring Richard Gere' tag. He only has a minor part, though he takes it well.
Just go and see it!
Don't be confused by the 'starring Richard Gere' tag. He only has a minor part, though he takes it well.
Just go and see it!
I am a great fan of Kurosawa and I was so shock how bore this film was when I first saw it in theatre back in the 90s. I know Kurosawa always hide some message in his late movies and, after twenty years, I decided to rent the DVD again to examine the movie in detail. As I got into the movie, I start to understand what Kurosawa want to say. This movie is about how the younger Japanese are abandon their own culture and at the same time,ironically, it is the American, the one who dropped the atomic bomb in Japan,are reviving the Japanese tradition culture(G.Lucus and S. Spielberg are the one who produced the movie Kagamusa). Also, it is about aging as Kurosawa is part of the aging generation. Old people are being seen by young people as weak, illusions, and hopeless out of time and a burden, but when crisis came,(the storm in the movie) old people would show a trendous strength to protect the young one as the old lady in the movie standing up to the storm; it reflected that even Kurosawa, an old man, still could produces such thoughtful movie. I believe Kurosawa made this movie only for those who understand him and ,to me, this is one of his best even thought I love samurai movies.
I got really bore at first time when I saw this movie in theatre in 1992. Since I know Kurosawa is a perfectionist and usually try to say something important in his movie, I am sure there are some hidden message in his story other than the obvious. After twenty years, I decided to rent the out the DVD to examine the movie in detail. I was not disappointed and the true theme revealed to me immediately and I love it even the 3rd and 4th time. It was not just about the H-bomb incidence. It was a way for Kurosawa to tell the how young Japanese generation abandoned their own tradition culture and it is the American, once the enemy of Japan, are reviving it for the country. His second major theme was about old people who seen to be weak, senile and out of time, but when circumstance arise, they could still release plenty of energy to protect their youngs like how he still could such powerful movie like Rhphsody in August. I believe Kurosawa did this movie strictly for his fans to enjoy because unless you understand his thought, this movie is extremely boring at the surface, look as if it is produced by an old man out of touch with his time.
Wusstest du schon
- WissenswertesAt the top of his career from starring alongside Julia Roberts in Pretty Woman (1990), Richard Gere was earning millions of dollars per picture. Akira Kurosawa's company felt they were unable to pay his salary, to which Gere responded with "I'll work free for Kurosawa." Not wanting to take advantage of the actor, they offered him a modest sum, as well as offering to pay for all his travel expenses, including friends he wanted to bring with him to Japan while he worked. One of those friends included Cindy Crawford.
- SoundtracksNobara (Heidenröslein)
Lyrics by Johann Wolfgang von Goethe (uncredited)
Music by Franz Schubert (as Shûberuto)
Performed by Hibari Jidou Gasshoudan (Hidetaka Yoshioka, Tomoko Ôtakara, Mieko Suzuki and Mitsunori Isaki)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 516.431 $
- Eröffnungswochenende in den USA und in Kanada
- 26.771 $
- 22. Dez. 1991
- Weltweiter Bruttoertrag
- 517.538 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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