Entscheidung aus Liebe

This movie is a 'sleeper' and not a box office hit, so I nearly did not get it. But I am glad that we saw it! The acting is excellent for the two lead roles: Julia Roberts and Campbell Scott (who played Hamlet and other top notches).

Julia was superb and we admired the fine acting that she did. My wife cried near the end because she herself came very close to dying of cancer (of the liver, was told she had 4 months to live - that was 6 years ago). But it was not a depressing story at all.

This is a quality film. There are no car chases, shoot-outs or cheap sex, just a good solid story by two fine actors. See it.

I bought this video in a sale for only £2.50 and although I knew it had Julia Robert in it, I thought that maybe this was going to be another "Firehouse" which.. Well did nothing for me. I turned the video on, lied on he sofa and cried! Very few movies ever make me cry, this being one that has never failed to every time I have seen it.

Hilary O'Neil is hired as a nurse when Victor Geddes' father goes away on business. Eventually, Hilary becomes more than his nurse, she becomes, in my opinion; His reason for living. This movie is a powerful and moving story of one man's need for love and a woman's need simply for a job.

Definitely one to watch!

Julia Roberts shows once again how she can take an ordinary script and turn it into a worthwhile flick. This is a great movie for one of those rainy afternoons when you don't mind a little tear here and there.No one in Hollywood can cry and hit you right in the gut like Julia. Along with Campbell Scott,who is dying from Leukemia, they both give believable performances and the music score is quite good.

I guess I'm just not in the main stream. How can IMDb readers give Love Story (1970) a composite grade of 6.7 and Dying Young only 5.4. Julie Roberts is much, much better than Ali MacGraw (proof of who is the better actress is that MacGraw went literally nowhere, as she deserved, after Love Story while Roberts is still a star, an Oscar winner and a respected actress). The story line of both is somewhat predictable, but Dying Young has an infinitely better script. In Dying Young the viewer truly empathizes with the characters, while in Love Story, neither character is worth knowing. Only the most sentimental will tear up in Love Story, while Dying Young bring most to tears. While this does not mean that it is a great movie, it does mean that the characters are believable and well acted and the story line is good enough to overcome its somewhat predictable premise. Curl up with a loved one and a box of tissues. If you are at all the least bit sensitive you will like Dying Young.

To put it simply, the opening third of this film is intense. Quite intense. Campbell Scott's Vincent is a tortured young man who only wants to live enough to prepare himself for death. Julia Roberts' Hillary is essentially her Vivian from Pretty Woman (I hope everyone who sees this film is as unimpressed as I was with the shameless allusion to Pretty Woman when Hillary steps off the bus in -- gasp -- a red suit), but it suits the film well. But the passionate acting from Roberts, yes, but mostly Scott absolutely rends one's heart. When Hillary declares that she thought "this guy was going to die," the audience is right there with her. Scott's performance is so rare and so special during these opening minutes because he is not self-pitying. He is aware of his disease, and he's trying to fight it. He's beyond emotional pain, and as he struggles through the physical pain, we start to feel it too. By the time Victor announces that his treatment is finished and he's ready for a vacation, the audience is ready for one too--it's really too much to watch a character we're instantly so attracted to come so close to death so many times.

However, with the change of scenery comes a change of momentum. This is not surprising considering how emotional the opening third of the movie is--I'm not sure any movie could sustain that degree of intensity for the length of a feature film. Sadly though, the couple's time in the beach house becomes, as one critic put it, a kind of music video which features long shots of "endearing" moments between the two main characters. I would have liked to see more *real* discussions, interactions, etc. between the two than the endless close-ups of their pretty faces. The townsfolk are superfluous--essentially they're stock characters, cut-outs of real people that serve no real purpose in the film. Vincent D'Onofrio's Gordon is the most confusing character of all. He seems to have some sort of flirtation with Hillary, but this is never developed, explained, or resolved. A shame, as it could have added more drama to a section of the film that was sorely lacking in any sort of dramatic effect.

The ending of the movie isn't bad, but it never quite recovers the momentum of the earlier section. However, I find that no matter how much I dislike the middle part of the film, I keep thinking about the film as a whole, and really really liking it. If you're prone to it, this film will probably make you cry. If you're not interested in tears, it's still worth watching because at the very least it will make you appreciate how lucky you are to not be going through what Vincent goes through--not having to make the decisions or sacrifices he makes each day.

I recommend watching it at least once and forming your own opinion.