Preis der Schönheit

Jennifer Rubin,(Allie Holton),"Road Kill",'99, gave a great performance as a very pretty innocent looking young gal, who is teaching in a Catholic School and simply loves her job and all the children. However, there is a photographer named Peter Outerbridge,(Dylan Wiatt),"Land of the Dead",'05, who is taking pictures of Allie and finds her very interesting and attractive to even become a model. Dylan contacts Sally Kellerman,(Evelyn Ash),"Open House",'04 who is the boss of a large model agency; Evelyn becomes interested in Allie in more ways than one. Allie seems to prefer men and woman to love and enjoy and desires to make Allie into an International Fashion Model. This film will keep you in suspense and it is not easy to find out who the naughty person turns out be.

Recently shown on cable tv under the title "Victim of Beauty" this film was made 10 years ago, and on the whole carries itself well. Stunningly photogenic school teacher becomes fashion pin-up though as that career progresses she is followed around by a series of murders. Basically a "whodunnit" what I like is the way the movie constantly teases the viewer as to the identity of the murderer though in hindsight ample clues are given throughout. The plot and the story line are generally ludicrous and preposterous but of course that is the norm for so many films whereby the film-makes expectations of their audience is zero level. Nevertheless this picture is very watchable, the star of the show being the actress portraying a lesbian fashion house head. A scenario dealt with intelligently and maturely. The surprise climax of the film reminds me of classic Hitchcock whereat all the clues fall into place.

Many know the 1999 DROP DEAD GORGEOUS right? But very few know that in 1991 they made a TV movie with the same title but as I saw this I could see why it's not remembered like the 1999 version. Not that it's a bad movie, and I was about to give this a good rating.

Allie Holton is an aspiring model that wants to make it big in the business but looks a bit too lead-footed, until she meets Evelyn Ash (Sally Kellerman) that becomes her agent. Oddly enough, when Holton makes it big everyone around her after a while dies and while suicide could be a motive some suspect of her. This would gradually take her to madness until in the end she is took in an asylum and she'll be questioned by an unnamed interrogator (Michael Ironside in an uncredited cameo) before being forced to stay in the institution forever, but then the movie ends.

The acting was ok by Jennifer Rubin and Kellerman, and the fact of the people dying around Allie was a plus. Yet it was the slow pace in the second half and the ending that showed her end in the asylum that made me lower the score and if it was more pleasant in this last part I would have liked it more. As it is, an ok TV movie but nothing more.

This thriller was made for Canadian TV and only redeemed from the B stockpile by the acting of Peter Outerbridge as a wannabe fashion photographer, and the appearance of Sally Kellerman as the agent for "the beauty" Jennifer Rubin. Rubin is perhaps the most lead-footed model I've ever seen, so it's not unexpected when everyone around her begins to be killed, though suicide isn't considered as a motive. While she is attractive, Rubin's acting is so flat and she is so physically stiff that you pray that she will be the next to get it. It's a little like the way Kathleen Turner thought so she was such hot stuff in Body Heat. Here Rubin turns heads in the street even before she starts modeling (in a convenient plot turn), in spite of her dressing the way Outerbridge describes as if for "Siberian Vogue". Outerbridge is a James Spada look-alike without having Spada's mannerist style and whilst his acting is technically superior to Kellerman's, she outclasses him in star power. Given the best nasty lines, she dresses in male drag to prove the claim that she "swings both ways". Director Paul Lynch's work is barely inspired. He slurps over the horror music and gives us close-ups of ringing telephones, though there is an unintentional laugh in the cat scare shot when it appears that the poor kitty has been thrown into frame to approximate it jumping. At least we are spared the cat from being a victim, or Kellerman's highrise balcony being used for someone to be pushed from. The low point is the music video that Rubin participates in, where she is so inept that even her walking requires a choreographer. It's indicative of Lynch's sensibility that when TV news features footage from the "yet unreleased' clip, what we see is the replica of the take we saw being filmed, but magically edited from different shots. If this genius music video director can produce such material (we also know he's a genius because he's the kind who sits on a moving camera and speaks in a British accent) perhaps the Canadian TV producers should have hired him instead of Lynch to make their film. The revelation of the killer jumps over countless red herrings, and is preposterous, but ironically allows Rubin to finally come to life.

Well, first to the plot: There are some very good ideas here, since the way the mystery is revealed is quite good, especially since you are given clues right at the beginning (Rubin's obsession with child abuse) that make the ending quite an "Aha!" experience. On the other hand: So why did Kellerman place those phone calls? And why got Candy killed?? Jennifer Rubin is great, as usual, especially in the last sequence. She again proofs that she is one of the most talented actresses on the screen. The other actors are rather bad compared to her, for example this silly rock star (also the video clip look quite ridiculous). And why did they make Kellerman look so ugly in this film? Well, but the great performance by Rubin saves everything, as usual.