Füge eine Handlung in deiner Sprache hinzuWhen a self-centered doctor is diagnosed with cancer, he becomes better able to empathize with his patients and appreciate a life outside his career.When a self-centered doctor is diagnosed with cancer, he becomes better able to empathize with his patients and appreciate a life outside his career.When a self-centered doctor is diagnosed with cancer, he becomes better able to empathize with his patients and appreciate a life outside his career.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Empfohlene Bewertungen
"The Doctor" is a sensitive drama with a magnificent story of a doctor that changes his values when he understands the perspective of patients after becoming one with cancer. William Hurt, Christine Lahti and Elizabeth Perkins have wonderful performances and the story is never corny despite the pleasant conclusion. My vote is eight.
Title (Brazil): "Um Golpe do Destino" ("A Strike of the Destiny")
I will say that what Jack does at the end looked a little unrealistic; I doubt that he went that far in real life. But even so, I still say that the movie is worth seeing. Not a masterpiece by any stretch, but important. Also starring Christine Lahti, Charlie Korsmo, Mandy Patinkin and Adam Arkin.
American film makers need to review films such as Paris, Texas and The Browning Version to see how powerful, touching and engaging real-life drama is presented most effectively when the script-writers and director chooses simplicity and subtlety, without 'flair' and forced drama (ie... they need to look to Europe to see how it's done!)
The Doctor is certainly a large step in the right direction. The tone is subtle and the acting is fantastic because it is even across the cast. There is nothing unrealistic or fancy about the story and we don't have doctors running round the "ER" yelling and screaming and "manufacturing" drama. The Doctor is simple, yet brilliant.
I find it irrelevant that the story is overtly predictable. I'll never know why Hollywood finds it necessary to throw in the "dramatic twist" into every film? The majority of the time, the "twist" is usually predictable anyway, creates little by way of dramatic effect and is often childish and stupid (case in point "High Crimes"). Telling the story is the secret to drama, not artificially manufacturing one!
Perkins was terrific in the Doctor, but it was surprising to see that she had few notable roles after this film.
Another intriguing aspect of the film is the feelings Chritine Lahti's character experiences, from sympathy to anger, to jealousy, to feeling shut out, you name it. In fact, the film could have delved even deeper into their marital discord and it would not have lost me. For some this film may go down a little too easily, but I think the accessibility of the subject matter in this case is an asset.
So, though it's a bit of a tearjerker and has a happy ending that reality will not always produce, I think it is a meaningful film and especially for those who are facing a serious diagnosis or caring for those who are.
Wusstest du schon
- WissenswertesThis movie is based on the real-life story of Ed Rosenbaum, M.D. Dr. Rosenbaum wrote an autobiography entitled "A Taste of My Own Medicine: When the Doctor Becomes the Patient." This book formed the basis for the movie and is presently out of print.
- PatzerIn a scene supposedly set on the roof of a San Francisco office building, between William Hurt and Elizabeth Perkins, well=known Los Angeles high-rises can be seen in the background.
- Zitate
June Ellis: There was a farmer who had a lot of fields, and he kept all of the birds and creatures away from his crops with traps and fences. He was very successful... but he was very lonely. So, one day, he stood in the middle of his fields to welcome the animals. He stayed there from dawn to dusk, with his arms outstretched, calling to them. But, not a single animal came. Not a single creature appeared. They were terrified, you see, of the farmer's new Scarecrow... just let down your arms, and we'll all come to you.
- SoundtracksBig Girls Don't Cry
Written by Bob Gaudio and Bob Crewe
Performed by Frankie Valli and The Four Seasons
Courtesy of Bob Gaudio and Frankie Valli
dba The Four Seasons Partnership
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 38.120.905 $
- Eröffnungswochenende in den USA und in Kanada
- 165.392 $
- 28. Juli 1991
- Weltweiter Bruttoertrag
- 38.120.905 $
- Laufzeit
- 2 Std. 2 Min.(122 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1