Der Doktor - Ein gewöhnlicher Patient

This movie came out about a year before I was diagnosed with thyroid cancer, and I watched it during my recovery from surgery and radiation treatments. It helped me to understand the relationship between doctor and cancer patient. William Hurt is indeed excellent in this film, but I have always liked his understated presence and aloof yet empathetic evocations. Recently, a colleague was diagnosed with a serious cancer and he continues to undergo his treatments. I think the American medical community has made great improvements in the emotional component of care for cancer patients, but in 1992 Hurt's portrayal was close enough to echo my observations of how I was cared for then.

So, though it's a bit of a tearjerker and has a happy ending that reality will not always produce, I think it is a meaningful film and especially for those who are facing a serious diagnosis or caring for those who are.

I was impressed and touched by the movie's theme. I've recommended the movie to friends and acquaintances and those that watch it are also moved.

When my wife was hospitalized for leukemia there was an intern who became impatient with my questions and concern. I couldn't help but think that "hey, someday you'll become a patient too. Let's see how you'll handle it."

They should have medical students watch this movie. We can become callous at times, that we forget to put ourselves in the shoes of the other person.

The movie shows that there are people that stay in our lives so briefly but leave warm and good impressions that last a lifetime.

One of the major problems with American-made films is they overlook the touching effectiveness of simplistic and credible story telling combined with well-toned, subtle and even performances. Films such as Rain man and Erin Brockovich are good examples of where these attributes are ditched in favour of over-dramatic, occasionally over-melancholic and (often) unrealistic subplots. This, in turn, usually results in forced, uneven and rather unmoving performances.

American film makers need to review films such as Paris, Texas and The Browning Version to see how powerful, touching and engaging real-life drama is presented most effectively when the script-writers and director chooses simplicity and subtlety, without 'flair' and forced drama (ie... they need to look to Europe to see how it's done!)

The Doctor is certainly a large step in the right direction. The tone is subtle and the acting is fantastic because it is even across the cast. There is nothing unrealistic or fancy about the story and we don't have doctors running round the "ER" yelling and screaming and "manufacturing" drama. The Doctor is simple, yet brilliant.

I find it irrelevant that the story is overtly predictable. I'll never know why Hollywood finds it necessary to throw in the "dramatic twist" into every film? The majority of the time, the "twist" is usually predictable anyway, creates little by way of dramatic effect and is often childish and stupid (case in point "High Crimes"). Telling the story is the secret to drama, not artificially manufacturing one!

Perkins was terrific in the Doctor, but it was surprising to see that she had few notable roles after this film.

It's not unusual in Hollywood for 2 studios to be working on similar projects at the same time. One obvious example might be Milos Forman's beautiful Valmont, and Stephen Frear's certainly adequate Dangerous Liaisons. The latter featured a ‘bigger' cast by American standards, and did better business, not surprisingly.

About the same time as Randa Haines' beautiful, ‘The Doctor', with William Hurt was delivered, so was Mike Nichols ‘Regarding Henry', starring Harrison Ford. Again, the latter did bigger business, and as a result I feel this film was largely overlooked.

On first look, The Doctor seems a standard tale: icy, successful surgeon finds out what medicine is really like when the tables are turned and he is diagnosed with throat cancer. His redemptive arc is somewhat predictable, as he reconnects with family, redefines his medical practice, and restructures his relationship with his similarly icy partners.

But it's under these, predictable circumstances that a true craftsman like Ms. Haines can make the ordinary extraordinary. The film is genuinely heartfelt and touching, resisting at every turn any self-indulgence, or the gratuitous pulling at heartstrings, relying on a quiet, confidence, a softer emotion instead.

Not that it's not weepy at times.

Hurt has never been better in the title role. Elizabeth Perkins as his soul-mate cancer victim is equally superb.

The Doctor may not be the most moving, most influential, or best portrayed movie of all time, but it certainly should rank near the top of the best medical movies of all time. The story is about Dr. Jack MacKee (William Hurt), an arrogant heart surgeon whose believes that doctors should "Get in, fix it, and get out". However, when he finds himself diagnosed with cancer, he must see the system from the other side - a mechanized, unsympathetic system where the patient's comfort is the least concern. The story complicates when he befriends a fellow cancer patient, June Ellis (Elizabeth Perkins), who proves to be an inspirational figure in Jack's battle against cancer.

The movie could be deemed a transformation story. At first, Jack is an unlovable character - the doctor we all wish we didn't have. However, as he continues through his ordeal, his attitude begins to change. It is a profound change, and provides for many deep, moving scenes.

The story itself is not complicated, and is easy to follow. The acting, however, is top notch, and makes for a terrific movie. I would recommend it to anybody.