Dil Hai Ki Manta Nahin

One of my favourite bollywood movie, despite its lacking in few things. The movie is beautifully made, though it's copy of a Hollywood movie, the story execution till the end is perfectly done, befit to Indian scenario.

Pooja Bhatt is dam cute and fits the role perfectly well along with all actors in the movie.

The movie melts my heart and is dam funny till the end. I have watched it multiple times, and will probably watch it several more times.

Dil hai ke manta nahi.

I watched this movie when I was a teenager. Later I have watched it again a couple of times and its as entertaining as it was on the first time.

Anupam Kher is a talented actor, he fits well into a spectrum of roles. But I like him most as a comedian. In this movie he plays the father of the girl (Pooja Bhatt) and he plays it well :)

Some very nice songs too. Certainly worth watching.

Does the heart listen? Just follow your heart and avoid conflict (easier said than done)...that is up to debate.

I liked Aamir and Pooja, I saw this during early 90s. Another reason why I miss the 90s. I could write a Thesis on why the 1990s were the best time for Indian cinema.

A magical time in Indian cinema. Pooja Bhatt was the only honest and real actress around, now they all try to be all that and then some. Sorry girls there is only one Pooja Bhatt and she is still fabulous.

There is a song that my dad recorded on a song tape...(I had my own collection). The one I am referring to is when Pooja's character is singing about her boyfriend and Aamir's is singing about his imaginary girlfriend.

All the songs are poetry put to music and they are the soul of the film. All Bhatt productions are very soulful. That is what makes them special.

The song where they conflict is the best because it demonstrates how complex love can be. Pooja's character does not want to change her mind...Aamir's character is aware of her situation and yet he does not willing to give up. Singing about emotions is the best form of expression. Music is great but words are clear and direct.

Pooja Bhatt is too young and too talented as an artist to sit behind the camera. I loved all her movies. I also liked reading her interviews when I was younger.

Aamir Khan is perfection that continues today...Salman Khan and Shahrukh Khan are also very good actors in the work that they do.

Everyone knows my favorite is Shah Rukh Khan ever since the 1998 Awesome Foursome concert.

I saw the ratings of the movie and was surprised that it is just 7.2....It should be around 8.5. This might be a copy of English movie-- It Happened One Night but I found it to be more like 'Roman Holiday'. I have seen both of these movies but I love 'DHKMTN' more. The actings are superb! The comedy is superb! The d are superb! Where can you get mix of comedy, good songs and romance -- all in one package! This is a gem of a movie for sure. I have a projector now and this movie suddenly came to mind. Always seen this movie in my laptop and finally had a chance to see it in a big screen if not in theatre. The Indianized version is far better than the western version lol....stop comparing to the western version and just enjoy the movie. I really loved the dance when 'Hum hai rahi pyaar ke' was playing on the radio. Great movie!

As many of us know this movie is a rip-off of It Happened One Night. Not even one scene has been left out, yes songs have been added and some cheap comedy by the characters. I guess bollywood movies don't need storywriters or scriptwriters coz 99% of bollywood movies are copied/inspired/rip-offs from Hollywood or Japanese/Korean/French/Russian movies. If they(foreign counterparts) don't make movies, we'll be short of scripts and bollywood will be finished. But eventually I guess, nowadays we don't need their(Hollywood) story coz nowadays the quality of movies made in India are very pathetic. Nowadays, there is no storyline, the only genre of movies being made is comedy and that too very, very cheap. Item songs in a movie is a must nowadays for the success of the movie. We have and are acquiring the technology in film-making but not the class/quality of films.