IMDb-BEWERTUNG
5,8/10
10.179
IHRE BEWERTUNG
Ein Seifenoper-Autor bekommt einen Schlag auf seinen Kopf und muss nach seinem Erwachen feststellen, dass er plötzlich die Hauptfigur in seiner eigenen Soap ist.Ein Seifenoper-Autor bekommt einen Schlag auf seinen Kopf und muss nach seinem Erwachen feststellen, dass er plötzlich die Hauptfigur in seiner eigenen Soap ist.Ein Seifenoper-Autor bekommt einen Schlag auf seinen Kopf und muss nach seinem Erwachen feststellen, dass er plötzlich die Hauptfigur in seiner eigenen Soap ist.
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Empfohlene Bewertungen
The all time best line in the movie -- John Candy rescuing Emma Samms on horseback -- "This stranger knows no danger!"
A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.
A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.
"Delirious" is an amiable comedy starring John Candy. I liked it but also must admit that the story is slight and the concept, though interesting, seems difficult to maintain for 96 minutes.
Jack (John Candy) is the writer and producer for a daytime soap opera. However, when he's in an accident, he awakens to find himself living in the soap...and everything is very real. However, he also learns after a while that when he writes on his typewriter, things in this world change. So, he soon manages to become a 'Wolf of Wallstreet'...a rich playboy who is catnip for women and with almost god-like powers! What's next? Well, you can pretty much predict it from the clumsily written meet cute with Janet early in the story.
I enjoyed this one but just felt it had difficulty maintaining its momentum. It also was incredibly easy to predict much of what happens as a result of this weird experience...so much so that the finale seemed like a foregone conclusion. A good time-passer but not among Candy's best.
Jack (John Candy) is the writer and producer for a daytime soap opera. However, when he's in an accident, he awakens to find himself living in the soap...and everything is very real. However, he also learns after a while that when he writes on his typewriter, things in this world change. So, he soon manages to become a 'Wolf of Wallstreet'...a rich playboy who is catnip for women and with almost god-like powers! What's next? Well, you can pretty much predict it from the clumsily written meet cute with Janet early in the story.
I enjoyed this one but just felt it had difficulty maintaining its momentum. It also was incredibly easy to predict much of what happens as a result of this weird experience...so much so that the finale seemed like a foregone conclusion. A good time-passer but not among Candy's best.
This is a much more watchable film than many of the lightweight vehicles Candy took part in in his post-SCTV career. His part could have been played by any number of comic actors, but John steps in and gives it his best shot. He's always fun to watch on screen, and he has a good time here without going over the top, which he tended to do.
DELIRIOUS is a weird mixture of Groundhog Day, Soapdish, and various Rod Serling scripts in which the characters in a story are being controlled by someone at a typewriter. It's a workable premise, and the actors make the most of the stock soap opera characters they play. David Rasche, Emma Samms, Raymond Burr et al were well-chosen for their parts. Bit parts by Robert Wagner and Marvin Kaplan (the voice of Choo-Choo on TOP CAT) are also memorable. Mariel Hemingway takes some flak on this comment board for her part, but she seemed suited for the role and moved smoothly from her gawky character to the soap opera "devil woman." This is a pleasant comedy but not as consistently funny as SOAPDISH. The script by veteran writers of Gilligan's Island and Bewitched suffers from a lot of unnecessary "language" (for what could otherwise be a family film) but moves along at a brisk pace (except for the longish horse-riding scenes).
DELIRIOUS is a weird mixture of Groundhog Day, Soapdish, and various Rod Serling scripts in which the characters in a story are being controlled by someone at a typewriter. It's a workable premise, and the actors make the most of the stock soap opera characters they play. David Rasche, Emma Samms, Raymond Burr et al were well-chosen for their parts. Bit parts by Robert Wagner and Marvin Kaplan (the voice of Choo-Choo on TOP CAT) are also memorable. Mariel Hemingway takes some flak on this comment board for her part, but she seemed suited for the role and moved smoothly from her gawky character to the soap opera "devil woman." This is a pleasant comedy but not as consistently funny as SOAPDISH. The script by veteran writers of Gilligan's Island and Bewitched suffers from a lot of unnecessary "language" (for what could otherwise be a family film) but moves along at a brisk pace (except for the longish horse-riding scenes).
This is one superb movie. I can watch it over and over and over again without tiring of it. John Candy is as engaging and as superbly comic as ever in this little gem. Also has a great cast including Emma Samms, Charles Rocket, Raymond Burr and Mariel Hemingway. ONE TO WATCH!
This is a really good movie to watch if you like silly/fun movies, parody movies, or john candy. It has a great blend of comedy, wit, action and all sorts of other things. I am pretty surprised by the low rating. Its not the best movie by any means, but greatly above standard and really enjoyable. The actors/actresses were funny and did their parts nicely. Its not exactly original though, and it doesn't look like it had the best budget, but it does what its suppose to.. make us laugh. Definitely worth checking to see if your video store rental has it. I rate it 7/10. Rated PG for sensuality, crude humor, language and comic violence.
Wusstest du schon
- WissenswertesIn the scene at the party, where the characters of "Jack Gable" and "Rachel Hedison" are dancing, John Candy and Emma Samms did the scene without doubles, although it was difficult to tell because of the distance from which it was shot. Samms commented how graceful and talented a dancer Candy was, despite his size.
- PatzerIn the beginning of the scene where they run down before the dancing to the song "It's a Man's, Man's, Man's World", in the shot of the orchestra that's playing, the timpani player (who's supposed to be doing a roll on the drum during the intro of the song) appears to have no mallets, and the head of the drum is covered.
- Zitate
Jack Gable: I am dead! I'm in Hell! And my punishment, is to spend eternity on my own show!
- Crazy CreditsThe opening credits appear as if they are being typed on a typewriter, including some mistakes (cross-outs, use of white out, etc.).
- VerbindungenFeatured in Biography: To John with Love: A Tribute to John Candy (1995)
Top-Auswahl
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Details
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.546.827 $
- Eröffnungswochenende in den USA und in Kanada
- 1.803.059 $
- 11. Aug. 1991
- Weltweiter Bruttoertrag
- 5.546.827 $
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