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Adrienne and Jack meet, fall in love, marry, have a child, and live in a wonderful New York apartment. Then Jack is killed in a car crash. Slowly, things start to unravel for Adrienne in "Deceived," a 1991 film starring Goldie Hawn and John Heard.

This is a highly derivative movie concerning fake museum pieces, fake identity, and a double life, but it manages to be exciting and occasionally scary. As other people have commented, there are plot holes aplenty.

Hawn and Heard are both marvelous in their roles, Hawn for a change in a serious part. She shows she's as talented a "straight" actress as she is a comedienne. The final big scene will keep you on the edge of your seat, and the climax of it is a knockout.

This could have been one of the great movies if the script had been tighter because it is very well directed and performed with some excellent camera work and great music.

Despite script holes, I still found it entertaining. I wouldn't have minded paying good money to see it in the theater, and it makes a riveting rental.

Concerned that her husband might be having an affair, a middle aged woman begins to investigate his suspicious recent behaviour, only to discover a greater conspiracy than she could have ever imagined in this slick thriller starring Goldie Hawn and John Heard. The film is well known as Hawn's first non-comedy movie, though Heard is arguably more impressive, always seeming just a little bit menacing, even if he goes way over-the-top in his final few scenes. Whatever the case, the film's best asset is Thomas Newman's atmospheric music score, which creates a genuine sense of unease at several key points. As for the story at hand, it is not exactly first-rate. Unresolved plot points and gaps in the narrative abound; Hawn also seems to get hold of all the information she needs with unbelievable ease, whether it be a school records lady bending the rules for her or complete strangers conveniently letting her into their home. The film also overplays its hand a little by including a second unexpected deception by her husband late in the piece that only raises unanswered questions about his true motives and the way his mind operates. If one does not focus too much on story specifics though, the film could be considered a decent ride. There are some very effective chase sequences and suspense scenes in which characters are voyeuristically viewed by an unseen intruder. The novelty of having Hawn in a dramatic role cannot be discounted either. This may have not been the best script for her to highlight her potential as a drama actress, but she is certainly convincing.

Hawn, in an attempt to shed her giggling, airheaded screen persona, chose to make this rather dark thriller. In it, she plays a woman who meets a charming man (Heard) by chance and is soon married to him and enjoying a life of bliss and parenthood (to adorable imp Peldon) while dealing in ancient treasures and jewelry. One day, he finds himself in danger of incrimination for a forgery and from there, the plot takes off in hyper-unreal twists and shocks. Hawn, despite some viewers' carping that they couldn't accept her in this type of role, is excellent. She gives a fully committed, intriguing performance. Heard is also extremely effective in his part. They are both damaged by a script that is just too difficult to fully buy and riddled with plot holes. That said, the film is still quite entertaining as an experiment in audience manipulation. More than once, spine-chilling moments of surprise and terror jolt the viewer, no matter how many times they are viewed. The film is geared for audience reaction, but, unfortunately, the logic of the plot doesn't hold up. It hangs together pretty well for the longest time, then gets way out of hand and is all too typical of the thriller films of this era. There also seems to be evidence of cuts (note the billing, but virtual absence of Straight and Robertson as Hawn's parents and the sudden disappearance of underused Bartlett from the story, though she is fourth billed.) On the plus side is a sumptuous and rich-looking production design and a haunting, exceptional music score from Thomas Newman. Newman uses the lower notes that his father found so useful, but creates a modern, unique sound. Fans who can let go of Goldie's PREVIOUS image should find enjoyment in the film along with those who just like to get jolted. Fans of water-tight, intelligent mysteries are in for a let-down. Sadly, Hawn hasn't really attempted to break the mold again since this, joining people like Bill Murray ("The Razor's Edge") who have had immense trouble breaking free of preconceived notions about their area of talent.

Dark, somber thriller about an art restorer Adrienne (Goldie Hawn) meeting Jack Saunders (John Heard) and falling in love. They marry, have a kid and are happy--until 6 years (or so) into the marriage he's suddenly killed. Slowly Adrienne discovers her husband wasn't who she thought he was...

Sort of a film noir. Hawn decided to take a chance on a dramatic role. Unfortunately this film fizzled at the box office and Hawn herself later said she made a mistake. I actually like the film. I liked it in 1991 and I still like it now 15 years later. It's got an intricate plot and some very nice directorial touches (some of the scenes were beautiful). Love their apartment too. There was also a very unusual but effective music score and a few nice jolts in the movie too.

The acting varies. Heard is VERY good is his role. Unfortunately Hawn isn't in hers. She's somber, quiet and too restrained. She seems very uncomfortable in the role. She doesn't ruin the movie but she lessens the impact--maybe it's a good thing that she never tried this again. Also I noticed quite a few plot loopholes left dangling after the movie was over. Still I found this engrossing and well-made. Worth catching. I give it an 8.

Goldie Hawn and John Herd aspire to make this a Thrilling Thriller but are Deceived by a Script that Promises much more than it Delivers in Terms of Storytelling or Cinematic Surprises.

Truth is the Story is Unbelievable and Unconvincing with its Contrivances Sabotaging Logic and it "Twists" so Telegraphed that the Result is a Resounding Thud.

It's a Watchable Movie with just Enough Professionalism to Propel it to its Standard Chase Ending that in the Warehouse (Yikes) goes on for ever. Hawn is up for Her Dramatic Turn and Herd is Creepy even when He isn't Playing a Certified Creep, so that Helps.

The Cute as Pie Daughter may have too much Screen Time that gets in the way of the Rhythm, but is Well Cast and She does some Fine Acting of Her Own. She is the Driving Pathos of the Narrative but it is Heavy Handed.

Worth a Watch but be Prepared for Familiarity and Clunkiness. It's all just too Average and Apparent on the Surface to be Totally Satisfying.