Conagher

This is one of the best "true Westerns" ever, a tribute to the faithfulness of the makers to the book, and the labor of love done by the makers (Sam Elliott and Catherine Ross themselves). Sam and Catherine stuck to the text for the script, despite PC pressures to change some scenes.

The depth of love and respect for the original is also conveyed by the gracious touch of having Louis L'Amour's daughter portraying the starting-over former saloon girl stuck in the Indian battle at the stage station. The casting is near-perfect, even if most of them were the Elliott's good friends (and several were in Sam's other films).

The realistic look at ranch hand life strikes chords of memory with Monty Walsh. The action scenes were more reality-based than the 50's through 70's Westerns, such as the primitive look of the final saloon fight scene. And the costumes look straight out of a Matthew Brady photo book of a Western settlement, with the characters showing the dirt and grit which true pioneers experienced.

The developing love story between Con and Evie is beautifully captured by the camera, often without a word, as "the eyes tell the story". Ross plays the part perfectly of the dutiful, faithful frontier wife. And you "feel her pain" as she struggles with loneliness, and his as he struggles with an identity crisis and feelings of inadequacy to be the husband of a woman so noble. Sam deserved the Golden Globe for Best Actor he won, with a quietly powerful portrayal of the honest cowpoke.

All in all, a delightful and classically beautiful story of the Old West. I grew up in one of the last Western towns to "go modern", a real cow town which experienced some of the last (and biggest) gun battles in US history. This movie made me proud to be from my home area.

Conagher is directed by Reynaldo Villalobos and adapted to teleplay by Jeffrey M. Meyer from the novel written by Louis L'Amour. It stars Sam Elliott, Katharine Ross, Barry Corbin, Ken Curtis, Buck Taylor, Dub Taylor and James Gammon. Music is by J.A.C. Redford and cinematography by James R. Bagdonas.

After her husband fails to return from a trip to purchase cattle, Mrs. Evie Teale (Ross) fights hard to raise her two children whilst also keeping the family homestead afloat. Conn Conagher (Elliott) is a honest and hardworking cowboy who also has his own life struggles to contend with. Both Evie and Conn find their lives intertwined by their struggles against the perils of the West...

You don't know what music is until you hear the wind in the cedars.

Beautiful and subtle in every respect, Conagher is a treat for the grown up Western fan. The story is literate off the page from the beginning, it's the sort of character study that often gets taken for granted due to its simplicity. Yet the emotional depth is mightily strong here, the lead characters not bogged down by clichés or badly constructed scenes. Both Evie and Conn are deftly etched people, both easy to get on side with, their strengths are many, their loneliness perfectly understandable and never once schmaltzy. Helps that it's the real life husband and wife team of Ross and Elliott in the roles, the chemistry set in stone, when they look into each other's eyes you see it's real. A fine couple they do make.

Even though Villalobos takes his time, rightly pacing it in steady and reflective beats, it's a film that doesn't lack for action. There's still gun play (Indian attack/rustler root outs) and a good round of knuckles (Elliott one of the best punch throwers in his acting era), the director, no doubt helped by the wily Elliott, proving more than adept at construction of the energetic scenes. Bagdonas and Villalobos provide some gorgeous photographic compositions that belie the TV movie budget, with the Colorado (Buckskin Joe Frontier Town & Railway/Canon City) vistas an extra character; and the misty interiors nicely capturing the tonal mood of the narrative. A fine gathering of support character actors come up trumps, while Redford's musical score is led by the guitar and lands softly in the ears.

This is 100% recommended to Elliott and Western fans who appreciate characters superbly written and performed. It may end up as you expect, but that's OK, because if it didn't then you may well have wanted to throw your TV out the window. Just like I would have done had it not ended the way it does! Conagher, a subtle and beautiful treat. 8.5/10

As far as books that become movies go, this is arguably the most faithful adaptation I've ever seen. This film follows L'Amour's novel of the same name so close that most of the dialog is word for word with the book. Like HONDO, also a L'Amour, the only parts left out of this film are minor pieces that had to be omitted because the film would be 4-5 hours long if every single scene was included. Even HONDO though, which is a wonderfully faithful adaptation doesn't follow as close as CONAGHER. The parts from the book that are left out are explained rather than shown.

That being said, the film is in my opinion one of the great westerns of all time. Not THE best, but definitely worthy of mention among the best. Sam Elliott & real life wife Katherine Ross are excellent, as is the supporting cast, comprised of a who's who of western actors, including Barry Corbin, Buck Taylor, James Gammon, & Ken Curtis (who was actually one of John Ford's "boys"). I can't think of anything but praise for this film. If you're a fan of great westerns it's definitely for you, but also anyone who likes a good film of any kind where we have a hero not trying to be a hero, but rather just doing what he has to, you'll like it too.

I can hardly put into words ,my love for this movie.I have seen it at least 50 times.I wore out the first video and have started on my second one.

I am a great fan of Louis L'amour and the making of this book into a film was one of the best things that could have happened,for me.

The cast and crew could not have been better picked. The roles of Evie and Conagher could not have been better done than with the husband and wife team of Sam Elliott and Katherine Ross.

I am transported to the old west every time I watch this movie.I suppose I like it so much because the book does the same thing when I read it.It is a movie to enjoy time and time again.

If you think you see some similarity between this film and the John Wayne classic western Hondo you're a sharp person. That's because both were written by Louis L'Amour and both have a cowboy hero aiding a woman alone on the frontier with her children.

Katherine Ross plays the woman who has a small ranch that also serves as a stagecoach station.. But that small amount of base income is about to be cut off as a new station is being built, As for her ranch, Ross's husband is gone for some months now on a cattle buying trip with no word when or if he's returning.

Sam Elliott is our title character hero and he's riding line for Ken Curtis's ranch and doing his best to keep thieves off the range. Curtis is beset by rustlers and Elliott does get tempted to look the other way. But like Hondo Lane, Conagher is your straight up cowboy hero, the kind we seldom see in our more cynical age.

Real life marrieds Sam Elliott and Katherine Ross have some tender scenes as she and he would like to get together. But as long as the missing husband's status is still missing they will be true to their moral code.

The supporting cast has a several familiar western faces. My favorite is Barry Corbin the stagecoach driver who even with his company not subsidizing Ross, he has a great personal concern for Ross and her kids.

Conagher answers in a positive way the question of whether we see westerns like we used to see. Most affirmatively with this one.